A Killer Within

I wouldn't call this the next great mystery thriller, nor would I call it total garbage. It falls somewhere in between, but at the lower end of the 10-star system. It had its moments, and, yes, Sean Young is still hot! (And an under-rated actress), but the plot and its "multiple endings" were not the best. A better script might have helped. I'm not going to diss folks who tried to make an independent film outside of Hollywood. At least they didn't do a remake of the Beverly Hillbillies, Welcome Back Kotter, or Bewitched. They tried to be original. (Note to self: Original does not always translate to good.) Give the film a chance and watch it for yourself.

I usually do not sit down and watch thrillers because I can figure out the who done it of the whodunit. I did lean toward a certain suspect and turned out I was right, but the ride to see if I was correct was rather enjoyable. There was a good plot with a lot of good twists and turns which would leave a person guessing right up to the end. Best roller coaster ride I have had in, well, forever. It was very intelligently done. Kudos to the writers.

The cast was put together well and seemed to work together well. I admittedly am a fan of Ben Browder and have to say he did not disappoint in this movie. I hope to see this group work together again in the future. It seemed as though they really enjoyed what they were doing and to me that makes a difference in watching average and watching above average.

I have to say I enjoyed this little independent movie more than most big box office hits and top TV shows I have seen.

Thanks guys for the good ride.

A tight plot and solid performances set this film above the standard fare. As a lover of mystery I've become extremely adept at finding the killer quickly. Well not the case here. I was guessing right up until the end. Enough red herrings to stock a fish market, and I loved every minute of it. Taking Lives tries to bring the mystery that A Killer Within delivers. So if you want a good mystery check it out.

The movie was decent. Kind of shallow in some of the acting and I question how the brother(?) was able to act as an attorney when he didn't seem like an acting attorney but as a paralegal instead. My biggest question, however, is about the item on the fireplace mantel. What is that object in between the candles? Is that male genitalia? Who puts that on their fireplace? Was that intended or was it a reference to something? Was this made for TV? It cracks me up a little bit.

Aside from that strange, burning question that others must have missed, I also question why an attorney would offer up so much information to the police as he did. He should have known that bringing up wanting children would have made the cops ask more questions.

Very predictable with not much of a trick at the end. The beginning was very clumsy, even embarrassing, direction and not being able to grasp a good performance out of any of his actors, even the much under-rated Sean Young. Mr. Esposito later saved any interest in the movie. Cable then the video store is where this belongs, the director should watch Chinatown. Dallas offers much for a real noir, but this is not it. It is hard for a new director to engage this kind of film with any originality. The genre has been repeated many times , yet it is still valid. Walter Mosely can do it by writing. Donald Goines did it. Polanski did it. The Usual Suspects did it. Time is one thing, but realizing place, a real understanding of local, is another.