A famous DJ in the Ibiza club scene finds the alcohol and drug-fueled party that is his life threatened by the progressive loss of his hearing.A famous DJ in the Ibiza club scene finds the alcohol and drug-fueled party that is his life threatened by the progressive loss of his hearing.A famous DJ in the Ibiza club scene finds the alcohol and drug-fueled party that is his life threatened by the progressive loss of his hearing.
- Awards
- 11 wins & 9 nominations total
Geffen Katz-Kaye
- Baby Wilde
- (as Geffen Strummer Kaye)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie has been entirely under my radar until Sound Of Metal came out and made waves last year. A few different people brought this movie up and called it "the original Sound Of Metal". While the primary plot point is generally the same (professional musician goes deaf and tries to deal with it in the best way they can figure out how), the movies couldn't be more different tonally - and guess what, they are both completely worth watching. While Sound Of Metal is a hyper-realistic, bleak, tasteful film - It's All Gone Pete Tong is almost the polar opposite. It's fully over-the-top, comical, loud, in your face, lightning paced, and hilarious.
I was entirely unfamiliar with lead actor Paul Kaye but his performance as cocky Ibiza resident DJ Frankie Wilde floored me. He perfectly captures the highest level of comic character acting while simultaneously capturing a very real, very depressing element of a man completely lost in the sauce (his head all the way up his own ass, you could say). The film uses a mish-mash of filmmaking styles to conjure a very unique vibe when viewed as a whole - when I first turned it on I thought that maybe I was about to watch an actual documentary, but that very quickly transformed into something else, but even then, I still found myself wondering if this was in fact based on a true story or not. It felt like it had to be! (It's not).
The first half of the film is such a riot that it demands a score as high as I've given it. However, I did find the second half to be less fulfilling as it very much turns into a sappy sort of happy ending that honestly feels a bit too far of a stretch from reality to be effective, and also a bit too far from the masterful hilarity of the first half of the film - like, why ditch it? If it would have kept the same tone all the way through it could have been a complete masterpiece.
Now, I've gotta ask... why the hell is this movie called It's All Gone Pete Tong??? Pete Tong is an actual DJ and film producer in real life, and only appears once at the beginning of the film, interviewing Frankie Wilde - and then we only see his name once more, as the support act on a show flyer. That movie has almost nothing to do with him - why is his name in the title?! Second, I feel the need to add that this film was the follow-up to FUBAR - the second film from that director. I had no idea until doing research, but, it makes sense tonally & stylistically - it seems that this is his most acclaimed film, and I can see why. It stands out big time. The Fubar guys have small roles as absurd Austrian musicians too! I recommend this to those who are into absurd, over-the-top comedy.
I was entirely unfamiliar with lead actor Paul Kaye but his performance as cocky Ibiza resident DJ Frankie Wilde floored me. He perfectly captures the highest level of comic character acting while simultaneously capturing a very real, very depressing element of a man completely lost in the sauce (his head all the way up his own ass, you could say). The film uses a mish-mash of filmmaking styles to conjure a very unique vibe when viewed as a whole - when I first turned it on I thought that maybe I was about to watch an actual documentary, but that very quickly transformed into something else, but even then, I still found myself wondering if this was in fact based on a true story or not. It felt like it had to be! (It's not).
The first half of the film is such a riot that it demands a score as high as I've given it. However, I did find the second half to be less fulfilling as it very much turns into a sappy sort of happy ending that honestly feels a bit too far of a stretch from reality to be effective, and also a bit too far from the masterful hilarity of the first half of the film - like, why ditch it? If it would have kept the same tone all the way through it could have been a complete masterpiece.
Now, I've gotta ask... why the hell is this movie called It's All Gone Pete Tong??? Pete Tong is an actual DJ and film producer in real life, and only appears once at the beginning of the film, interviewing Frankie Wilde - and then we only see his name once more, as the support act on a show flyer. That movie has almost nothing to do with him - why is his name in the title?! Second, I feel the need to add that this film was the follow-up to FUBAR - the second film from that director. I had no idea until doing research, but, it makes sense tonally & stylistically - it seems that this is his most acclaimed film, and I can see why. It stands out big time. The Fubar guys have small roles as absurd Austrian musicians too! I recommend this to those who are into absurd, over-the-top comedy.
It's all gone Pete Tong is the story about an Ibizian DJ, Frankie Wild (who is a loud mouthed, cocaine addicted party animal). The mockumentary tells us quickly about his rise to fame in Ibiza and how he loses it, literally. Years of doing sets in the loud drug scened clubs are starting to set their toll on Frankie who is losing his hearing much to the annoyance of his agent, who cant seem to get a word of him. Suddenly Frankie loses the 20% of the hearing he has left so he barricades himself away from mankind in his Ibizian villa. It's all gone Pete Tong is hilarious when it's funny and if anyone was going to play Frankie Wild it had to be Paul Kaye. The film slightly slows down in the 70 minute mark, but still i'd recommend it to anyone even if they are not into the clubbing scene. The film capitulates the true meaning of a feel good summer film. 7/10
P.S It's all gone Pete Tong means (forthose of you who don't know) "It's all gone wrong".
P.S It's all gone Pete Tong means (forthose of you who don't know) "It's all gone wrong".
This film played the second night at Gen Art's 10th Annual Film Festival. I was expectedly waiting for the "big name" films Standing Still and Southern Belles but one of the Gen Art staff recommended I watch Pete Tong. Knowing a little bit about dance music (Moby, Paul Oakenfold, Fatboy Slim) and having watched just a couple of flicks (Go, Groove, 24 Hour Party People), my expectations were low. The theater was packed. Within the first 10 minutes, I was hooked. The opening sequence has Paul Kay (Playing the famous DJ Frankie Wilde) descending from the ceiling of a Ibiza club on a guide wire and then falling into a pool! The music THUMPS THUMPS THUMPS and the theater had the volume jacked so that you could feel the bass and vibrations. The plot is fairly predictable but the main actor does an amazing job. The film is well shot with beautiful colors, but lots of close-ups. Don't sit too close to the screen on this one. The furry Coke Badger gives us a humorous glimpse at the personification of addition. All in all, a fun show with a (Happily) cheesy ending. The film ended up winning both the Best Picture and Audience Awards.
The movie is very good, very well shot and the director deserves praise for his work. Kaye gives a memorable performance. The story is good, with a strong melodramatic theme, as the film is not so much about Djs than about handicapped hearing impaired people. It is sad and sweet at moments with very moving moments. Some touches of black humor, very British, a bit of swearing and two macho crass jokes don't spoil the overall feeling of despair and total compassion you feel for the human beings portrayed. The music is good not so much the dance music but the score. The picture is superb knowing it was shot on digital. It's a low budget movie which looks like a 10 million dollar film. And a meaningful film. Not to be missed. A true achievement.
10vdeleeuw
Paul Kaye is the perfect type for this DJ-character in the Ibiza music & party scene. I'll keep it briefly. The film got lot's of aspects as my summary explains. A genius in his own right.
We saw the movie at the International Film Festival in Rotterdam (the Netherlands). It was a surprise movie at the last evening of this Festival. It really surprised us. Nighty minutes after the movie ended we were still laughing and talking about this unique movie. Something to remember: the alternative 'scarface' scene. It's the brain of Michael Dowse that we have to thank for such a film
Go see the movie and have fun! Even if you don't like house music.
We saw the movie at the International Film Festival in Rotterdam (the Netherlands). It was a surprise movie at the last evening of this Festival. It really surprised us. Nighty minutes after the movie ended we were still laughing and talking about this unique movie. Something to remember: the alternative 'scarface' scene. It's the brain of Michael Dowse that we have to thank for such a film
Go see the movie and have fun! Even if you don't like house music.
Discover the nominees, explore red carpet fashion, and cast your ballot!
Did you know
- TriviaPaul Kaye is not a fan of dance music, and whenever a scene has him in headphones, he is actually listening to punk rock like Sex Pistols or The Clash.
- GoofsWhen Travis knocks on the Whip's door, he knocks three times but the last knocking sound is heard after he pulls his hand away.
- Quotes
Frankie Wilde: Maybe I should write a book. That might take years though, perhaps a pamphlet or brochure.
- How long is It's All Gone Pete Tong?Powered by Alexa
Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $120,620
- Opening weekend US & Canada
- $19,717
- Apr 17, 2005
- Gross worldwide
- $1,635,056
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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