This So-Called Disaster

I just wanted to say that if you want to see work that is raw simple and pure the this film will give you the truth about how these actors work...all different...but you will see the growth and the Ensemble world of acting...on a professional level...and Mr. Shepard is a very fine director with his cast...of stars...just doing their work...enjoy...it's clean and full of honesty...keep in mind it's a play not a film...and so the beauty is you will see actors you are familiar with in FILM doing the age old art of theater...the roots of their work and the opportunity to be live with an audience...it's what makes this such a great film to see ...it's not on the set of a movie...and that makes this a RARE opportunity for Would be and Could be actors to watch the PROCESS not only the performance...it's as I said about the work..

Sincerely Michael Savage

Anyone interested in theater will love this. Most others will too. An excellent documentary of the theater. You see the play being made, the resolution of director's vision and actors as they struggle to find their characters. The interviews with Shepard are sometimes excellent. That's the first movie. Then you get enough of the actual play to get the gist, and it is a very engaging play. Movie number three is the back-story about Sam Shepard's father. Plus you get to see Penn and Nolte lounging around like real actors. So there's that little fillip of celebrity watching. These three experiences make the whole that much richer.

I was glued to the screen.

This documentary should be required viewing for anyone who's studying acting, directing or writing. It's the most accurate depiction of what goes on in the rehearsal process for a theatre production that I've ever seen. Such fun to be a fly on the wall while folks prepare for their opening night.

The filmmakers have captured some brilliant moments of honesty & struggle & discovery. You don't have to be a Sam Shepard fanatic to appreciate this film. And with heavy-hitters like Shepard, Penn, Nolte & Gammon... you'll be enlightened by the idea of "process" and how unique it is for each individual.

FASCINATING film!!! I recommend you check it out and see what you think.

This So-Called Disaster basically documents the pre-production of Sam Shepard's 2000 play, `The Late Henry Moss', from about the third week of rehearsals to opening night. The movie is overall very engaging in its presentation of the featured actors involved, and because the visual style makes the viewer feel as though they were in the audience during the play's preparations.

Because `Henry Moss' is partially autobiographical, this movie provides some scenes of Shepard providing anecdotes about growing up with his father. I liked these scenes very much, because Sam Shepard's relationship with his father did was not typical of some relationships that alcoholic fathers had with their sons. There is a sense that Shepard accepted the way in which his father acted while drunk, and did not seem to have too much of a problem maintaining a relationship with him.

But the parts of Disaster that I particularly liked were everything involving the rehearsals of the play. It is very interesting to see the contrasting styles of preparation seen in the different actors, such as Nick Nolte, Sean Penn, Cheech Marin, Woody Harrelson, and John Gammon. It was amazing to see that these actors were able to nail their performances every time they rehearsed their lines.

Along with their preparations, I was able to see these people in a much different light than I ever had before. In this movie, I wasn't seeing Sean Penn, bad boy actor, or Nick Nolte the oddball (though he does have his moments). The actors in the play are presented in this movie as people who are actors, not Hollywood movie stars.

Michael Almereyda does the viewer a favor by keeping the camera pretty much stationary throughout the picture. Early on, I thought I had to prepare myself for some sort of home video visual style, which is very amateurish in that it shakes all over the place and never settles down. But thankfully, the camera allows the audience to see this movie as though they were in the theater, watching people like Penn, Nolte, and others get ready for their performances.

"This So-Called Disaster" (the on-screen credits had an additional, secondary title that I can't find documented on line) is a fascinating look at the rehearsal process, particularly between actors and a director.

It would make a terrific double feature with Al Pacino's "Looking for Richard" because here we have the additional angle that the playwright is very much alive -- Sam Shepherd-- and he actively cuts lines based on what the actors can embody without words.

He trusts these actors because they include Sean Penn, Nick Nolte, Woody Harrelson, and James Gammon, who has channeled Shepherd's alcoholic father in other plays before finally expiating his Eugene O'Neill-like obsession in this play, "The Late Henry Moss," as produced in 2000 at San Francisco's Magic Theater.

The fly-on-the-wall camera work is supplemented by Shepherd's first-time willingness to discuss the autobiographical elements of his work, with details on his family, including photographs and film, and some informal discussion by and formal interviews with the actors. (We also see him not providing the same information to a very nervous AP reporter.)

Documentarian Michael Almereyda has captured an important element in Shepherd's and these particular actors work: their roaring masculinity and how they have and are continuing to struggle with the themes of the play in their art and in their lives, how to be sons, brothers, and fathers.

Working on this play is forcing all these sexy, combative guys to come to grips with mortality and family, even though the play itself doesn't seem particularly effective at expiating that for the audience. For example, we get a languid yet intense Penn protesting that the heavy rehearsal schedule has to allow time out for him to take his kids trick-or-treating, as clearly this play has heightened all of their consciousness about parental responsibilities. I now would certainly like to see Russell Crowe take on a Shepherd play.

T-Bone Burnett is also interviewed about the background music he put together for the production.