Shakedown

The only reason to see this movie is Ron Perlman, one of the really great actors working today, who for whatever reason just doesn't get the quality script or the big production budget he deserves. But he never lets a viewer down. Like Gary Oldman, he gives every role his considerable best. Even in HELL BOY he showed those subtle touches he can do, even when slathered all over with red makeup and with his face hidden behind a mask. He is way overdue for a good movie. Not HELL BOY II, though, for God's sake! Still, maybe HELL BOY will finally do that thing for him that he deserves. Is there a producer in the business who actually casts an actor for his talent rather than just for the money his last movie made? I'm a hopeful fan, despite some of the dreck I've watched just because Perlman is in the cast. I try never to miss Ron Perlman, or Gary Oldman, in anything they do. It would be really great if someone would cast them in the same movie. They can both do any dialect or accent and I think they'd play off one another wonderfully.

This is the best film to come out of Roger Corman's studios in years. Director Brian Katkin does an amazing job with no budget. Clearly, he is a director to keep an eye on. Like his first film, the little seen nail biting thriller "If I Die Before I Wake", Shakedown keeps you on the edge of your seat from beginning to end. It's a shame the budget does not support his intent. The timely plot, shot before the 9/11 homicide attacks, tells the story of a group of suicidal terrorists who steal a deadly virus, only to become trapped with a lone FBI Agent inside a building by a tremendous earthquake. While this set up may sound far fetched, (and at times, it is!), the director keeps things moving so fast you hardly have time to catch your breath. Think Die Hard meets Resevoir Dogs and throw in a little John Woo and you get the picture. If only director Katkin had Woo's budget and schedule, one can only imagine what he could do. The cast standouts are Ron Perlman (Blade 2, Star Trek Nemesis) who seethes with low key menace, Erica Eleniak (Under Siege) who brings intelligence and wit to what might have ordinarilly been just an "eye candy" role, and Wolf Larsen (LA Heat) who carries the hero role with ease. All in all, Shakedown is a fun, popcorn movie in the best Corman tradition.

An average TV movie quality, totally formula story of religious fanatic (Ron Perlman, who gives good "I'm not just the President of 'Psychos R Us,' I'm also a client.") who gets control of a biochemical virus (think the virus from the movie "The Rock"). Too bad for him that he also gets stuck in a bank building during an earthquake with bank robbers and the government agents trying to stop him (led by the impressively physiqued, mildly entertaining Wolf Larson, backed by Fred Dryer) along with the standard "in the wrong place at the wrong time" spunky female (the forever bland Erika Eleniak) and "lived as a wimp but died as a hero at the last minute" male (Brandon Karrer). Has the standard background story to give sympathy to the religious fanatic (wife and son killed in a police raid a few years previous).

Basically a decent rainy day movie.

Favorite line, spoken by Ron Perlman after he finds the vial of the virus hidden in Erika Eleniak's cleavage: "A woman and her mystery."

Worth a rent.

I rented this film for one reason alone. I'm a huge fan of Brian Katkin's horror masterpiece, "If I Die Before I Wake"... (the best damn low budget movie, period). I was worried when I saw that this film was produced by Roger Corman. His films usually suck and I expected this one to as well. Despite the no budget (and at times it is really obvious... weak special fx and set design), this movie kicks butt! The acting is top notch. The leads are charming (Wolf Larson) and scary (Ron Pearlman) and you really empathize with the characters. But its the action that rocks. And much like If I Die, Katkin creates such incredible tension that you're neck and shoulders ache by the end of the film... (the hostage stand-off scene is my favorite, when Pealman is knocking off prisoners one by one and the hero tries to take him out but has only one bullet with no clear shot). After listening to the director's commentary (with the film's composer, who deserves kudos as well), I really understand the problems and frustrations of trying to do good work with so many elements working against you. I wish Hollywood would wake up and give this guy a shot at a real movie, instead of turning to commercial and rock video "directors" who puke out stylish but souless drivel.

This is one of the worst action films I have ever seen. This is particularly due to much of the factual implausibility (like an obvious agent posing as a bank loan officer while making obvious that he is speaking to someone through a wire or the scene where the scientists assume it is safe to enter a room in which a virus has been released even though 'it has not found a viable host' does not mean that it will never find one), the cheap sets (the bank looks like it was poorly constructed to resemble a dungeon), and the bad acting. It is the story of an organized crime group that has successfully stolen a capsule of the lethal virus. However, the head honcho who decides to remove it from a bank security deposit box, does so at the same time a bank heist is going down, at the same FBI agents have been informed of this, and at the same time a terrible earthquake erupts. Needless to say, the aftermath of the quake is messy in more ways than one. However, the results do not make for an enticing action film, but instead, one that has been obviously z-grade junk from the beginning of the film. (Perhaps this is why some of the screen captures on the packaging look to be created with computer graphics rather than being actual screen captures from various sequences of the film). What the hell Ron Perlman was doing in this, I have no idea. I wonder if he was as embarrassed to be in it as I was to have watched it.