The Raspberry Reich

"Raspberry Reich" was very much advertised G e r m a n m o v i e prior to and upon a world-reputable international film festival, and packed viewing venues in full with folks from various walks of life.

I do not know whether co-viewers were already prepared to a degree of a male nudity and simply screening a sexual revolution in making to a couple of hundreds cinema-goers in the heart of a multi-million-dweller town, but I was personally much confused with outbursts of laughing and females' comments following any squeeze of a l i t t l e b r o t h e r on a screen, not speaking more.

This work is a perfect parody on communist (leftist as more usable in modern time writings) propaganda where explicit stupidity of leaders cheating own followers while clinching to a political power and financial gains has grotesquely been disclosed with sex and orgies at any preference available a low budget movie allowed.

Of course, same gender sex is the most powerful tool to allegorize a "revolutionary struggle", where lust for empowering and power over the human being are very similar psychological constituents of actually different activities.

People left cinema smiling and in a good mood, which is the best outcome masterpieces present.

I saw this film at the Toronto International Film Festival, under the impression that it was something else. Having said that, as soon as I stopped being grossed out by the straight, and homosexual sex I found the movie quirky, and funny.

Its zesty comments on the German political scene, and almost avant-guard style add hilarity, to what the Director proclaimed as "soft porn."

Apparently if you've seen the director's other work, this film will come as no surprise.

Anyway from a technical standpoint it was well shot and edited. The film also has these amazing titles that pulsated a vivid red on the screen.

Saving the best for last, this film has these amazing mantras.

THE REVOLUTION IS MY BOYFRIEND!!!!!

Bruce LaBruce's satirical swipe at terrorist chic is a gleefully irreverent swipe at, well, just about everything. The film combines a porn sensibility (complete with badly dubbed voices) with a high camp transgressiveness that reminded me of early John Waters. Indeed Raspberry Reich seems unsure as to whether it wants to be John Waters or a parody of Marxist Jean Luc Godard.

Like John Waters early work this film has got plenty to offend everyone, but its also pacily directed and witty and boasts a terrific over the top character in Gudrun, the sexual and political revolutionary with ways too many causes.

I don't believe I've ever seen such a montage of music, pornography, political satire, and humor presented in such fashion as in this bold and astonishing piece of film-making.

I know the average moviegoer would turn away from this movie because of its pounding and raw sexuality, especially homosexual scenes that rival the best of this "art form." But if you have a yearning for experimental film-making, for stunning and shocking action, for a satiric look at terrorism --then you will be rewarded by this astounding work.

Get ready to be annoyed, agitated, repulsed --that's one of the goals of this movie. But I think the film ought to be on the syllabus of every film school because of its utter creativity and audacity. Bravo!

The Raspberry Reich is about a dominatrix terrorist, Gudrun, her sexual revolution, and her clan, Raspberry Reich. They kidnap the son of a wealthy businessman to get public attention. Pornographic sexual revolution ensues.

The film was, essentially, porn. However, it was porn with a plot, a message, and really awesome music, all captured by a true artist, Bruce LaBruce, rather than some pornographer or big studio blah. Oh, and I would have to say... the porn was well done. I happened to be counter-revolutionary, myself, (if you know what I mean) while watching the movie.

It was funny with lines like, "the revolution is my boyfriend," "cornflakes are counter-revolutionary," that guy who kept jumping and clapping his hands: "shoplifting! shoplifting!" and "pornography! pornography!" and a sequence in which two boyfriends made out with each other right after robbing a bank, like, right outside of the bank... oh, and the sex in the elevator.

I found it ironic and interesting that while Gudrun spoke against oppression, she was, in turn, oppressing her own followers.

The acting was soooooo bad. If only the acting was at least okay, I would have liked it more.

All in all, it was a good movie, if only for the artistic aspect of explicit sex. I think I want to be Bruce LaBruce when I grow up.