Counterpoint
- Episode aired Dec 16, 1998
- TV-PG
- 46m
Voyager passes through a sector of space controlled by a race that is deeply suspicious of telepathic lifeforms. The presence of Tuvok and other telepaths forces the Voyager crew to develop ... Read allVoyager passes through a sector of space controlled by a race that is deeply suspicious of telepathic lifeforms. The presence of Tuvok and other telepaths forces the Voyager crew to develop a novel approach in order to pass through safely.Voyager passes through a sector of space controlled by a race that is deeply suspicious of telepathic lifeforms. The presence of Tuvok and other telepaths forces the Voyager crew to develop a novel approach in order to pass through safely.
- Brenari Telepath
- (uncredited)
- Lt. Susan Nicoletti
- (uncredited)
Featured reviews
The title and the music in this episode set the stage for this musical metaphor: As note plays against note in a counterpart, Janeway and Kashyk play against each other. But until the end the viewer is never really certain if it's a duet in harmony or in dissonance.
While Janeway as a woman clearly longs for a companion that cherishes science and exploration as much as she does, she also is a Starfleet captain from head to toe. She always is prepared to be outwitted and keeps an ace up her sleeve - just in case. You might think at one point in the episode, that Janeway is a typical woman, that falls in love with an eloquent man and is blinded by his charade. But while she in fact has feelings for Kashyk, she is the one that plays with him, yet keeping a door open if Kashyk might prove innocent or decide otherwise.
There might be in intentional oversight at the end. While the 12 telepaths are save on board of a shuttle, there are still three telepaths under the Voyager crew that have not left the ship.. Kashyk knows that, he has seen Tuvok before. Yet, he doesn't search for them. He could have confiscated the ship and put the whole crew into detention, but he does not. A mistake by the writers? Or does Kashyk in the end also admire Janeway and although he is a henchman of a totalitarian regime he has feelings for her? Just like in superhero movies: A villain is nothing without a hero and a hero nothing without a villain. Maybe he wanted Janeway to escape all the time and played this duet with her without being sure, who will get the applause at the end.
Those unexpected turns and twists make this episode really enjoyable to watch.
The solution to their problem MIGHT have just arrived as Inspector Kashyk (the man who had led the inspection) shows up bit later and says he wants to defect. He claims that he hates how his people persecute the telepaths. Additionally, he seems to have taken a real shine to the Captain. So what's next? See the show.
This is a pretty good episode. I do wish that Kashyk had become a recurring character or they'd expanded the romance more, but apart from that it's worth seeing.
This is a very good character driven episode that is virtually impossible to go into plot details about without spoiling. However, it is safe to say that the themes of trust and persecution are quite compelling. As in all good Trek stories it uses intelligence rather than violence to overcome its main obstacles and showcases a memorable battle of wits between certain individuals.
The strongest aspect is the use of the main characters Janeway and Kashyk. If you are watching it for the first time there is a great tension built on the uncertainty of underlying motivations and the outcome of the story.
Katie Mulgrew gives one of her best performances and is supported very well by Mark Harelik.
The relationship between Janeway and Kashyk was complex, subtle, and beautifully acted. I think one of the reasons this episode gives such a strong emotional impact is the impeccable acting in the scenes these two share. And how nice it was to see our lonely captain finally share a nice steamy kiss with someone. (But can she trust him? Watch to find out...)
So far I'm finding Season 5 of Voyager really enjoyable, and this episode is one of the best so far. I probably wouldn't put it ahead of Timeless, but it's still an excellent episode and not to be missed.
Did you know
- TriviaGustav Mahler's Symphony No. 1, 2nd movement is featured at several points; however, to some degree, the 1st movement of that same symphony is heard in nearly every Star Trek production. Alexander Courage borrowed the opening sequence of Mahler's Symphony No. 1, 1st movement and used it, with slight alterations, as the opening sequence for the Star Trek (1966) theme song. Mahler himself had actually borrowed the same sequence from Johannes Brahms who had, in turn, borrowed it from Ludwig van Beethoven.
- GoofsAs Neelix gets off the floor after telling stories to children, his shoes are visible. They are too small for Neelix's Talaxian feet that have been shown earlier in the series.
- Quotes
Devore Inspector Kashyk: Captain, do you trust me?
Captain Kathryn Janeway: Not for a second.
Devore Inspector Kashyk: Exactly! And why should you? Trust has to be earned. It's gradual, and yet it's the foundation of every relationship, professional and personal. It's also a concept alien to the telepathic races. Why take someone at their word when you can simply read their mind?
- ConnectionsReferenced in Star Trek: Prodigy: Supernova, Part 1 (2022)
Details
- Runtime
- 46m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
- 4:3