Bab'Aziz: The Prince That Contemplated His Soul

For anyone who is unaware of the culture,the Dervish is an integral part of the Sufi branch of Islam (the ones who embrace mysticism). This is a loving meditation on a grandfather & granddaughter who embark on a spiritual odyssey to a gathering of Dervishes that only takes place every 30 years. Along the way,the pair encounters various persons in the desert that tell their stories (which,like Sufi stories,interweave within one another). This is a lovingly written, directed,filmed (mostly in the barren desert areas of Iran,giving the film a dreamy & surreal look at times)allegory of spirituality. This is a film that deserves to be taken at it's own terms (the pacing is s-l-o-w, but don't let that deter you). The music score is fantastic,with lots of traditional Sufi music (it might help to listen to a bit of it---try anything by the late,great Ustad Nusrat Fateh Ali Kahn for some background). By all means,get yourself attuned & enjoy this rare bit of entertainment & enlightenment.

I came across this wonderful movie in a DVD shop in Basel and was attracted by the well designed DVD cover. I ordered the DVD from net and the Movie turned out one of the best movies I have ever seen where the visible indicates towards the even bigger invisible world.. and the outer images turn you joyfully inward. Sufism is a hidden mystic tradition and its secrets are well hidden. But in this movie if you are alert will be introduced to some of most beautiful dances and recitals. The music is uplifting and the photography simply beautiful.I congratulate the director of the movie for his courage and sense of beauty. In addition the movie is full of paraables and portrayal of desert which is ever so associated with Sufis. The temple in the sand and the Zikhr cereomony left me asking for more..

Although there are moments when the movie may seem to progress slowly; nonetheless it kept the audience at the cinema glued to their seats. I went to watch the movie twice. It did not attract huge audiences; which in great part may be due to its lack of adequate advertising; but those few who did come to see the movie were glued to their seats. The movie has two great features. One is the soul stirring choice of music and its perfect adaptation to the scenes. Secondly, the movie successfully achieves the difficult undertaking of introducing and explaining in graphic terms and with simple stories the almost exclusively Oriental world of mysticism. The setting might not reflect the physical or material reality of the East, but it definitely does add to the magic and facilitates the viewer's transit from the material world outside to the spiritual world within. Highly recommended.

As others have said, this movie can qualify as a "best movie of my life". The person that commented about the movie not focusing exclusively on the pure/ascetic aspects of Sufi has a valid point, but it is on purpose that this is the case.

I strongly recommend watching the other two movies of the "dessert trilogy" where the very same path towards illumination, is seen from the outside (first movie), then from the point of view of the one drawn into joining in (second movie) and with Bab'aziz comes the end of the cycle.

Behind the movie and the trilogy itself, the Director (Nacer Khemir) is of course the conduit that guides to the viewers the source of the light. To dedicate all your artistic career to a single trilogy over so many years, puts Mr. Khemir in the line of the Muslim craftsmen that adorned so beautifully the buildings we see throughout the movies... He succeeded in turning a medium (cinematography) mostly used by anti-traditional messages in a veritable page of a scripture. The movie is able to lead people to "search more" and provides them a valid direction as well.

Some of Nacer's interviews one can find on the net are worth watching too...

Images are of a haunting beauty: the immensity of the desert, the rare trees, birds, rocks trying to make their life there, the sudden oasis with houses made of clay, the paradox of ghost houses surrounded by myriads of people, the mosque, unexpected and weird, like the church from Tarkovski's Stalker.

The music is great, and makes the movie a ballad: it is like the songs make the statement and images and dialog just emphasize. Of course songs are not translated, but give you the mood.

It is not easy at all to follow the story: it comes from a very different culture, with its own rhythms, its own poetry, its own logical connections. For us it is like floating in plain paradox.

For those who haven't seen it yet, think at the movies of Parajanov. It is not an easy movie, but if you overcome the difficulties, you'll get the incomparable beauty of the story.

There are moments that do not come often to us - we should be prepared for them. Encounter with love, with death. Death as the way to enter the great realm that we lost at birth.

And the granddaughter, learning this lesson of life on the way, along with us, who are watching the movie and follow her journey.

Great movie!