Man on the Train

As we left the theatre someone inevitably said, `that was very French.' And so it was, or at least it was a movie that Hollywood would never have made. Washed-up bank robber meets retired French teacher and they become friends, each hankering after the other's lifestyle. The teacher is facing open-heart surgery, the robber the prospect of a dangerous bank job with three unreliable associates. All this set in a really boring small town in the Rhone Valley (filmed mainly in Annonoy with funding of course from the local Film Commission).

Yet it works. Watching the two principals, Jean Rochefort as the teacher and Johnny Hallyday as the robber is like watching Torvill and Dean – perfect synchronisation, but with humour added. There's not a false move and the script is seamless – it seems quite inevitable that such an improbable relationship could develop. Somehow we don't notice the improbabilities, such as the gang stealing a huge (by French standards) and rare BMW 740 for use as a getaway car the evening before the robbery from a car park in the centre of town, and making no effort to conceal it until the robbery at 10 heurs the next day.

Perhaps the relationship can be explained on the basis that Jean likes to talk and Johnny is content to listen. As they get to know each other Jean becomes quite concerned about his guest and Johnny, for his part, comes to admire his host. He even upbraids Jean's quite pleasant mistress for boring Jean with talk of her children's misdemeanours.

The film ends in a flurry of `maybe things might have been different if…'. You can choose the alternative ending you like in fact, though the fantasy is more palatable that reality. Unlike Hollywood, French filmmakers trust their audience, and it is unlikely too many viewers will feel cheated here.

This movie must be seen! Too many people think about French films as too slow, boring and too "intellectual". L'Homme du Train is the opposite: ironic, funny without being obvious or foreseen. Two protagonists and a director: a perfect alchemy between the three.

Leconte uses the camera "inside" the characters, Rochefort and Hallyday are superb in their roles. Moreover everyone can identify with one of the two: everyone dreamt at least once to be someone else! Leconte makes the dream true!

'The Man on the Train' is a beautiful movie about two man later in life. One of them is a bank robber, the other is a teacher. They meet by accident and become friends. Slowly they both start wishing they would have been the other man.

The teacher (Jean Rochefort) knows what the bank robber (Johnny Hallyday) does for his money. He even offers to help, but the day the bank will be robbed he has to go into surgery. We see how the teacher pretends to be a cool guy, even changes his looks to that. We also see how the bank robber pretends to be a teacher when the real teacher is out.

All this leads to an ending that closes things in one way, but leaves things open in another. We feel an ending like this coming, but it still works. It is beautiful and fits the rest of the movie perfectly.

If your favorite movies are like 'The Fast and the Furious' you will probably not like this. It is a real European movie, sometimes slow, most of the time very quiet, but if you can appreciate this kind of film making you will like 'The Man on the Train'.

1st watched 8/9/2003 - 7 out of 10(Dir-Patrice Leconte): Wonderful drama about two men who want to switch places in life because each is bored of what their life has become. One is a bank robber, and the other is a retired poetry teacher. The bank robber is plain tired of the excitement and the other wants excitement in his life. The retired poetry teacher also has an upcoming triple-bypass heart surgery that lends to his aggressiveness about trying out the other lifestyle. Like many French dramas, this movie takes it's time and explores the characters and let's us get to know them. This is `so' lacking in most American films these days and therefore this is a breath of fresh air for those who are okay with reading subtitles. While watching this movie you get the feeling that you're watching two `real' people interacting despite their differences. Do they ever switch places? Well, sort of but like other French dramas `reality' is where the film stays for the most part. The ability for the characters to understand and accept each other is `just' wonderful and makes a wonderful statement about how we should `all' interact and I think this is what makes this film remarkable.

The great Jean Rochefort plays a mild-mannered old man who's so lonely that as soon as mopey bank robber Johnny Hallyday lets a room in his empty mansion, he simply won't stop talking to him, no matter how little Hallyday says back! Both men are bored with their current lives but are intrigued by the other's.

This slow burner may not be interesting enough for many, certainly not quick enough for most. But its nevertheless a fascinating "little" film and character study. It works in the play between these two men from different worlds, who grow to aspire to see what its like to be the other person. There's no giant twist, no supernatural catch at the end, so don't be expecting it - just enjoy it for the wry, vivid look into the rapport between these two men with nothing in common.

3.5/5. A treat.