Tycoon: A New Russian

Well, the good news is that this is definitely a very fun and entertaining piece of cinema. The bad news is that, like most movies with very few exceptions, it took a cool premise and failed short in delivering it. Storytelling needs a lot of polish, plot resolutions may seem dumb at times, and acting can range from very good to absolutely horrible from scene to scene and from actor to actor. There's very little that this "Russian Godfather" has to say that wasn't already said many times (and much better) in "Godfather", "Scarface", and "Once Upon a Time in America".

None of that matters when it comes to the fun factor - unless of course you're one of those self-professed "critics" who spend more time ogling pretty ladies than following the story twists that are neither confusing nor overly complicated, or people who think that any movie that talks about a serious and controversial topic should be strictly unbiased documentary. Be neither, and don't take the movie too seriously.

it is realistic and for Eastern public, full of memories. because it is not only a Russian story. it is the story of a period. pictures from transition to democracy, images about solutions after Communism, fight for power, success and fall. if it is a Russian slice from victory of a new generation, in same measure it is a beautiful film. action, love, friendship and old emotion of East. politic, crime and poetry. and interesting acting, smart script - not a surprise for the director of Ostrov. it is a special film for its flavor of atmosphere. common at first sigh, it represents a form of testimony and reflection of a dark reality who makes deep difference between East and West Europe.

Oligarkh, is an average movie about a group of friends taking advantage of the opportunities "new Russia" offered after the dissolution of the Soviet Union. The movie has certain value in giving a rough sketch of how the vacuum left by the collapsed communist system was filled by various criminal elements. However, it fails to do that comprehensively, possibly because, as it targets the Russian audience, it assumes too much information. The transformation of the 'naive, jolly group of friends" into a vicious, ruthless, hierarchical criminal organization is not well demonstrated, phases of changes in characters' world views and emotions largely left to the imagination of the audience. Since the story is told going back and forth in time, some of the criticism can be overlooked, but one cannot help but notice some plot holes. Moreover, it ends in a quite cheesy way, reminding a cheap Hollywood B-movie, something I do not hope to see in a supposedly-sophisticated Russian movie.

The acting is generally good, but not outstanding. I thought supporting characters were more impressive than the hero, and I especially liked the commissar and his style. Direction is not bad, and actually it made me think that it was directed by a talented, but inexperienced director. It seems Lungin has a longer career than I expected.

This is a very good and realistic movie showing the birth of Russian capitalism, the people who were behind it, the Russian mafia in its true form, and the man who made a fortune in a dawn of Russian capitalism. The movie is based on the novel "Bolshaya Paika" (The Big Slice) by Yuly Dubov about Boris Berezovsky, the true oligarch of Russia. This is the man whom Vladimir Mashkov brilliantly portrays in the charachter of Platon. 9/10

A good movie about modern Russia. Two major problems, imho :

1) The desire of shooting "nice pictures" is often too invasive in the movie, it makes all the story too heavy, too dramatic

2) The financial aspect, the "how they succedd in conning people (and state)" is too quickly described. I'd rather had got more explanations.

But, despite its duration (more than 2 hours), this movie stays very interesting.