Follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London, England.Follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London, England.Follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London, England.
- Won 1 BAFTA Award
- 11 wins & 29 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
A fabric woven of happy and sad threads
What I appreciated most about Love Actually was that for the most part, it realistically looks at relationships happy and sad, successful and unsuccessful, with a future and without. It addresses different forms and levels of love, sometimes straightforward and carefree, sometimes complex and contradictory. There are schmaltzy happy moments and touching sad ones, moments of great strength and moments of foolish weakness. The movie is made up of many threads, and of course some threads are stronger than others.
The most interesting parts of Love Actually are the times when it addresses the tragic situations where love is self-sacrificing, contradictory, or fragile. One character's unrequited love is revealed as a noble sacrifice made for another's happiness (the method of finally achieving closure and moving on, however, could only work in the movies). Another character is shown to be caught between conflicting duties that will, we are led to believe, prevent her from ever being truly happy. And the strength that a third shows when love is shown to be fragile and her world collapses around her is tragically inspiring.
These noble, tragic threads are interwoven with lighthearted comedic ones to produce a fabric that holds together well. While some characters have to fight for their love, others have simple, happy, straightforward relationships, with love (or whatever) falling in their laps like a parcel from Santa Claus. And the purely comic moments, like Rowan Atkinson's appearances and Hugh Grant's Christmas-caroling bodyguard, are delightful in and of themselves.
There are of course plenty of nits to pick. Hugh Grant doesn't make a very believable Prime Minister, and even his very pointed speech to his American counterpart -- especially relevant in light of Bush's recent state visit to England -- don't redeem the odd casting. Others in this forum have commented on the number of fat jokes in the film, and while I agree, I feel I should point out that the entire point of the first such joke is that the character who has fallen for the "fat" girl clearly doesn't think of her as fat, and doesn't understand at first who the other is talking about. It's true that calling her fat is ridiculous; she's only large in comparison to Keira Knightley, who must be carrying some vital organs around in her handbag because there's certainly not enough room in her torso! But that one time would have been enough; the "fat" theme gets tiresome later on in the movie. I also agree with those who have said that much of the nudity is completely unnecessary to the plot, and that at least some of the comedic threads in the movie are formulaic and unoriginal.
In the end, I feel that Love Actually is for the most part a thoughtful and entertaining look at relationships, which does not shy away from taking the bad with the good.
The most interesting parts of Love Actually are the times when it addresses the tragic situations where love is self-sacrificing, contradictory, or fragile. One character's unrequited love is revealed as a noble sacrifice made for another's happiness (the method of finally achieving closure and moving on, however, could only work in the movies). Another character is shown to be caught between conflicting duties that will, we are led to believe, prevent her from ever being truly happy. And the strength that a third shows when love is shown to be fragile and her world collapses around her is tragically inspiring.
These noble, tragic threads are interwoven with lighthearted comedic ones to produce a fabric that holds together well. While some characters have to fight for their love, others have simple, happy, straightforward relationships, with love (or whatever) falling in their laps like a parcel from Santa Claus. And the purely comic moments, like Rowan Atkinson's appearances and Hugh Grant's Christmas-caroling bodyguard, are delightful in and of themselves.
There are of course plenty of nits to pick. Hugh Grant doesn't make a very believable Prime Minister, and even his very pointed speech to his American counterpart -- especially relevant in light of Bush's recent state visit to England -- don't redeem the odd casting. Others in this forum have commented on the number of fat jokes in the film, and while I agree, I feel I should point out that the entire point of the first such joke is that the character who has fallen for the "fat" girl clearly doesn't think of her as fat, and doesn't understand at first who the other is talking about. It's true that calling her fat is ridiculous; she's only large in comparison to Keira Knightley, who must be carrying some vital organs around in her handbag because there's certainly not enough room in her torso! But that one time would have been enough; the "fat" theme gets tiresome later on in the movie. I also agree with those who have said that much of the nudity is completely unnecessary to the plot, and that at least some of the comedic threads in the movie are formulaic and unoriginal.
In the end, I feel that Love Actually is for the most part a thoughtful and entertaining look at relationships, which does not shy away from taking the bad with the good.
Surprisingly Enjoyable
I hate romantic comedies. I detest them. You can list the actors I avoid watching: Hugh Grant, Sandra Bullock, Richard Gere, Julia Roberts. Romantic comedies make me cringe and I avoid them like the plague so you can imagine the foul mood I was in when I was forced to watch this film.
And the introductory voice-over by Hugh Grant as we watch an airport full of people hugging made me want to commit an act of violence - either against the people who forced me to watch this film or against myself just to end the torture.
Then the most unbelievably shocking thing happened. Bill Nighy and Gregor Fischer came on screen, mocking one of the most hated love songs in Britain, "Love is all Around" and I found myself getting sucked into the film.
By the time I reached the end of the film I found myself facing the impossible, there was one romantic comedy out there that genuinely is a comedy and actually likeable. No-one was more shocked than I.
Many different kinds of love are covered (although not all kinds), there's 8 storylines and the biggest cast list I've seen in a long time. Somehow, it works. You'd think it wouldn't, I know I certainly didn't.
If you're looking for a full-length story, this is not the film for you. It snap-shots the important events leading to the resolution of the couples involved, nothing more. If you want a classic romantic film, this might not be the film for you. This is funnier than most straight comedies I've seen in recent times, however (I'm just as harsh a critic of comedy films as I am of romantic films).
It's not trying to be the meaning of life, it's not trying to look at the big picture. In fact, it's only trying to do one thing, and that's say positive feelings crop up in the most unexpected places or are more prevalent than people think. One of the storylines, one that is cited constantly in reviews as one of the failed storylines with a sad ending is actually bittersweet. It doesn't end with failure but the failure of one type of love in favour of a different kind.
This film isn't perfect, I'll never find the perfect romantic-comedy because I hate the genre so much, for example, one of the storylines did annoy me intensely and yet ironically still made me laugh in places. However, the flaws in the film are vastly outweighed by positives. It's superficially complicated but is really a very simple film. It makes a statement: "love actually is all around" then shows why it makes that statement and doesn't attempt to do or be anything else.
And like the fact it covers different kinds of love, it covers different attitudes and portrayals of it - so a couple are realistic, a couple are classic fantasy, a couple are pure comedy and a couple are pure rom-com tradition.
I have seen no reviewer give this film a middle-of-the-road review, and I've read many reviews. I think, in the end, Love Actually is up to the individual. It's like Marmite. You either love it or you hate it.
Speaking as a cynical, misanthropic, Marmite-hating, Romantic-Comedy hating member of the human race, I actually liked Love Actually.
And the introductory voice-over by Hugh Grant as we watch an airport full of people hugging made me want to commit an act of violence - either against the people who forced me to watch this film or against myself just to end the torture.
Then the most unbelievably shocking thing happened. Bill Nighy and Gregor Fischer came on screen, mocking one of the most hated love songs in Britain, "Love is all Around" and I found myself getting sucked into the film.
By the time I reached the end of the film I found myself facing the impossible, there was one romantic comedy out there that genuinely is a comedy and actually likeable. No-one was more shocked than I.
Many different kinds of love are covered (although not all kinds), there's 8 storylines and the biggest cast list I've seen in a long time. Somehow, it works. You'd think it wouldn't, I know I certainly didn't.
If you're looking for a full-length story, this is not the film for you. It snap-shots the important events leading to the resolution of the couples involved, nothing more. If you want a classic romantic film, this might not be the film for you. This is funnier than most straight comedies I've seen in recent times, however (I'm just as harsh a critic of comedy films as I am of romantic films).
It's not trying to be the meaning of life, it's not trying to look at the big picture. In fact, it's only trying to do one thing, and that's say positive feelings crop up in the most unexpected places or are more prevalent than people think. One of the storylines, one that is cited constantly in reviews as one of the failed storylines with a sad ending is actually bittersweet. It doesn't end with failure but the failure of one type of love in favour of a different kind.
This film isn't perfect, I'll never find the perfect romantic-comedy because I hate the genre so much, for example, one of the storylines did annoy me intensely and yet ironically still made me laugh in places. However, the flaws in the film are vastly outweighed by positives. It's superficially complicated but is really a very simple film. It makes a statement: "love actually is all around" then shows why it makes that statement and doesn't attempt to do or be anything else.
And like the fact it covers different kinds of love, it covers different attitudes and portrayals of it - so a couple are realistic, a couple are classic fantasy, a couple are pure comedy and a couple are pure rom-com tradition.
I have seen no reviewer give this film a middle-of-the-road review, and I've read many reviews. I think, in the end, Love Actually is up to the individual. It's like Marmite. You either love it or you hate it.
Speaking as a cynical, misanthropic, Marmite-hating, Romantic-Comedy hating member of the human race, I actually liked Love Actually.
10bzb2001
A deeply loving film rich in character
It has been a long time since I have seen a movie so rich in character that I did not want it to end. Love Actually is not a love story, it is a story about love. Love that reinvents itself, multiplies itself, opens itself up, and even devastates.
I am sure the film has its critics who say it drips in buttery corn. But when you are able to retreat inward and let it take you over, it is impossible not to feel. It is a rare treat - a film that makes you feel. During the process I was sad and happy and relieved. I was turned on, turned off, dizzy and grounded.
I was in love one time and it reminded me of that. The power of cinema can be that amazing, it can be that intense. The title of the movie is, perhaps, meant to confuse. Yet I believe it is designed to ask. Love Actually is ... what?
Is it lust? Or a deep appreciation of the past? Can it be conquered by language or political barriers? Race? Infidelity? Age? Can it be all of the above plus more? Maybe a mingling of several?
It is rare for a film of great acting to be married to a terrific script. Yet it is something else for it to speak right to the audience; not talk at them, not try to sell them a film. Let them experience the film. Let it wash over them little by little until there is nothing more of them left.
**** (A)
I am sure the film has its critics who say it drips in buttery corn. But when you are able to retreat inward and let it take you over, it is impossible not to feel. It is a rare treat - a film that makes you feel. During the process I was sad and happy and relieved. I was turned on, turned off, dizzy and grounded.
I was in love one time and it reminded me of that. The power of cinema can be that amazing, it can be that intense. The title of the movie is, perhaps, meant to confuse. Yet I believe it is designed to ask. Love Actually is ... what?
Is it lust? Or a deep appreciation of the past? Can it be conquered by language or political barriers? Race? Infidelity? Age? Can it be all of the above plus more? Maybe a mingling of several?
It is rare for a film of great acting to be married to a terrific script. Yet it is something else for it to speak right to the audience; not talk at them, not try to sell them a film. Let them experience the film. Let it wash over them little by little until there is nothing more of them left.
**** (A)
Unapologetically British and totally Christmas
Love actually is all around on Christmas. "Love, actually" is a very British comedy about love on Christmas, and the magic of Christmas and the spirit of Christmas. It's a really clever idea of having many small and completely different stories being the focus of this movie because love comes in different kinds. The clever thing is that somehow all these stories do interact woth each other but each and every one of them serves its own purpose. Emma Thompson I think speaks to the hearts of many women around the globe, and her performance is very poignant and raw and real. Hugh Grant's story is here to remind us of Clinton and Lewinsky. And Keira Knightley of course steals the hearts of many once again. Some very iconic scenes, some great pop-culture moments and a ridiculous song and performance by a great Bill Nighy. "Love, actually" is unapologetically British and absolutely ridiculous and bonkers and I love it. A perfect holiday movie.
I will never grow tired of seeing this Christmas classic over...and over...and over...again and again
I have lost count of how many times I have watched this wonderfully written and acted Christmas romance themed classic film. At least once a year so that would be at least seventeen (17) times now. Great songs, a superb cast from top to bottom, heartwarming romances, and of course a must see "FEEL GOOD" ending.
It is most deserving of a perfect 10 for 10 IMDB rating.
It is most deserving of a perfect 10 for 10 IMDB rating.
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Top-Rated Christmas Movies to Stream This Season
See the very best Christmas movies streaming this season, according to IMDb fan ratings.
Soundtrack
Preview the soundtrack here and continue listening on Amazon Music.
Did you know
- TriviaWhen casting the part of Sarah, writer and director Richard Curtis auditioned a great many British women, but kept saying, "I want someone like Laura Linney." The casting director eventually snapped and said, "Oh, for fuck's sake, get Laura Linney then." Linney then auditioned and got the part.
- Goofs(at around 1h 55 mins) When Jamie revisits Aurelia, a Marseillaise cab can be seen at the airport, yet everyone in the city seems to understand Portuguese. This can be explained, however, by a large Portuguese community in Marseilles, who live in a common area and would be the ones who understood the language.
- Crazy creditsThe list of the cast in the opening credits are arranged alphabetically according to their first name.
- Alternate versionsThere are two instances of switched music between the UK and US versions of the film. In the UK version, the montage introducing the office Christmas party is set to "Too Lost in You" by Sugababes, while the US version of the film replaces it with "The Trouble With Love Is", performed by Kelly Clarkson. Then, during the second half of the end credits after the Clarkson song plays (for the second time in the US version) the UK version concludes with a cover of "Jump (For My Love)", performed by Girls Aloud. This song does not appear at all in the US version, which concludes with the Sugababes song that the UK version used at the party. The 2009 US Blu-ray release actually contains the UK cut of the film, while the original US DVD had the US cut.
- ConnectionsEdited into Dilwale (2015)
- SoundtracksChristmas Is All Around
Written by Reg Presley (as Presley)
Performed by Bill Nighy
Courtesy of Universal Pictures Music
Everything New on Prime Video in December
Everything New on Prime Video in December
Your guide to all the new movies and shows streaming on Prime Video in the US this month.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Realmente amor
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $60,352,285
- Opening weekend US & Canada
- $6,886,080
- Nov 9, 2003
- Gross worldwide
- $250,839,665
- Runtime
- 2h 15m(135 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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