Judge John Deed

There have been two series so far of this programme. It seems deliberately to set out to contradict the impression of the British legal system portrayed by the excellent "Rumpole of the Bailey", of senile judges and smug arch-conservative barristers.

Here, the main character has radical leanings, a messy private life and a very active libido. Much of the sub-plot is involved with side-swipes at the (Labour) government of the day, although the implication is that power corrupts; the political complexion of the office holders doesn't affect their greed or ambition.

The one common factor with other screen portrayals of the British legal system is the very precise diction and grammar used by barristers and judges. The courtroom scenes are well worth watching.

Some elements of the plot rather strain belief, but the series is quite enjoyable.

This is a great legal drama series. The cast is stellar, the dialogue is wonderful, the legal drama is intelligent.

One downside is that the writers limited every courtroom battle to Deed presiding over his ex-wife, his love interest and daughter. The story lines would have been just as compelling even if other barristers had appeared in front of him.

Also, had Deed sabotaged himself in ways other than just sleeping with women who appeared before him, it would have still made for compelling viewing.

Some of the antagonists are written as one dimensional cartoonist villains. There was plenty of scope to make them and their motivations more complex, so we, the audience, could have been more challenged. eg the CEO of the telco acted like a slimy bond villain.

Martin Shaw is once again excellent in an excellent production. I have never been to court, but can imagine that this is a particularly precise example of the British legal system. I have followed Martin Shaw's career over the years, since he was in The Professionals, and whether through chance or good judgement, he seems to choose roles that fit his stature. The writing in this show is excellent, the actors, almost without exception, extremely professional, and the sly humour just leavens the gravity of the courtroom proceedings.

I saw Judge John Deed as I like legal dramas and I love Martin Shaw. Judge John Deed is not bad, but it is not perfect. And I admit I prefer Rumpole of the Bailey and Kavanagh QC. Judge John Deed is wonderfully photographed and the locations and scenery are stunning, and the music is great. In the first four seasons or so, the writing has in general been excellent and the stories are engrossing, with exception of the baby episode which is easily one of the weaker episodes for me. And the acting is fine, Martin Shaw is brilliant in the title role, and he has a good chemistry with the lovely Jenny Seagrove who plays Jo, while the direction is pretty solid and the courtroom scenes on the whole compelling. However, I do have to agree that some parts of Judge John Deed is unrealistic such as the sinister government schemes, making Deed a womaniser and such. Also the pacing can be a little slow at times, and in seasons 5 and 6 the writing and story lines sadly aren't as strong, with the writing lacking the intelligence of the earlier seasons and the stories becoming a tad unoriginal and repetitive. And there were some characters that came across as cardboard, on occasions Judge John Deed and Jo are the only well-developed characters. To conclude, it is good thanks to Shaw, but it has lost its quality. 6/10 Bethany Cox

Any programme starring Martin Shaw has to be worth looking at but this one ends up disappointing. In particular, the scripts become increasingly pro forma and stilted as the series proceed. By the final series, Deed's chat-up line, some variation on "I want to make love to you" goes beyond irritating. In fact, the whole gender dynamic is now on the troubling side. What probably seemed sexy and edgy when the series premiered now, in the 2020s sometimes looks more like harassment or stalking. The melodramatic relationship between Deed and Jo Mills reinforces this. With more nuance, it could have been great. As is, though, you just want them both to get over it all. Seagrove, who plays Mills, is given a one-dimensional script so doesn't really get to demonstrate much beyond "passionate character verging on unreason". The various government officials and lackeys who try to interfere with Deed's personal ideas of justice throughout also tend to be one-dimensional although some of them develop more complex characters as the series goes on.

Overall, this show was incredibly successful when it was made, but television has become much more sophisticated since then and Shaw has gone on to better things.