The Devil's Rejects

I just saw this film at a sneak preview screening in San Francisco. I had really loved Zombie's first film, HOUSE OF 1,000 CORPSES, and was looking forward to seeing how he was going to "re-create" the characters from that first film into this new one.

Stylistically, this film is exceptional. Zombie knows how to build tension and has a real gift for being able to pay homage to the horror flicks of the 70's without insulting or copying them. His choices in casting is genius and the performances in this film are quite good.

However, gone is the camp-value he infused into CORPSES. This film takes itself much more seriously and this does not help. In fact, the fact that Zombie focuses more on horror and torture without the same level of dark humor makes the film come off as somewhat cruel. Are we to actually enjoy seeing the victims tortured? Somehow, the fun of his first film is absent.

However, for those of us who have an appreciation for the films of the original 70's renegade film makers such as Tobe Hooper -- you can't help but enjoy Zombie's style of filming. This film also enjoys have some of the best southern rock ever created to serve as its soundtrack.

The three lead actors stand out and give great performances, but one wishes Zombie would have allowed them to go a bit more over the top. Karen Black did not return to play Moma Firefly which is too bad, but the actress who takes over the role does a great job.

In the end -- I think this is an interesting and valid second film from Rob Zombie, but I hope that he allows his cast and his audience to have a bit more fun. The world has enough torture and violence -- if we are to see it in a film it needs to give us a bit of a scare and a bit of a laugh. If only he had utilized that dark/twisted since of humor a bit more.

Still, it is worth a look -- but not for those of you who get upset by violence. And, please, this is not a movie for children. There was a child at last night's screening. That poor baby is going to be scarred for life!

OK, I loved "House of 1000 Corpses". I loved it for completely different reasons than I loved "The Devils Rejects". The mood in the first one is far more campy, almost cartoonish. The actual fear and horror mixed with that weird wink is perfect. "The Devils Rejects" on the other hand seems almost real. These people are out there...these people do not care about you or your children. Hell, they don't even care about your dog or furniture. The music, the angles, the complete disregard for the feelings of others. Blantant hedonism at it's best. Some folks walked out...I sat singing "Free Bird" till the screen went black. If it's for you, don't miss it. If you believe you are the least bit squeamish...go get that new direct to DVD Stitch movie!

The Devil's Rejects has such a powerful name that the movie itself had to live up to... and it exceeded my expectations.

A fun sequel that plays out more like a police thriller than a horror movie.

Well balanced between gritty, over-the-top performances and fun, light-hearted-ness. It's hard to say whether this film tops its predecessor when their inspirations reside in two different area codes.

I find this is a better film, but this and House of 1000 Corpses seem to serve different purposes.

In any case, The Devil's Rejects is a more realized and stylized film that dishes out an enjoyable viewing experience.

I went to this movie having seen 1000 Corpses which I thought was a great retro B style horror in the Texas Chainsaw massacre genre.

This movie FAR exceeded any expectation I had. Zombie NAILED it in this one. Classic Freeze frames, awesome soundtrack(used with purpose)-Just enough gore with out going over the top.. the essential random nudity shots that we B fans have come to expect. Suspenseful through-out.

I realize that what makes all of these components work:

A- This movie (Unlike 99% of all B Horros) is not predictable. You do not know what is going to happen next.

B- Zombie builds characters. You learn history and connections, and see things from their view.

C- Slight comedic aspect added.

Summary: MUST SEE, MUST OWN

in the words of my horror loving awe-struck friend "This is hands down the best B horror I have ever seen!"

Rob Zombie took the same characters he created for House of a Thousand Corpses and gave us a higher-budget, flashier, and more commercialized murder-shocker - The Devil's Rejects. This is certainly a prettier and more polished film, with better production values, occasionally brilliant camera-work, and better acting (despite having the same principal cast). The same elements of the original are mostly intact - a psychotic serial killing family, vaguely satanic sadism, comedy, torture and a lot of blood. What's missing are the ambiguities, the darkness and the outright psychosis which appear in "House". And to compensate the audience for the loss of some of the elements which made "House" a good film, Zombie throws in sex - the most over-used plot device in cinematic history. Of course, its not just sex, but sexual violence mixed with torture, blood and nightmares.

In other words, where 'house' was a dark, campy, creepy murder flick, "Rejects" is a light-drenched, raw, fairly (but not entirely) serious murder flick. No problems with the script, the acting, the concept, or even the plot - but, some definite problems with the entertainment value of the film. This just isn't terribly original and drops the idiosyncrasy of "House" for a typical Hollywood approach.

Rejects starts out with a police raid on the house of a thousand corpses. Most of the family escape through a tunnel in their basement (why the police were unable to find this tunnel is a mystery). The police nab the mother, who plays up the satanic expectations of the police interrogating her and infuriates the sheriff (well played by William Forsythe) into an obsessive, vengeful state (his brother had been murdered by the family years ago). The Fireflies leave a trail of terror and murder in their wake and Forsythe follows it, until he is able to set his trap. I won't go any further with the plot outline because I do not want to write a spoiler, but I do want to elaborate on Forsythe's intense performance. His rage and self-righteous wrath blur the boundaries between cops and criminals quite effectively as the story progresses. If you want to know what I mean, you'll have to see the film.

The Firefly family, through most of the film, consist of Otis a lank tall man with long stringy gray hair, Captain Spaulding, an intimidating evil and merciless clown and Baby, Spaulding's daughter, a cute blond particularly fond of torturing her male victims. The characters are more or less consistent with their portrayals in "House", but I have to admit, I think Shari Moon Zombie's Baby was very inconsistent from film to film. In "House" she is completely and utterly insane and fearless - using her shrill psychotic laughter especially well. In 'Rejects', she screams a lot, does a lot of running-away, and is actually fairly rational compared with her sadistic, torture-loving murderous kin.

Finally, I don't think you can really 'get' this film if you haven't seen 'House'. So if you have any reason to want to see it, see "House" first. Some of the behavior of the characters will make little sense to you without their back-story.

Bottom line: Weakly recommended for horror fans.