How the Garcia Girls Spent Their Summer

The Garcia girls consist of women from three successive generations: Dona Genoveva (Lucy Gallardo), the septuagenarian matriarch of the clan; Lolita (Elizabeth Pena), her stressed-out single-mother daughter; and Blanca (America Ferrera), her just-beginning-to-learn-about-life teenaged granddaughter. As the middle person in the hierarchy, Lolita has her hands full dealing with not only her own issues of a middle-aged divorcée struggling to make something of her own life, but those of an aging mother who's suddenly decided she wants to learn how to drive and to become romantically involved with the family gardener, and of a daughter who's just beginning to learn about boys and the strange impulses and yearnings that are suddenly pouring forth from her rapidly changing body.

At its core, "How the Garcia Girls Spent Their Summer" shows how the problems of sex, love and relationships cut across all generational lines. Genoveva, for instance, is every bit as interested in achieving physical intimacy with a man as is her virginal teenaged granddaughter. In fact, this is one of the rare films that even acknowledges, let alone dramatizes, the fact that older people can be every bit as sexually preoccupied and sexually active as their much younger counterparts. And the movie also notes that the social and religious taboos placed on senior citizens having sex are every bit as intense as those placed on youngsters for the same thing. And caught in the middle of all this is Lolita, who often doesn't know quite what to make of either her mother or her daughter - or how to find the right balance between her own desires and needs and the responsibilities of being a breadwinner, a supportive daughter and a guiding force in her child's life.

As written and directed by Georgina Riedel, "How the Garcia Girls Spent Their Summer," which is set in a small dusty town in the Desert Southwest, focuses so intensely on the minutiae of the everyday lives of these women that it's bound to leave some in the audience feeling restive and impatient throughout large stretches of the film. The movie is filled with languid scenes where not a whole lot seems to be happening, and the pacing is often more desultory than it needs to be, which doesn't make the time go any faster. Yet, in a way, the style effectively picks up the rhythm of life in a sleepy town, where the wealth of experience seems frustratingly curtailed and the future itself sadly limited. In fact, Riedel periodically cuts away from the "action" to focus on a group of elderly gentlemen who sit around all day discussing what they've learned over the years about cars and girls, in roughly similar terms - which explains a great deal about just what these women have to deal with on a daily basis just trying to come to terms with their own roles in a largely male-dominated world. And beyond the uncompromisingly truthful and understated performances by the three leading ladies, the director demonstrates a keen eye for composition that makes the film at least visually interesting even when the drama itself isn't always engaging us completely.

Thus, for all its flaws, "How the Garcia Girls Spent Their Summer" provides many compelling insights into what it means to be a woman - in particular an Hispanic woman - in the modern world.

Nice example of life in a small Arizona community before the influence of so many outsiders. Myself, growing up in a very similar community in southern Arizona was very familiar. They loneliness of being single and with a small pool of others in the same situation reminded me of my Mother ,sister and niece and what it was like for them. In a town of 212 people we often dated the same people,knew what everyone's business was and felt that a lot of relationships were incestuous,not in reality but because we grew up in a brotherly ,sisterly way since early childhood. The very girls I grew up with and thought of as sisters were my future dating partners. Just having someone there is a comfort especially as we get older. I think this explains why some stay in bad relationships,the fear of being alone. This film reminded me of my youth and it didn't matter that these were Hispanic women. I have found that economic ties bind you far more than racial ones. The movie was a little jerky and needed a better sound track but I liked it. I saw what must have been an autobiographical treatment for the director. Well done!

I also agree with Tmvaz-1 and Wildcat. This film is terrible. I know it has been to Sundance, but why i do not know. I give credit and my three votes for the three lead actresses. They are phenomenal and the filmmakers should thank their graces that they have good performances cause without that, this film doesn't have anything. It is over 2 hours...feels like 4 and has some graphic scenes that are NOT necessary. The shots are very long and boring. My guess is they didn't get good coverage. As Wildcat and Tmvaz were saying, the shots weren't that great so i'm guessing it was poorly planned. Also, for some reason the people in the scene were always on like the far left of the screen...why? This film builds up to like 4 funny moments in the film and each moment has like a 30 minute build up. The grandmother is a fantastic actress and completely makes this movie bearable along with her two co-stars, but the story is incredibly boring and the movie is really just about sex. It really is a poorly told story. Maybe if it was like 45 minutes shorter, it would seem like a better movie.

This is a wonderful film! I just saw it last night at the Riverrun Film Festival in Winston-Salem, NC last night with a packed house that was was beyond satisfied! Aside from the wonderful performances (especially Elizabeth Pena), the writing is insightful, especially knowing how young the filmmaker is. It is funny, touching, and REAL. The non-verbal scenes are especially strong and show a side of women we rarely see. We need more films like this that at fully explore the dynamics of being a woman is today's society. The characters are realistic and the story is compelling. The "Greek Chorus" of older Latino men that are seen throughout the film could be a film unto themselves. Most importantly, this film exposes us to a culture we don't know enough about. Most men won't appreciate this film, (a lot of the references will fly over their heads) but the First Wives Club audience will flock to it, as will senior citizens groups who will sing it's praises! If you enjoyed Real Women Have Curves you will LOVE this one! (same lead actress too!) This is a "chick flick" film with whole lot of heart.

I finally rented this over the Christmas holiday. Like some of the other reviewers, I too am from the same small town where this film is set. When I came across this film at the video store, I thought it would be interesting to see Somerton on the big screen (or my flat screen). What I found instead, was a frighteningly accurate depiction of life in this small town. Not only does the film artistically capture three generations of beautiful, strong women, it also captures the soul of a small agriculturally based Latino town. The audio was a little interesting at first, but it really adds to the beauty of this film... To all who made this film a possibility, You don't make me want to live there ever again, but you did Somerton proud!!!