Lakshya

Farhan Akthar has to live upto his debut 'Dil Chahta Hain' - a feat which will be difficult to match. FA will carry the DCH label forever, much like Ramesh Sippy was labeled with the Sholay tag. Comparing Lakshya with DCH is inevitable. And FA does score in many places. The story is quite simple. The setting is in late 1990s - just prior to the infamous Kargil. Roshan is Karan Shergill, the younger sibling in a well to do Delhi business family. Karan is a happy-go-lucky naive kid who has nothing to worry about in his life. His lady love, Romila Gutta aka Romy (Zinta), on the other hand, is a career minded young lady who has a clear idea what to do with her life. When placed at crossroads when all his friends are deciding about their future career prospects, Karan is influenced by one of his friends' decision and plans to join the Army. And to his own surprise finds himself in the Army training school. However, this sudden transition from his Bohemian lifestyle to army life proves to be more than he can handle and he quits the course. However, Karan realises that things will never be the same again with Romy, who clearly sees him as a quitter, a loser with no ambitions, no goals(That's Lakshya in Hindi) in life. Hurt and dejected, Karan joins the Army training again and comes out as a hard-boiled Lieutenent.

Karan is posted in the volatile Dras sector, Kashmir. Here meets the stiff, focused Col. Damle (Mr. Bachchan) and his troops who make Karan realize that his Lakshya is to serve the country. Before long, there is a war brewing in the mountains, with Pakistani insurgents blocking out the supplies to various army bases high up in the mountains. Karan suddenly finds himself responsible for his country's safety and plays a key role in winning the battle against the intruders. His Lakshya is met. Technically, the film is brilliant. One of the first army movies made in Bollywood without an overdose of jingoism. German cinematographer Christopher Popp captures the night war sequences beautifully. The natural beauty of the rugged Ladakh has been brought to the screen in its whole. FA is a fine eye for the minor details, e.g., the name plates on the vehicles are in white letters written on black boards, like they were prior to 2001-2. The tense screens between Roshan and his father (played by the inimitable Boman Irani) are excellent. The film was conceived very very well. However, since nothing is perfect, no review is complete without some criticism. Lakshya has its faults - and most of these are because we had expected otherwise from the director of DCH. For one, there is not much of a script, so people watching for killing time will be bored. Unlike most war/army movies, this is more of a drama. Unlike DCH, we hardly have a light-hearted moment in the movie. Javed Akthar has returned to script writing after a long gap BUT I had expected more. Second, there are too many characters. Many actors in "special appearances" prove to be more distractions than integral elements of the story. Amitabh has his moments, but Om Puri, Lillette Dubey and Shushant have been wasted. At points, we feel that FA had a hard time to decide whether to keep pop-patriotism away from the movie. Songs distract and do not fit in the script, unlike DCH. My rating - 6.5/10 - for the sincerity with which the movie was made, for FA's dedication to his work, and for Hritik Roshan's performance.

Absolutely fantastic. Hrithik Roshan is brilliantly understated in this coming-of-age epic. World-class production values and high father-son, soldier-soldier emotional content that's not forced (Like the overdone mess LOC). The war scenes were brilliant. People must remember, this film was NOT BASED ON KARGIL. Akhtar took the war as a backdrop to show Karan's transformation - his path from irresponsible and misguided childhood to manhood. This film was quite an experience. I just can't understand how this flopped (If grossing 22 Crores in India can be termed "poor box office performance"). Man, my countrymen really take the cake. Garbage like Veer Zaara (Stunning locales, beautiful people, and amazing music, but overall POOR in terms of content) and Kal Ho Na Ho are lapped up by audiences, but Yuva and Lakshya are rejected completely. After Shah Rukh Khan murdered Asoka with his obsessive megalomania and J.P. Dutta took jingoism to an all-time low in LOC, Lakshya is an epic motion picture. Somewhat muted and subtle, but never EVER slight. Hrithik's a star.

Enjoyable, good story, well told. Farhan Akhtar has done it again, after his first movie Dil Chahta Hai.

Hrithik Roshan's character grows up from being a confused young lad to a man with a mission. Shades of An Officer and a Gentleman, Guns of Navarone, and a little of Saving Private Ryan.

Shankar-Ehsaan-Loy have created more of their world music, and it rocks. The first two songs were fabulous; the other songs should be skipped, I thought.

As in Dil Chahta Hai, the parents are all ultra-supportive. They also dress and decorate in expensive nouveau handlooms, rattan furniture, slip covers, etc. Boston Brahmin did a good review.

Very nice and straightforward; none of the Hindu Family Values reactionary material that Bollywood routinely churns out.

Lakshya is a very well made war, coming of age movie, which can compete with anything from the west.

I personally, feel it ends two debates, other than the fact that it establishes Hrithik as the ultra star-great actor mould (la Kamal Hassan),

a) Farhan Akhtar is the talent to watch for, A Mani Ratnam in the making for Hindi Cinema

b) Prabhu Deva can hand over mantel of the best ever dancer on screen to Hrithik Roshan (you have to see to believe what happens on the screen in the song "Main Asia kyun hoon", which Prabhu Deva himself has choreographed).

Just go and enjoy, this wonderful clean entertainer, which has great music and cinematography to complement the performances from the actors, and the skillful direction of Farhan Akhtar

Badri

I found Lakshya to be a refreshing step up in the quality of Indian films. It depicted courage, loyalty and other exemplary values in an interesting storyline. The musical song-dance numbers were well done, and the background musical scores were also emotive. I found the cinematography really stood out in this movie as above par, showing off the scenic landscape of the mountainous Kargil region.

Regarding krishnam's commentary, I really have to disagree. Firstly, it's silly and petulant to single out this movie for such criticisms while ignoring the glaring errors and inaccuracies typical of most other Indian movies. I feel it should be judged relative to Indian cinema in general, although it could even compare favorably with various Hollywood hits.

I thought the director, composers and cast did a very good job, and hope this film becomes a benchmark for future Bollywood creations to be measured against.