Pieces of April

OMG, as a retired person I can switch the TV on whenever I like and do so often at noon, but today I was not prepared for this! I just planted myself at the breakfast bar on a bar stool and proceed to something some call lunch and clicked on the TV. "Pieces of April", what kind of title is this, another tele movie to entertain my lunch for a few minutes? - weeeell, so much more than that, at times "lunch" had problem to find its way down as there was a big lump in my throat and my watery eyes glued on the TV set wondering what would happen next, and would it be good. I could not believe this wonderful work had passed me without saying hello in one form or other. I can't understand the detachment from TV channels, they'll beat you ears to no end with some insignificant trash, but won't say a word about this kind of art work. On the other end I'm glad they did not as it was such a joy to see this without any expectations. You can't help but being involved in the plot. You become part of this young woman's struggle to achieve a goal against all odds. And will she succeed? This question remains in her mind and yours till the very end, you can't guess, you can only hope in despair with her. As for the guests to her effort, a Thanks Giving dinner, You may understand them but you may also wonder about them. I hope you will see this film, just like me, with no idea at all about what it is. but it would be an even greater disaster if you did not see it at all.

Written and directed by Peter Hedges, `Pieces of April' is a droll little comedy with deadly serious overtones. April is the black sheep of the Burns family, the one child of whom her mother has no fond memories. Although from what we see of her, April seems to be a pretty decent young lady, it is obvious that her parents and her brother and sister harbor deep resentments towards her (her earlier involvement with drugs and drug dealers seems to be the primary cause of bitterness). Well, it's Thanksgiving Day and April is attempting to mend some bridges by hosting this year's dinner at her cramped New York City apartment. April is terrified of failure and her family members have little faith that she will be able to pull the event off. Complicating matters even further is the fact that Joy, April's mother, is suffering from terminal cancer.

As a narrative, the film basically runs along two parallel tracks. One involves April and her frantic attempts to get her dinner cooked despite the fact that her gas oven has suddenly stopped working. This forces her to go up and down the hallway of her apartment building throwing herself on the mercy of her colorfully eccentric neighbors, some of whom offer their assistance and some of whom don't. Hedges mines his richest vein of humor in this section, capturing the offbeat nature of both the people and the situation. The other plotline - involving the family's reluctant trek from suburbia into the city - naturally carries with it far more serious overtones, dealing as it does with death, recrimination, family dysfunction and despair. But even here, Hedges is able to inject some moments of wicked black humor into the proceedings.

Oddly enough, of all the characters, April is one of the least fully developed in the film. She remains basically a passive observer and most of what we learn about her comes from comments made by various family members. We have to take it on faith that she is such a loser and a troublemaker because we see very little evidence of it with out own eyes. Certainly the most intriguing character in the story is the ironically named Joy, ironic because, even though her terminally ill status should elicit sympathy from the audience, her often-nasty disposition makes it difficult for us to like her. This is Hedges' boldest touch, this refusal to sugarcoat or sentimentalize a person just because life and the fates have been unkind to her. Also quite fascinating is the character of Beth, April's younger sister. We see how Beth thrives on the positive attention she receives simply by being the `good' daughter of the family, and how she jealously and ever-so-sweetly guards her own position while subtly sabotaging any effort on the part of April to make amends and to find her way back into the fold. It's a fascinating portrayal of sibling rivalry carried to destructive proportions.

`Pieces of April' features wonderful performances by Katie Holmes as April, Oliver Platt as her father, Alison Pill as her sister, and Derek Luke (from `Antwone Fisher') as her boyfriend. Particular praise should go to Lillias White, as the neighbor who supplies April with a stove at her greatest hour of need, and to Patricia Clarkson as Joy, who achieves the Herculean task of making her pain-wracked character both abrasive and sympathetic at the same time. It's an award-worthy performance.

Not too dark. Not too sappy. Not too indie. Not too normal. In other words, this film was just right.

....close. It's the kind of movie you watch without expectancy. Not even an hour and a half long. Is it boring ? You wonder. You keep on watching since it's a short movie. The end comes fast and focuses on different dimensions of every day life at once. A few photo snap shots and it kinda gets you right in the heart. Not to mention Patricia Clarkson, wonderful actress. However the movie is not a masterpiece. It doesn't have to. ; - )

My family Thanksgiving dinner is latent with chaos, a breath away from murder, on the edge of total misunderstanding. But we survive it and return another year because we don't know any better, or amnesia sets in, or these are the only people who will feast with us. Tim Hedges catches my family and others I am sure in 'Pieces of April,' a comedy in which Goth girl April and her black boyfriend invite her family from Jersey to their Manhattan apartment for Thanksgiving dinner.

Mom, played by the current middle-age rage, Patricia Clarkson ('Station Agent'), is dying from cancer, which allows her on the tumultuous ride with hubby and two other children to indulge in sardonic observations about her daughter's inability to do anything right, much less pull off a dinner, to comments about her lovers, including long-suffering dad (Oliver Platt), who patiently waits in horror for his wife to die.

Katie Holmes' April flies to almost every other apartment to find a working stove, but what she finds is a menagerie of tenants, most of whom like her don't know their way around a dinner, much less Thanksgiving. As she figures out how to cut an onion or carry a turkey, each one of us can remember the first time we learned those tricks, often when the family could enjoy the humiliation.

The HD filming adds a home-movie touch to the proceedings, which are all predictable because we have all been there. I recommend the film for its true contribution to the American version of 'kitchen-sink' realism and its evocation of thankfulness in all of us that our Thanksgivings were never this disastrous, just by a hair though!