IMDb RATING
7.1/10
2.4K
YOUR RATING
A detective plays cat-and-mouse with a banker who brutally murdered his own parents.A detective plays cat-and-mouse with a banker who brutally murdered his own parents.A detective plays cat-and-mouse with a banker who brutally murdered his own parents.
- Awards
- 3 wins & 9 nominations total
Matthew Crawford
- Policeman
- (English version)
- (voice)
- …
John Gremillion
- Jo Gyuhwan
- (English version)
- (voice)
Illich Guardiola
- Lee Yongman
- (English version)
- (voice)
Yoo Hae-jin
- Yong-man
- (as Hae-jin Yoo)
Lee Jung-hun
- Kkeunkkeuni
- (as Lee Jeong-hun)
Lee Kan-hee
- Kyu-hwan's Wife
- (as Lee Kan-Hee)
Featured reviews
Simple story here, a cop chases down a psychotic serial killer. He is the only one who believes that this respected, wealthy, family man is the serial killer, and so must bring about some under-handed methods whilst keeping the politicians off his back. What the film lacks in story it makes up for in complex relations and psychological warfare. A stroke of genius coming about once Gyu-Hwan (the killer) kills a man not related to the murder of his parents, just to tease Chul-Jung (the cop). The film begins by letting us get to know the two characters, Chul-Jung's partner shoots himself leaving Chul-Jung to be the focus of an internal investigation, while he also tries to get rid of some heroin. Gyu-Hwan is introduced ferociously masturbating in the shower, before exiting the bathroom and greeting his son. The film, like a few Korean police thrillers ('Memories of Murder', 'Nowhere to Hide') has a fantastic sense of humour to counteract the shocking scenes of violence. One scene has Chul-Jung on a stakeout, running round the streets in the rain trying to find a place to take a dump. The film can be looked at as a commentary on social status, as the cop has a bad reputation, and is tainted as he tries to do the right thing. The psychopathic serial killer, is highly respected, possibly because of his wealth. The murder scenes are at times chilling, while the fight scenes are brutal and never unbelievable (apart from a hilarious encounter in a shop between Chul-Jung and a large number of gangsters). An interesting array of supporting characters, fill in any holes that this film leaves through lack of originality, the chief of homicide, and a knife expert being among my favourites. The film seems needlessly long in places, and since we as the audience know who the killer is the investigation can get frustrating, although this may be used to reflect the anger of Chul-Jung and nobody believing him. Speaking of Chul-Jung it is very, very hard to get to like him as he is a bit of a low-life and this is a shame as it becomes hard to be brought into his world. By the end however he sort of redeems himself. The performances are wonderful from the two leads, and rather than trying to upstage each other, like good actors they play off each other and seem to be enjoying it when their character has the upper hand. It's a film that is comfortable being what it is, never wanting to push the boundaries, but offering a brilliant, tense and funny cat and mouse thriller.
Gonggongui Jeog (or Public Enemy) is simply one of the most entertaining films I've seen in ages. Nothing particularly new in terms of theme (wild-cannon cop chasing serial killer), but in terms of execution and sheer ENJOYMENT, there's no doubting this films worth.
Great characters, performances, direction, scenes, dialogue... I could go on.
If you like rough cop action (oo-er) which ooze black humour this is for you.
Loved it. 9/10
Great characters, performances, direction, scenes, dialogue... I could go on.
If you like rough cop action (oo-er) which ooze black humour this is for you.
Loved it. 9/10
The good thing is about the bad guy in the movie... the text on the DVD box told about a corrupt cop vs. a psychopath... Well, I feared the psychopath was a serial killer with all the nauseating, fetishist rituals stuff "a la" Seven or other movies alike. But the killer is almost a normal guy (as much as a killer can be a "normal guy"!), killing with a purpose... Well, the guy is seriously crazy anyway, killing for very trivial motives, such as a man spilling his drink on him.
The bad thing in the movie is a kind of a scatological scene. It may seem trivial for some people, but for me, it wasted my enjoyment. Apart from that and 2 or 3 bloody sequences this is a very good movies.
The bad thing in the movie is a kind of a scatological scene. It may seem trivial for some people, but for me, it wasted my enjoyment. Apart from that and 2 or 3 bloody sequences this is a very good movies.
10bohan27
OK for a starters my girlfriend hates subtitled films. One week i spent my paycheck buying all the tartan extreme collection. The best decision i have ever made. talk about value for money. From versus, to the bride with white hair, to the ramones and public enemy. The film has everything black hunour, comic scenes, a psycho killer, and one of the most unusual cops since briggs in lethal weapon, a pure loner who develops a conscience while the movie progresses. The movie trailer really made me want to watch this. As i said my girlfriend hates subtitles film but she loved this a must for all thriller and black humour fans. A little long at two hours but highly enjoyable.
During a stakeout a corrupt cop, under investigation by Internal Affairs, has his face slashed by a mysterious character wearing a raincoat. A connection is made between a brutally murdered elderly couple not far away from the previous incident and this rain coated man. The cop believes the couple's son might have involved in the murder and decides to investigate him.
So you have here two characters in supposedly respectable occupations (one a cop, the other a fund manager) who ain't angels. This is more obvious in the cop's physical appearance, his drug dealing and his sharing a hot bath with Korean sort of yakuza, even though the introduction of the manager character played by Lee Sung-jae (a familiar face now in the West starring in films such as Attack the Gas Station, Barking Dogs Never Bite & Art Museum by the Zoo) is quite revealing too. Masturbating and swearing in the shower in an interesting shot that completely isolates him, then we see him sharing a breakfast and playing with his wife and son in the warmth of a comfortable house. I have to say that the first 20 minutes of the film are rather interesting because the character's ambiguity still play an important role. Then all falls apart simply because of the cop's sort of rediscovery of his duty after seeing the dead bodies of the elderly couple (or is it he is only jealous at the manager's lifestyle). It all becomes a bit of a farce that w e're supposed to take seriously as the film has to make serious compromises after such a bleak beginning. "Nobody does something like that to somebody's parent without any motive" he says "for me they are public enemies". I hate to judge films by comparing them to others but Public Enemy has a too much of a Dirty Harry influence (this really put me off), a too cliché supportive boss, who is got to deal with the more bureacratic and politically correct higher hierarchies of the police department, and a array of weird characters, all criminals, that helps the cop to catch his so-called Public Enemy. The cop's trademark speech when confronting criminals really got on my nerves and not many in the audience found it funny anyway.
So you have here two characters in supposedly respectable occupations (one a cop, the other a fund manager) who ain't angels. This is more obvious in the cop's physical appearance, his drug dealing and his sharing a hot bath with Korean sort of yakuza, even though the introduction of the manager character played by Lee Sung-jae (a familiar face now in the West starring in films such as Attack the Gas Station, Barking Dogs Never Bite & Art Museum by the Zoo) is quite revealing too. Masturbating and swearing in the shower in an interesting shot that completely isolates him, then we see him sharing a breakfast and playing with his wife and son in the warmth of a comfortable house. I have to say that the first 20 minutes of the film are rather interesting because the character's ambiguity still play an important role. Then all falls apart simply because of the cop's sort of rediscovery of his duty after seeing the dead bodies of the elderly couple (or is it he is only jealous at the manager's lifestyle). It all becomes a bit of a farce that w e're supposed to take seriously as the film has to make serious compromises after such a bleak beginning. "Nobody does something like that to somebody's parent without any motive" he says "for me they are public enemies". I hate to judge films by comparing them to others but Public Enemy has a too much of a Dirty Harry influence (this really put me off), a too cliché supportive boss, who is got to deal with the more bureacratic and politically correct higher hierarchies of the police department, and a array of weird characters, all criminals, that helps the cop to catch his so-called Public Enemy. The cop's trademark speech when confronting criminals really got on my nerves and not many in the audience found it funny anyway.
Did you know
- TriviaIn the initial plan, the taxi driver victim was the second, not the first, because Jo Kyu-Hwan's first crime was originally scheduled to be directed to randomly beat and kill a young man in the bathroom at the concert hall. However, the order changed as this scene fell out of the crank-in stage.
- Quotes
Cheol-jung, Kang: No money, I beat them. Don't listen to me, I beat them. His face upsets me, I beat him. There's about a stadium full of guys who got beaten by me.
- ConnectionsFollowed by Another Public Enemy (2005)
- How long is Public Enemy?Powered by Alexa
Details
Box office
- Gross worldwide
- $15,897,574
- Runtime
- 2h 18m(138 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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