Suicide Club

I really like 'Suicide Club'. This is a movie that manage to be sometimes scary, and from start to end pretty unpredictable & nerve wrecking. This is not achieved through the basic horror/ thriller formula but rather by using this format in a very personal and original way. Instead of using some crazy person or a monster as a killer with a defined purpose, director Sion Sono puts his characters (and us as viewers) face to face with death more as it actually is: something we all carry with us, but nobody can understand and nobody can escape. So as the story begins, the police that try to investigate the sudden occurrence of mass youth suicide can't rely on previous experiences. How do you stop violent death when the killer actually is inside the mind of the victims? And if you don't know how or why this happens, can you even protect yourself? This is in many ways a much more fascinating & disturbing concept than the extremely over-exploited serial killer running around with a knife/gun/axe or whatever.

In conjunction with the suspense there's some quite poetic parts which touches on the everlasting question: if you can't find a reason behind death, can you really find any reason to live? In this hi-tech, constant mass communication world maybe a lot of us are spending our time trying to escape from such profound questions by engaging in mindless distractions & superficial relations, never contemplating that these actions might be just as empty & worthless as a non-existence. One notion that the movie conveys is that since death is the only inescapable thing inside all of us, we won't find the true core of life anywhere else. We have to search deep within ourselves.

I rate 'Suicide Club' 8/10. For me it was both entertaining & thought provoking.

Shinjuku Station in the evening rush hour. High school girls throng the packed platform, dominating with their raucous chatter, jangling bags and provocatively short skirts. As the commuter rapid approaches, something bizarre happens - 54 girls join hands and step reverentially on the platform edge. Given the title of the film, it is no big stretch to guess what happens next.

A veteran detective (Ryo Ishibashi) and jaded younger colleague (Masatoshi Nagase) suspect a grand plot, but are thwarted in their attempts to investigate by weary seniors. Clues are supplied by The Bat, a more web-savvy mysterious informant. Can the detectives uncover the conspiracy and prevent more suicides? That is as much narrative analysis as the story can bear, as it veers off course in the second half into surrealism, MTV theatricals, and heavy-handed symbolism. "There is no suicide club" declares a juvenile voice on the phone, continually clearing its throat. Whether there is or isn't is a question never fully resolved.

Don't be taken in by reviewers who tell you that you have to be Japanese to understand this film - my Japanese students and friends are as baffled by the story as anyone else. Sion's film never quite lives up to that opening sequence in Shinjuku Station, but it compels you to go with it to the end, and provides a few thrills along the way. It is a shame it does not all quite pull together. But there are enough digs at Japan's shallow celebrity culture, crippling generation gap, obsessive consumerism, and indeed freakishly high suicide rate to make this worth watching.

In short, great visuals, shame about the script.

SUICIDE CLUB works better as a thematic piece exploring conformity and suicide in Japan than a proper thriller, despite attempts to graft a traditional detective story to the wafer thin plot. It's a lot less coherent than the other Sion Sono movie I've seen, EXTE, which was a lively twist on the classic Japanese ghost story, whereas this is a unique and occasionally unfathomable beast.

Basically, the story is about mass suicides taking place in Japan, usually carried out by gangs of high school girls. There are a handful of very shocking moments in the movie, most notably the opening train station sequence, which are hard to get out of the mind once seen. Plus, a later moment in a kitchen of all places is one of the grimmest and most unpleasant I remember seeing in a movie.

Elsewhere, we get Ryo Ishibashi (AUDITION) playing a cop investigating the deaths, although this sub-plot doesn't really get very far. Instead SUICIDE CLUB sometimes feels like a jumble of abstract ideas, throwing in references to AUDITION, J-pop, social alienation, and family dynamics. The main story finishes around the hour mark and the film just sort of dawdles along aimlessly for another half an hour after that point. It does contain some remarkable and harrowing imagery, so I didn't dislike it, but I just wish it had been less abstract and more concrete.

Just saw the movie at the Brussels Fantasy Film Festival and was quite stunned by it.

Although some questions remain unanswered, the story depicts some of the most problematic issues of the Japanese society.

The suicide phenomenon among young people is related to the unlimited attraction for new trends and the lack of communication between young people and there parents.

A well directed, enjoyable (gory ) movie, with convincing actors.

I give it a 8 out of 10.

A grim vision of the future of the internet, manifested. But, as a Sion Sono film, is still very weird and out-there. What's with the musical number from the blonde weirdo Genesis?

Everybody is being influenced by some website and because of some rumors. It's fomo combined with teenage anxiety and impressionability. But at the same time, when suicides come in such big numbers, all at the same time, is the exterior influence actually the murderer? I know there is real pressure in Japan to succeed. That drives people to make harsh decisions regarding their life. Burnout is a big thing in Japan. Or was, not updated enough on that situation.

I think Sono wanted to raise awareness.