This is a series of documentary type comedy it shows a different couple each episode, we see the occasional friend or neighbour.This is a series of documentary type comedy it shows a different couple each episode, we see the occasional friend or neighbour.This is a series of documentary type comedy it shows a different couple each episode, we see the occasional friend or neighbour.
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There was a lot more I didn't like about it than I did. For the most part it's filled with meandering nonsense, it has the "beating a dead horse" style of British comedy that I never really liked, it's basically the same gag done over and over in different scenarios or circumstances. There are some good bits in there but you really have to have patience to get there. Looking back at this series, I think they should have just picked one or two of these characters and did a fully fleshed out series and made sense of those particular characters and told a well crafted story with them. I even noticed there was a short scene in one of these where it fades in offering nothing to the story and fades out and just looks like it was added to fill time. There are plenty of dud scenes that could have been left out. And also what stands out is just how much better some episodes are than the rest. If your a fan of these actors you'll probably just want to watch for the sake of seeing more of them and that's pretty much the reason I bothered watching.
10Screen-7
This series is a terrific showcase for the amazing Julia Davis... my favorite comedian on TV these days. Rob Brydon is also a good fit and considerable talent. They play a very different couple in each episode although some same relationship dynamics are threaded throughout the series.
The series defies easy synopsis but I viewed it as a study of couples who somehow manage to make a relationship work, despite profound dysfunction.
As for genre, you might need to invent one! Generally it falls into "cringe comedy"
I would call it: "extreme emotional noir comedy."
(DISCLAIMER: The series is so strange that I might be WAY off in my analysis. I wish someone directly connected to the series would tell me if I'm even close. Also, I missed a couple of the episodes. )
The series defies easy synopsis but I viewed it as a study of couples who somehow manage to make a relationship work, despite profound dysfunction.
As for genre, you might need to invent one! Generally it falls into "cringe comedy"
I would call it: "extreme emotional noir comedy."
(DISCLAIMER: The series is so strange that I might be WAY off in my analysis. I wish someone directly connected to the series would tell me if I'm even close. Also, I missed a couple of the episodes. )
Take 6 seemingly normal couples, probe a little deeper into their lives and discover that they are riddled with idiosyncrasies, peculiar sexual proclivities, pitiful, human and, above all, very, very funny.
The writers have written/produced a piece of work that is dark, subtle, fairly original, well acted, well constructed, as believable as any other comedy series, and funny in a way that makes you pity them and thank the heavens that you aren't them.
The first episode is perhaps the weakest, the following four are fantastic, and the final episode is also fantastic but has strong depressing undercurrents.
Perhaps if this show had received more exposure to the mainstream public then each couple could have been developed further and we might have even seen a series for each couple, but then again, comedies like this are often not popular in the mainstream i.e no canned laughter, no 'spot it a mile off' punchlines, dark, and often so subtle that some people might wonder if they've just watched a comedy, or a documentary about a bit of a peculiar couple.
Do watch if you like: Nighty Night, The Thick Of It, Alan Partridge, The Day Today, Saxondale, The Office (maybe)
Maybe give it a miss if you prefer: Friends, two and a half men, my family, everybody loves/hates Raymond/Chris.
Give it a try. You'll know within 10 minutes if it's for you or not. For me, it's pretty much top-notch comedy and years ahead of most.
CM.
The writers have written/produced a piece of work that is dark, subtle, fairly original, well acted, well constructed, as believable as any other comedy series, and funny in a way that makes you pity them and thank the heavens that you aren't them.
The first episode is perhaps the weakest, the following four are fantastic, and the final episode is also fantastic but has strong depressing undercurrents.
Perhaps if this show had received more exposure to the mainstream public then each couple could have been developed further and we might have even seen a series for each couple, but then again, comedies like this are often not popular in the mainstream i.e no canned laughter, no 'spot it a mile off' punchlines, dark, and often so subtle that some people might wonder if they've just watched a comedy, or a documentary about a bit of a peculiar couple.
Do watch if you like: Nighty Night, The Thick Of It, Alan Partridge, The Day Today, Saxondale, The Office (maybe)
Maybe give it a miss if you prefer: Friends, two and a half men, my family, everybody loves/hates Raymond/Chris.
Give it a try. You'll know within 10 minutes if it's for you or not. For me, it's pretty much top-notch comedy and years ahead of most.
CM.
Having only the vaguest of recollections of "Human Remains" from it's initially screening on television back in 2000, I was in for a real treat when I finally got round to re-watching the series on DVD.
The series follows six separate couples (on per episode) with each pair's relationship in varying states of disrepair or marital bliss. The spoof documentary style of the show, brilliantly executed and just as well implemented as it is in "The Office", is one of the two main reasons why the show works so well and justifiably merits such a high rating on this site. The second reason why the show is so brilliant is the writing and performances of Julia Davis and Rob Brydon.
Both Davis and Brydon are not only great writers, but have a great comprehension of the sub-genre they're working in, delving into their characters with such depth that it's not only incredibly easy to believe them as their comedic creations, but barely recognize them from each episode as they don a different disguise and slip into a new persona. They also complement each other fantastically well, with neither overshadowing the other. The regular moments of solid improvisation are also gems in this show, and it's great to see how both Davis and Brydon instantly understand the other, allowing each other to carry off the line.
All in all a brilliant show that unfortunately doesn't have wider recognition. A real showcase of Julia Davis' talents and probably the best thing Rob Brydon has ever done.
The series follows six separate couples (on per episode) with each pair's relationship in varying states of disrepair or marital bliss. The spoof documentary style of the show, brilliantly executed and just as well implemented as it is in "The Office", is one of the two main reasons why the show works so well and justifiably merits such a high rating on this site. The second reason why the show is so brilliant is the writing and performances of Julia Davis and Rob Brydon.
Both Davis and Brydon are not only great writers, but have a great comprehension of the sub-genre they're working in, delving into their characters with such depth that it's not only incredibly easy to believe them as their comedic creations, but barely recognize them from each episode as they don a different disguise and slip into a new persona. They also complement each other fantastically well, with neither overshadowing the other. The regular moments of solid improvisation are also gems in this show, and it's great to see how both Davis and Brydon instantly understand the other, allowing each other to carry off the line.
All in all a brilliant show that unfortunately doesn't have wider recognition. A real showcase of Julia Davis' talents and probably the best thing Rob Brydon has ever done.
The reason i have done this review now is because i was watching the comedy awards the other night and one of the series that had won thanked the makers of it for giving them the chance in the first place.
The makers were the company baby cow (steve coogan) who also made human remains an absolute classic of a series and in my opinion never received the credit it so deserved. At the time this was made both brydon and davies were not the household names they are today and i just thought to myself what an eye for comic genius coogan must have.
The writing and performance in all six episodes just shows how talented brydon and davies really are. One of the best British comedy series ever made and should be up there with the likes of python and milligan.
acker
The makers were the company baby cow (steve coogan) who also made human remains an absolute classic of a series and in my opinion never received the credit it so deserved. At the time this was made both brydon and davies were not the household names they are today and i just thought to myself what an eye for comic genius coogan must have.
The writing and performance in all six episodes just shows how talented brydon and davies really are. One of the best British comedy series ever made and should be up there with the likes of python and milligan.
acker
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