Der Wald vor lauter Bäumen

The first few minutes of the film, i couldn't get over the 30fps video hand-held format. I was thinking, "are they crazy? at least shoot 24p..." But soon enough, the story sucked me into Melanie's plight settling into a new environment, struggling with loneliness, desperation, and upholding her facade of "everything is fine," when everyone knows that she is physically and emotionally deteriorating. I thought that the acting was superb. Not once did I feel like the actors were acting, but the video format and the emotions elicited conveyed a painful sense of realism.

This film touches upon a universal struggle of the human condition in such a realistic, frustrating, and true-to-life approach. Her inner tug of war is something that all of us have experienced at one point or another to some degree of severity.

It is truly a touching story.

I haven't felt such pity, frustration, empathy, and genuine identification with the protagonist in a long time.

Find this film and go see it.

Maren Ade's debut. I wasn't expecting too much out of this one, since it doesn't have much of a reputation and I didn't really like Ade's sophomore feature, Everyone Else. I did like her third film, Toni Erdmann, but I kind of figured that was a major step forward for her. To my surprise, I found Forest for the Trees to be her best work so far. Shot on video, this is the story of a lonely, young teacher (Eva Löbau). She isn't too good at her new job, and she's not too good at life outside of school, either. Her 9th grade students walk all over her and the only friendship she can strike up is an awkward one with her neighbor. Löbau's neediness is exacerbated by work stress, and her friend soon grows annoyed with her. As someone who dipped his toes into teaching, I felt like this would have been my experience and, even though I spent a lot of time learning how to do it, I abruptly decided it was not for me. This situation is one of my nightmares, and I felt every painful moment of this film like a needle in my flesh. The film might have seemed perfect to me if not for the sort of cheap, magical realism ending. It's unpleasant, but truthful. Outstanding.

Excellent film. Not for everybody for sure, but I found this film one of the best I have seen in years. The director has lots of courage to take such an enormous risk. The film leaves many questions open and is not easy to forget. The acting is absolutely superb, so natural and the film avoids simplicity. Highly recommend for people who hate sugar coating. This is film is truly tough, psychologically tough. The main actress is just amazing,but all supporting actors are good as well. The true subject of the film, I think, is actually survival and friendship. Female friendship rarely gets analyzed so closely and accurately. In general films focus too much on romance and not enough on friendships, which are just as complex and complicated.

"The Forest For the Trees" tells the story of Melanie, a young woman who sets off for a job as a teacher in the big city. She is idealistic and thinks (as most new teachers do)that she knows more than the experienced teachers because she has just come from college and she knows "new" techniques, when experience is the ONLY teacher. But I digress...Eva Loebau does a marvelous job portraying Melanie, who can constantly be counted on to say the wrong thing, both in her professional and in her personal life! We watched and cringed as Melanie made faux pas after faux pas, never seeming to learn, and being too proud to ask for help! As to the ending, the director (we saw this at a Sundance screening, and the director came up on stage for Q and A afterward) said that the end was meant to be more symbolic than literal. I didn't really think there would be another credible way to end the story, and thought that the director did an awesome job in this, her first film.

I've seen all of Maren Ade's film as of this writing in 2016 and I don't think she's made a bad, or even middling one yet. The Forest for the Trees is her absolutely astonishing debut and immediately showcases her style and strengths.

First of all this isn't a "beautiful" film. Made as a student thesis you can see it was filmed on the cheap on video so the images will never really bowl you over (with a few exceptions). Where Ade's strength lies is in uncovering the hellish situations in reality. She first introduces us to Melanie Pröschle, a sweet, but goofy school teacher who is moving to a new (small) city to teach grade school students. Feeling alone in her apartment building she quickly spies her neighbour Tina Schaffner, and sets about trying to befriend her, which goes in awkward fits and starts as Melanie is socially awkward and doesn't seem to understand boundaries and is constantly confused as to whether her new friend really likes her or not. At first, the tensions between Melanie and Tina seem like the normal awkward pains that happen when adults struggle to make new friendships, but as the movie wears on, and Melanie's professional life flies further out of control, she places greater and greater importance on Tina and her friendship leading to increasingly disturbing encounters between them.

It is an incredibly painful movie to watch because I'm sure everyone has experienced each side of the coin of being a Melanie or a Tina and this movie presents the worst of both worlds. It also features one of the best endings I've ever seen in a movie, and the final shot will stick in my mind for a long time.