Guerrilla: The Taking of Patty Hearst

If this is the same movie directed by Robert Stone and which I saw at the Seattle Int'l Film Festival today then I would have to say it was quite dull in places and in need of some editing. While it got across the interesting spectacle Patty Hearst made at the time - rich girl turned radical rebel ostensibly for the people - I would have liked to have seen more in-depth profiles of all involved prior to hearing them talk - of Patty, her parents, their relationship, the backgrounds of the other members of the party, etc. Too much of this film's information was just a dry re-telling of the news, and a dry outline of how the event affected the evolution of reporting and FBI investigative reporting. It's a fascinating and timely topic - in that today again we are faced with a conservative government and a growing rebellion against it complete with terrorist activity, only on a global instead of just domestic scale, but this documentary falls sadly short of portraying the events that unfolded in any particularly interesting or involving way. There's got to be a better documentary out there on this subject. Can anyone recommend any?

There are so many excellent documentaries being made these days. This another example.

What is so striking about this story is how far people were willing to go to complain about racism and poverty. What's more, many people were willing to support them. One Berkley student, Popeye, makes the most telling statement when he says how sad it is that the likes of the SLA are required to make people act to stop poverty in the US.

Even more disturbing is that no-one would dare even think like this now. They would be branded unpatriotic terrorists. What this doco and see how freedom of speech and thought has been eroded and how the popular media is now just a puppet of the government and big business interests.

It is also incredibly ironic. Patty Hearst joined the SLA in their fight against racism and poverty. As soon as she was captured she was let out within months and Clinton gave her a full pardon. Compare that to those people without money and a powerful family - they went to jail for years. When push comes to shove, money and power will keep you out of jail whilst others involved in EXACTLY the same event go down for 8 years! Where are the SLA when you need them ... ;)

I saw this at the Florida Film Festival and was quite blown away. Taken with the Oscar-nominated doc The Weather Underground, both movies present a jaw-dropping look at just how tumultuous those times were, especially for someone who didn't live through them, like myself. It's amazing to see how far young, well-educated, mostly white kids were willing to go to prove their points about race, money and war. Archival footage, especially that of the harrowing shootout in Los Angeles that was broadcast live on the air, shows you an America that is almost unrecognizable to us. The ending, which juxtaposes images of media-darling Patty with the rest of the SLA either in jail or long-since dead, is truly stunning.

This wasn't the greatest doc in the world, but it's hampered by not having an up-to-date interview with Patricia Hearst, the subject being examined by filmmaker Robert Stone.

As someone who was active in this period (the 'tumultuous' 1960s and '70s), I think the film offers an accurate depiction of the unrest that spread throughout the world as young and old took to the streets and denounced the powerful who brokered in human oppression.

After almost two years of living with the 'enemy,' the precious Patty Hearst was released. She recanted and told the world how much she had been 'brainwashed' by the Symbionese Liberation Army. Through powerful political influences, she served less than two years in jail, then went back to the protective bosom of the very system that the SLA, and Hearst herself, were fighting against.

The people shown to be the REAL buffoons in this film are the FBI, CIA, the army, and various police forces. Although only a ragtag outfit with barely seven members at its zenith, the SLA went all but undetected, with Hearst in tow, for almost two years.

This was a depressing film for me personally. I look around me now and see nothing but mindless, conformist kids and adult children who think happiness can't be achieved unless they get ever-newer versions of i-Pods, i-Phones, or a multitude of other gadgets every two weeks. Resistance has left and gone away. Not many people stand up to be counted any more. And no, returning something to the Gap is not an act of rebellion.

The public can sense when they're watching a symbolic tale of the age, especially when there is a young female figure at the centre, representing the soul of a nation, being competed-for by good and evil.

Here the symbolism is as stark as you can get. The heiress to one of the great American dynasties gets kidnapped, brainwashed and reduced to a helpless pawn in the hands of a group claiming to represent 'the will of the people' - supposedly meaning black people, though only one member of the original Symbionese Liberation Army is black. The rest are students from Berkeley, as Patty was, and the whole story is drenched in Californian hippie-talk. You can almost smell the drugs, as these ageing lefties recycle their lazy, dreamy philosophies, and (significantly) try to distance themselves, thirty years on, from the childish antics that surrounded the kidnap.

So, a 'General Field-Marshal' declares all black jailbirds to be political prisoners, though in another breath they have become prisoners-of-war, who need to be exchanged. This is called playing soldiers, though amazingly this rag-tag bunch is able to keep at bay thousands of police and troops for more than a year.

Meanwhile a dubious black preacher in multi-coloured robes has to be appointed as the neutral liaison man, but soon makes clear where his loyalties lie, with a speech that sounds like a send-up of over-emotive ghetto sermonising.

Perhaps most symbolic of all is the demand from the Army council that the Hearst fortune should be spent on 'feeding the poor of California', resulting in a chaotic distribution of groceries to huge, pressing crowds, with at least one person crushed to death. The sheer immaturity of the student-revolutionary mind is writ large in this drama. (One of the retired class-warriors admits he was inspired by the Robin Hood films.) We know, of course, that Patty lived happily ever after, marrying her bodyguard and mothering two children. Yet there is something unreal about her in these few short clips, as though something died inside her during her captivity. And many have noted the irony of her brief jail sentence, reduced to almost nothing, thanks to powerful family connections.

The final irony is that the protest-lobby of 1974/5 did actually have a few grains of justice on their side. After Vietnam (America's first-ever defeat) and Watergate, which made the president look both corrupt and incompetent, young people could not be expected to show the same instinctive regard for authority that their elders had. A more mature form of protest might have gained a willing audience from higher-up. But the Hearst kidnapping demonstrated that students are generally the wrong people to do the bossing, and should go back to their schoolbooks.