IMDb RATING
7.4/10
1.4K
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Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his moth... Read allJoaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.
- Director
- Writers
- Stars
- Awards
- 10 wins & 13 nominations total
Angel Facio
- Editor
- (as Ángel Facio)
Maximiliano Zago
- Simón
- (as Maxi Zago)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A journalist arrives to a writer's home to help him to make an autobiography, there, as he tells his life, we can remember all his good and bad moments that caused a scar in his existence. A movie with a typical Argentinian style: great actors with a very well structured screenplay and a touching and hard story. unfortunately, as usual in Argentinian films, it is too much slow, and than can make it boring sometimes, in the same way, its enormous duration (2 hours and a half) makes it more difficult to enjoy indeed. It has very very good acting. However, its duration and its lack of rhythm mess a little the result; with 30 minutes less of film it would have been better.
This movie has been called "the event of the year" in film industry and I am not sure if it is up to this statement. Of course Aristarain knows what he is doing, the cast is really good (even Botto, whom I hated in "Martin (hache)"), photography, edition. It is a very beautiful product indeed. But the plot seemed a bit weak and the pace is quite slow. I didn't get it: if the intention was to pay homage to that great woman that Roma is, it wasn't fair enough, it was too focused on Joaquin; if it was to tell the story of Joaquin, the I couldn't see the point, because I don't think it was a deep story, with any turning point; then, if Aristarain was trying to show the history of Argentina, he was quite vague and used too many time jumps. Finally, if he was trying to do all three things, he of course was being too ambitious! I'm sure a lot of people was waiting for Aristarain's next movie. Will they be pleased? I really don't know. Maybe he reached his peak with "Un lugar en el mundo". What I'm quite sure about is that, if this film was the event of the year, I will be very disappointed in Argentinian film till 2005.
I happened to watch this film on "the small screen" in Spanish, which was somewhat of a challenge. My linguistic limitations notwithstanding, I felt intrigued enough to put in the effort to follow the dialogue, pacing, and emotional pull. I have not seen other works by this director, but felt rewarded for my time. It was refreshing to see a film discuss philosophy and intellectual points in the context of a Latin American family. The plot revolves around a mother and son through time, utilizing media references such as scenes from the film Grapes of Wrath to embellish this central theme. I enjoyed revisiting the 60s and 70s in Roma, the classical lines and designs, Jazz and literature references. A thinking person's film, regardless of one's language capacity.
I stumbled upon "Roma" a few nights ago on the HBO Latin channel. I seldom watch Spanish programming, but when I clicked on the program grid for some information on the film, I saw the movie's locale was Buenos Aires. My parents were portenos from Buenos Aires and I have been to Buenos Aires a few times, most recently last October, so I decided to watch.
The movie itself did not impress me. It was "ok"...a talky character study. Not a bad movie, but nothing out of the ordinary either. But...I enjoyed the movie immensely because the actors spoke just as my parents spoke, in the Argentine "porteno" dialect of Buenos Aires. It was like going back to my childhood. I speak Spanish reasonably well (but English is my "first" language) and I hear people speaking Spanish all the time at work, but they are not from Argentina. As soon as the movie started and I heard the actors speaking, I could tell is was that old familiar Argentine dialect...the cadence, the inflections, etc., are so unique. I told my sister about the movie...even though she understands little Spanish, I told her to watch or rent this movie if she could because she most likely would be transported back to our childhood as I was.
Elaine Clearwater FL
The movie itself did not impress me. It was "ok"...a talky character study. Not a bad movie, but nothing out of the ordinary either. But...I enjoyed the movie immensely because the actors spoke just as my parents spoke, in the Argentine "porteno" dialect of Buenos Aires. It was like going back to my childhood. I speak Spanish reasonably well (but English is my "first" language) and I hear people speaking Spanish all the time at work, but they are not from Argentina. As soon as the movie started and I heard the actors speaking, I could tell is was that old familiar Argentine dialect...the cadence, the inflections, etc., are so unique. I told my sister about the movie...even though she understands little Spanish, I told her to watch or rent this movie if she could because she most likely would be transported back to our childhood as I was.
Elaine Clearwater FL
This movie is Aristarain's best in my humble opinion, what a beatiful picture.
Did you know
- ConnectionsFeatures The Grapes of Wrath (1940)
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Рим
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,763,806 (estimated)
- Gross worldwide
- $1,459,663
- Runtime
- 2h 35m(155 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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