Anything Else

This movie really is an underrated gem. Somehow most critics have become totally unable to accept Woody Allen's work for what it is and compare it only to other movies from the same years.

Woody Allen has said many times that he has no interest in looking back to his old work and, in my opinion, it really shows. From someone who has often raved about the 'Radio Days' of his youth and adores prewar Jazz, he has steadily developed into a director who has no trouble catching the modern every day lives of the people around him. Recreating the atmosphere from his older movies would only show the inability to move on, along with the rest of the world.

Anything Else is proof of that. It's a modern movie with a typical Woody Allen style dialogue that works on several levels. Between the jokes and witty remarks and often great replies, lie the worries of any young guy or girl that has to learn to deal with life's fears and frustrations. Anything Else also has a really nice atmosphere and a great pace - the movie at almost 2 hours never feels like it's stalling or going nowhere. The story moves forward constantly. Biggs really is the star here and is a perfect Young Woody Allen. Ricci is only a supporting character, but both she and the rest of the cast really make this into a believable, relaxed and enjoyable experience.

For those who are willing to learn a little: this movie does make a simple, but very true point about learning to deal with life.

Photography, directing, editing and writing is really first class work - nothing less than what you get in other top Woody Allen movies. Beautiful locations, great camera work and typical Woody style jazz really make this into a perfect 10/10.

The lack of awards and negative reviews are just like Dobel (Woody Allen) says in this movie: You know....it's just like anything else.

Go see it for yourselves!

This expertly done film has the marketed trappings of a romantic comedy, but as usual the advertising is misleading. "Anything Else" is not a light romp or a gentle farce like some may expect. This is a dark and funny look at today's selfish, chaotic and often violent world. It's about the uncertainty of intention; it's about trusting one's instincts over the words and appearances of others, and it's about learning to survive on one's own. Woody Allen pulls no punches and follows things through to their inevitable end, even allowing his own supporting character to rage blindly and possibly wrongly against the all-encompassing hatred he sees everywhere he goes. Soaked in fecund greens, New York City stands in for the unknown, wild and indifferent jungle (with Central Park as its heart). So it is no coincidence that Woody drives a bright red Porsche that roars like an animal; and it is particularly apt that the car he demolishes out of rage and a sense of justice is green.

Yet the filmmaker allows this kind of paranoia to be suspect. He challenges the fruition of distrusting everyone--even though in many cases throughout the film, the bitterness, rejection and anger are warranted.

Many critics dismiss "Anything Else" as old jokes rehashed or even "unwatchable." I'm not sure what film they saw. I wanted to go back in the moment it ended. Yes, Woody revisits the themes of his previous films. He is an artist. Love and death, infidelity and sex are his motifs. Nobody throws out Hitchcock's later films because they were once again about the wrong man or some guy with a crazy mother. This is a cerebral, subversive movie. It has its one-liners and its rhythm of performance, complete with incredulous stuttering by Jason Biggs and a whiny Christina Ricci as an inscrutable actress. But the film is fresh and strong and--as typical of original art--completely underrated.

Yes, I admit to being a Woody Allen fan. Yes, I agree that his movies are uneven and have not all been up to the great standards of Annie Hall or Hannah. So I saw this on video, since it slipped out of the theaters quickly. And having read the IMDB reviews, I was prepared for the worse. The good news is that Mr Allen has recovered from whatever it was that was interfering with his muse. The picture is a classic Woody Allen film: fine acting, wonderful lines and gags, an ongoing psychoanalytical situation, dysfunctional relationships, funny situations, and Woody himself in a suitable role as a crazy guy, but the only "sane" one in the film. I would also add that the scenes of New York, including Manhattan and Brooklyn, were breathtakingly beautiful.

Critics now seem to enjoy dissing Woody, whatever his output. Maybe that's the price of a long, fruitful career. Ignore them and enjoy his films. Long may he present his gifts to us.

Woody Allen steps back from himself in ANYTHING ELSE and turns center stage over to a couple of young protagonists who are allowed to thrash around and make their own mistakes, with only a little kibitzing from the side by Woody. In the process, the film tackles all of the larger issues of life, love, ethics and the loneliness of man in the universe that Woody has grappled with, in varying degrees of clarity, in so many of his earlier films, but does it in a way that charms and tickles the audience and, ultimately, reassures them. While Woody's character has a dark, paranoid streak to him, the film is nowhere near as bitter and acidic (nor as profound) as DECONSTRUCTING HARRY (1997), the last film of Allen's to address these issues head-on.

Woody plays a sage/mentor to a young comedy writer who's trying to write a dark, existential novel. The writer, Jerry Falk (played by Jason Biggs of AMERICAN PIE fame), is saddled with a clinging manager (Danny DeVito), who keeps using inappropriate (but amusing) Garment Center metaphors, and is mired in a hopeless relationship with Amanda, a whirlwind of a young woman who sucks people into her life and then treats them badly. Played to perfection by Christina Ricci, Amanda is smart, seductive, and clearly exciting to be around, but is a bundle of deadly neuroses that will take a lifetime to untangle. We see her future self reflected in her narcissistic, childlike mother (Stockard Channing in a wonderful comic supporting performance), who comes to stay with the couple early in the film.

It's all about Jerry coming to grips with who he is, what he wants to do, and what it will take for him to get there. And it's Woody, playing a schoolteacher near retirement age who wants to tackle a comedy writing career late in life for himself, who serves as the catalyst for Jerry. Thus, the movie encapsulates, in, perhaps, an overly tidy fashion, the broad advice Woody wants to dispense to the younger members of his audience. While it's occasionally cartoonish and sometimes veers narrowly toward the heavy-handed, it also gives us a more confident and lively Woody, one who is freed from the self-imposed demands of being the romantic lead. Overall, it's a delightful, charming, funny and genuinely touching film which not only makes very good use of its young stars, but also of its writer-director-co-star-turned elder statesman.

This film is a romantic comedy about two young lovers and an older man who happens to be very paranoid.

Anything Else is a typical Woody Allen film, where there are a lot of paranoia and irony. It is dialog heavy, which is a good thing because the dialogs are fun and witty. There are so many memorable scenes in this film. An example is that Woody Allen thiks it is necessary to carry a chainsaw because the modern world is infested with crime. Another scene is that Christina Ricci is too scared to have sex and has a panic attack, and yet she allows the doctor to touch her all over and have no panic attack. That scene is just so funny. I hope this film and other recent Woody Allen films, like "Small Time Crooks" and "Hollywood Ending", reach a wider audience.