Primer

If you've heard that "Primer" is a complicated, dense, and difficult film, you heard correctly. This is not simple entertainment, not even complex entertainment, this is a film that demands true focus and attention, and only then is truly rewarding. I can imagine countless bored people who watched and listened to the movie but didn't REALLY pay attention to it, didn't think with it. You simply cannot expect to like "Primer" if you aren't prepared to be an active participant IN the film.

The film is remarkably good visually, especially when budget is considered. Carruth clearly has a lot of talent. The cinematography is excellent, the shot composition is flawless, the strength of the visual storytelling astounding. Carruth's script is the best thing about the movie, and really isn't flawed at all. The dialogue flows naturally and the ideas are absolutely fascinating and captivating, and even the humor is effective. This movie does not use 'technobabble', it uses genuine scientific concepts as a basis for its events, and certainly some degree of knowledge of physics is needed for a proper understanding of the film.

I have seen "Primer" four times and I still don't completely understand it (or, at least I couldn't explain it too well to someone else), even after reading dozens of explanations. It's an incredibly rich and detailed film, and it's one that not only rewards but actually requires multiple viewings. This will and has already put many, many people off watching the film, but it only increases its greatness in my opinion. It is simply incredible how much these guys came up with using so little. Carruth's vision was unique and complete, and he made possibly the greatest debut film ever made, and with a 2:1 shooting ratio (the ratio between the total duration of its footage shot and that which results from its final cut) at that. If that doesn't prove that Carruth knew what he was doing what does? One of the most inventive, original, and unique movies ever made.

10/10

It's not easy to follow. The production values aren't perfect. There's not an obvious 'good guy' or 'bad guy.' But was this movie any good? Oh hell yes.

This movie has been compared to "2001" because of the sci-fi angle. But while the movie has one sci-fi element in it (the device), the movie isn't even about that. It's about these two guys, and how it affects them individually, and their relationship with one another.

I found this movie to be fairly challenging, but worth the ride. I was up for hours discussing this movie with friends, and if that's not what you like to do with your movies, then this one probably isn't for you. But if you like something that tweaks your brain, that you can watch repeated times, that you can really chew on... then here comes "Primer," like a ghost in the night.

It's too early to tell where this movie will reside in cinematic history-- revered, forgotten, or somewhere in between-- but it's already won the Grand Jury Prize at Sundance (where it beat out 'Garden State'), and just won't go away. It moves along, it's clever, it held my attention. Even "Pi" didn't do that, and if you're a film nerd, that's saying something.

If you're not a film nerd, approach this one with more caution. Remember, Shane Carruth had no idea even how to make a movie when he started making this one, but the end result is something far more fascinating than your typical film-school snob could ever put together. This is wholly original, and took me someplace I have never been. And that alone makes the "2001" comparison start to look more and more accurate.....

A group of young scientists work at a frantic pace to invent they are not quite sure what, but their efforts start demonstrating interesting side effects. From their work in a small cottage industry of error checking devices they are forced to confront the fact that they have discovered something too valuable to market. As they explore the potential of their machine, they are caught in a frantic loop to second guess themselves.

Science fiction in the cinema has largely been dominated by the visual impact, and so this is a welcome (for some) return to the world of ideas. This is not an easy-rise entertainment film but one where you have to concentrate to keep up, working out the logical implications of what's happening. If made on the scale of Men in Black or the Matrix it would descend to the level of spoof – as it is we follow the two main characters knowing that their actions are having momentous effects on the world around them and on themselves. Instead of flashy graphics, we are left to keep the ramifications of the story in mind as the characters themselves grapple with what they know is happening but can't even let themselves look at directly.

Four friends/fledgling entrepreneurs, knowing that there is something bigger and more innovative than the different error-checking devices they have built, wrestle over their new invention.

What can you do with $7000? Apparently, with a good script and a cast / crew that does not exceed their expectations or potential, quite a bit. This film is on par with very early Cronenberg (such as "Stereo"), and it seems to already be a modern science fiction classic.

We get some great quotes, too. "I'm hungry. I haven't eaten since later this afternoon." Where else could that line ever make sense? I also love the question of how do cell phones work? Most time travel films, even if they go to the future, neglect cell phones. This one asks a valid question: which one would ring if two existed in the same time? Hmmm..

"Primer" starts out innocently like a "Start-up.com" docu-drama and the first part covers some of those same financial, friendship and entrepreneurial issues as computer geek engineers work out of of one of the partner's garage to perfect an invention.

But gradually, in this antiseptic atmosphere of white shirts, electrical experiments and tweaking mechanics, every human emotion, virtually as every seven deadly sin, except sloth, and beyond, starting with greed, takes them over.

Without any explanation to the audience, we gradually figure out that we're seeing a cleverer, low budget "Paycheck" or what "Ground Hog Day" played for laughs and an original "Outer Limits" episode did for irony (I didn't see "The Butterfly Effect" to see how it also dealt with time changes).

Rather this is an attempt to seriously examine the philosophical issues of chaos theory and how inventions can't be divorced from human frailties, both mental and physical.

Shane Carruth, as the lead actor/writer/director/producer is a true auteur--and could therefore give his nerd a wife and kid-- but perhaps an outside editor could have helped make the permutations a bit clearer as I didn't quite follow the intersections with outside characters. I followed enough to get caught up in the anxiety and suspense of each iteration.

It was amusing that I was the only woman in the audience.