Judge John Deed

There have been two series so far of this programme. It seems deliberately to set out to contradict the impression of the British legal system portrayed by the excellent "Rumpole of the Bailey", of senile judges and smug arch-conservative barristers.

Here, the main character has radical leanings, a messy private life and a very active libido. Much of the sub-plot is involved with side-swipes at the (Labour) government of the day, although the implication is that power corrupts; the political complexion of the office holders doesn't affect their greed or ambition.

The one common factor with other screen portrayals of the British legal system is the very precise diction and grammar used by barristers and judges. The courtroom scenes are well worth watching.

Some elements of the plot rather strain belief, but the series is quite enjoyable.

I am rather disappointed as the series unfolds. What started as something very special and believable, is turning into a total farce. When I say "what started" I mean when I started to watch it, I have no idea what episode it was, actually I did only watch one or two episodes at first, and much latter got involved more regularly with it. But the last episode I watched was a case against animal right protest people who seemed to have maliciously planted a bomb in some animal lab resulting in someone's death. The problem with accepting so many side stories with the case is that eventually the case seems secondary to the stories. And the whole show seems bogged in a lot of superficial gossip material that does very little to entertain me. Just try this for evaluation. A judge has in his court for a murder trial his inexperienced and not really qualified daughter left in charge of the defense, occasionally helped by HIS deserting mistress - and here we're supposed to be talking about a Conservative judge! This is rather worrying - are we going to end up with judge john Days-of-our-life? There is no doubt about Martin Shaw's charisma. He is very good. I imagine, with series, directors and writers have to stretch beyond themselves and their talent for the show to go on. What a pity!

Any programme starring Martin Shaw has to be worth looking at but this one ends up disappointing. In particular, the scripts become increasingly pro forma and stilted as the series proceed. By the final series, Deed's chat-up line, some variation on "I want to make love to you" goes beyond irritating. In fact, the whole gender dynamic is now on the troubling side. What probably seemed sexy and edgy when the series premiered now, in the 2020s sometimes looks more like harassment or stalking. The melodramatic relationship between Deed and Jo Mills reinforces this. With more nuance, it could have been great. As is, though, you just want them both to get over it all. Seagrove, who plays Mills, is given a one-dimensional script so doesn't really get to demonstrate much beyond "passionate character verging on unreason". The various government officials and lackeys who try to interfere with Deed's personal ideas of justice throughout also tend to be one-dimensional although some of them develop more complex characters as the series goes on.

Overall, this show was incredibly successful when it was made, but television has become much more sophisticated since then and Shaw has gone on to better things.

I have definite rules for all television series. Do they hold my attention? Are they well written? Are they well acted? In the case of this series, the answers are yes, yes and yes.

Starting with the writer, nobody seems to mention him. The stories are well crafted, the different strands of each episode are seamless. I assume that Newman either has some knowledge of the law or access to those that do as the words of John Deed make sense to the viewer.

The cast is attractive with a large number of regulars who have stuck with it for some years, always a good sign of their belief in the project. Martin Shaw is always good value for money. The beautiful Jenny Seagrove, (what did she see in Michael Winner), Sir Donald Sinden doing his Donald Sinden act, Christopher Cazenove et als, all turn in quality performances.

Some have seen fit to compare this unfavourably with Rumpole of the Bailey, I cannot see the comparison. This is not played for laughs though there is humour a-plenty. This does not have the "clever" endings. This is a good attempt to portray English justice. At 90 minutes an episode, true things have to be tidied a little. A sub-plot is added and we see the human side of the characters' private lives. Each episode I have watched has held my attention, wholly and completely, to the credit titles at the end.

A better comparison than Rumpole is probably the late, great John Thaw in Kavanagh QC. This, I know, was based on a real character, latterly elevated to the bench before his untimely death, the real Kavanagh was a friend of mine. I do not know if Deed is based on a real judge, or judges, but I would guess at "probably".

I have seen some of the episodes more than once and they do not suffer from repetition. Yes I am a fan, long may Judge John Deed sit on the bench. And at only a handful of episodes a year, this viewer always yearns for his return.

Martin Shaw is once again excellent in an excellent production. I have never been to court, but can imagine that this is a particularly precise example of the British legal system. I have followed Martin Shaw's career over the years, since he was in The Professionals, and whether through chance or good judgement, he seems to choose roles that fit his stature. The writing in this show is excellent, the actors, almost without exception, extremely professional, and the sly humour just leavens the gravity of the courtroom proceedings.