Simon

SIMON is a little jewel of a film. In a manner more typically Dutch than most it is an exploration of the interaction of two men, opposites in almost every way except in their potential power of friendship.

Camiel is a gay, tender, polite, dental student while Simon is straight, seemingly critical of gay aspects (though always with tongue in cheek), noisy, outspoken, crafty, boisterous and a bit crude café owner. The two collide in an accident, an act that bonds them inextricably, and the film shows the two polar opposites reconnecting fourteen years later when Simon is dying of cancer and calls upon all his resources and involves Camiel in the difficult process of life's ending. Simon's strength of character (despite his previous outwardly bombastic and crude manner) gives Camiel much to learn - and gives the audience some touching and tender thoughts on which to dwell. The film is a fun, at times naughty, smart, and ultimately life-affirming tale about the importance of friendship and family...and a strong sense of humor...that are the stuff that allow us to survive even the most difficult of moments in life.

The entire cast is excellent but the performances by Cees Geel as Simon and Marcel Hensema as Camiel Vrolijk are worthy of awards. This is an extravagantly fun film, completely open and honest about its sexuality, that results in a memorable emotional experience for the viewer. In Dutch with English subtitles. Grady Harp

We just saw this film at the Palm Springs International Film Festival. Yes, we are Americans and tend to be less evolved than others when it comes to certain things. But the audience - young, old, straight, gay - stood and cheered at the end of the film, and for good reason. This was one of the finest movies I have ever seen. I enjoyed the characters, especially Camiel and obviously Simon (how could you not like him?), and the conversational aspect of the movie was fantastic. It tackled some issues that we don't always feel comfortable with, but it certainly wasn't "in your face" material. I'm hoping to be able to see it again someday, maybe even find it somewhere on DVD.

This is not only the best dutch movie that I have ever seen, but one of the most moving movies that I have ever seen. Great picture of dutch society, on extraordinarily interesting people, full of great humor and sadness, and most importantly on life and death (parallel to the last two). This film is FULL in every way that a film should and can be. It is the heart-filling and heart-wrenching story of one of the most extraordinarily human lives (beautifully acted) ever put on film. It is about Simon, his fast life, his loved ones, and his chosen death. It is also about the truly free society, where all can choose their life and their death for themselves. It is a portrait of a culture of personal responsibility, love, and life that is so needed everywhere. It will make you think, laugh and cry. When and if you can, see this picture, you won't be disappointed. It's one of the greats.

As the Tagline says: Simon will change your life.

This movie is about an unlikely friendship. Right at the start of it you learn that one of them is gay and polite, and the other is an outspoken, humorous heterosexual that has cancer, and might die sometime soon. The movie then goes back and forth along some fourteen years, starting with the day these guys met.

Sounds simple? You are in for some surprises. This is not just a film about a guy that is quite obnoxious and irresistibly lovely at the same time. It is also about being yourself, shy or not, and living in a country that has more tolerance to cultural diversity. But mostly about this man that always tries to do the right thing, and enjoy his life, and have a laugh with his friends, even as it looks like death might come sooner than expected. I love this guy. And the Netherlands never looked that much beautiful on film.

Through an awkward accident, Camiel (Marcel Hensema) meets Simon (Cees Geel). Camiel is an intelligent, shy, insecure, gay student studying to become a dentist. Simon is close to his opposite: a true Amsterdam mythical hero - down-to-earth, liberal, dry humoured seducer ("Couldn't you just instantly turn into a naked chick?") who owns two cafés and lives in the Dutch paradox - he's in the semi-legal business of running a hash home delivery service. Both are true products of Dutch society, as it is dreamed to be, with their multilingual, easy, matter-of-fact approach to life. But the film is mostly about Simon. Well, about Camiel looking Simon, fascinated.

So what is it about Simon that so fascinates Camiel? To a certain extent, Camiel is an outsider, he is just someone who walks the streets. He is not extraordinary in any sense. Neither his love life, nor his profession can help him up, nor does he play an instrument or have any hidden talent. When he meets Simon, it seems as if Simon has his whole life organised around himself, to be able to live his life fully. He is surrounded by his oddball friends and has a loving family (in Thailand!). And that with a forgiving smile which allows him to boyishly do as he pleases.

The second half of the movie is darker than the first, when the weight on the looming tragedy starts to be felt (Simon's approaching death). The second half of the film is more emotional, building on the characters and relationships of the first half. Notice the remarkable difference in the treatment of the subject with Les Invasions Barbares, of death, friendship, love, sex and society. Perhaps the last is the most remarkable, because somewhere Simon is the society. There is no clash with an outer world which is different to him - because the difference between the individuals is what makes up the society in which he lives. Similarly there is no generational gap either, Simon's children will make something out of their lives as he did with his, nothing fundamental has changed. It is Western society at its (brief?) peak. 

If there is any weakness in the film, then it would have to be Simon's interest in Camiel, the reasons of which could have been more explicit (perhaps his stability, or his intelligence?). None the less, the audience takes on the role of Camiel, and is taken along into Simon's world. A world which is a rare glimpse into the liberal post-modern society which is (was?) The Netherlands. Camiel will not be the only one leaving impressed.