Blissfully Yours

This second feature of Apichatpong Weerasethakul is more an experience than a story-dependent film. Something strange happens to your feeling for time while watching this two-hour long film: time seems suspended, absent. When 45 minutes into the film the opening credits suddenly appear, they come as a bit of a shock, because by then you are irresistibly drawn into the non-story.

The way this film treats time is reminiscent of several films by Taiwanese director Tsai Ming-Liang: long, drawn-out scenes, in real-time or almost, and with little or no dialogue. Also the relationship between the main characters brings to mind Tsai's films, more in particular 'Aiqing Wansui' with its triangular relationship.

'Blissfully Yours' is an impressionist rendering of a lazy afternoon in the mountainous border region between Thailand and Myanmar. Min is an illegal immigrant from Myanmar, who takes his girlfriend Roong for a pick-nick. They are joined later by Orn, an older woman employed by Roong to take care of Min.

One of the main ingredients in impressionism is the sun, and the sun plays an important though discrete role in this film also. It is present everywhere in the second part of the film, softly filtered through the canopy of the jungle, but also as a threat to Min who has a skin disease and was told to stay out of the sun.

What also filters through in the film is the political issue of Myanmarese immigrants in northern Thailand. The first half hour shows the three main characters consulting a doctor about Min's skin condition. Min, who has no papers, doesn't speak - perhaps because the doctor would refuse to treat him if she knew her patient was an illegal alien and not a Thai. And the doctor's refusal to give Min a 'fit-to-work' certificate unless he can produce official papers is typical of the administrative vicious circle so many illegal immigrants are caught in all around the world.

This makes for a stark contrast between the first and second part of the film, between grim reality and a dreamy, lazy afternoon that is bathed in light.

American audiences may feel uneasy seeing sex scenes that are neither censored, clinical, beautified or violent. Not recommended for viewers who require car chases and shoot-outs, or for those who don't like ants.

An earlier film by Apichatpong Weerasethakul. To pause for a second, it is amazing how relatively easy it is these days to watch cinema from all over the world. That alone constitutes something akin to bliss for me at least.

I would say seek out other films by Weerasethakul first, and then proceed to this one if you wish. There is an enchanted Thai forest here as well as in "Uncle Boonme." His admiration (not quite the right word) for middle-age women seems to be frequent, here it is juxtaposed with an almost Romeo and Juliet, or Adam and Eve, love story. Roong seems so young, and Min is clearly a visitor in her heart, and her country.

There is some sentiment for the director on the "illegal alien" (always a bit strange phrase), Min is minimally communicative in the scenes with the two dominating women, is given voice-over monologues and over-layed sketchings.

Min's skin is featured in the film, don't let it trouble you. But it seems his skin is rejecting Thailand. I guess if this film says anything it's that bliss is fleeting if not even misunderstood. The lovers try to find a place remove from the Orn-ery every day grind, a place between two countries, a sweet safe place off the map.

However, every picnic has ants waiting for it.

This film is banded in Thailand I haven't seen it yet . Almost people don't know this film even it got some awards nothing in Television news May be this 2003 may some chance in cinema but R version .This film got NC-17 because of naked scenes . It about Love story that some I don't understand I think all of you should see this film if you have a chance .

Please do not feel sorry for anyone associated with trying to make something beautiful. A film does not need to have a beginning or an ending, or an elaborate story, it can simply contain moments in time, it can be a visual sensation, this art form, like all, needs not be strictly defined. If you found Blissfully Yours boring, fair game. But this magnificent film put a smile on my face for much of the second half, because I felt what it meant for me to feel, this film is 1000% feeling, so it's great for those who can feel. When we step into nature we can truly suspend time. "Roong, what time is it?", "Wait, I'm still having fun."

Apichatpong Weerasethakul is exemplary in pointing to new ways of telling cinematic stories. Here he presents us with a beautiful canvas of cultural impressionism and profound poetic daubings.

Certainly not boring. Certainly not pretentious. And if you find it slow, then you need to readjust your perception of what 'narrative' can do. Slow is a relative term. The inference from some commentators is that slow equals languid and thus dull. But this is anything but languid or dull. It is a beautiful rumination, a poem of pace and intrigue and voluptuous sensitivity.

Sit back, relax and don't rush (where is everyone rushing too, anyway?). Be with the moment and enjoy the art of a magnificent filmmaker.