A New York mayor tries to cut back the city's crime and social problems, all in the face of his own battle with cancer, the tragedy of the September 11th Attacks and his troubled marriage.A New York mayor tries to cut back the city's crime and social problems, all in the face of his own battle with cancer, the tragedy of the September 11th Attacks and his troubled marriage.A New York mayor tries to cut back the city's crime and social problems, all in the face of his own battle with cancer, the tragedy of the September 11th Attacks and his troubled marriage.
- Director
- Writers
- Stars
- Nominated for 2 Primetime Emmys
- 2 wins & 3 nominations total
Kirsten Bishop
- Judith Nathan
- (as Kirsten Bishopric)
Michael Jeffrey Woods
- Sam
- (as Michael Woods)
Francis X. McCarthy
- Jim Kossler
- (as Francis-Xavier McCarthy)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's too bad the talented Penelope Ann Miller was cast in this garbage! Her talent and acting ability should be used for much better roles than this. As usual, Penelope is always outstanding, no matter what she is in but this role was sickening. Hope to see her in better stuff than this in the future.
A superficial puff-piece about a fascinating political character that stays so much on the surface that it verges on soft-core propaganda. Neither James Woods nor the script really bears a particularly close resemblance to Guiliani, both making him look better than he really was.
One example that can symbolize many others: Guiliani is shown as a devoted Yankee fan, but there is no mention of his various overt and covert efforts to funnel millions of public dollars to George Steinbrenner and his baseball team.
The director's and writer's point of view is not only essentially pro-Guiliani, but the narrative framework is also centered within his political cadre, rather than being informed by the insights of detached and balanced observers.
I would have liked to have seen more about where Rudy came from -- geographically, socially, and psychologically -- to help understand how he became such a capable yet massively flawed figure on the New York political stage. This movie trivializes its subject matter, focussing on a two-dimensional cutout rather than a three-dimensional character within a complex context.
One example that can symbolize many others: Guiliani is shown as a devoted Yankee fan, but there is no mention of his various overt and covert efforts to funnel millions of public dollars to George Steinbrenner and his baseball team.
The director's and writer's point of view is not only essentially pro-Guiliani, but the narrative framework is also centered within his political cadre, rather than being informed by the insights of detached and balanced observers.
I would have liked to have seen more about where Rudy came from -- geographically, socially, and psychologically -- to help understand how he became such a capable yet massively flawed figure on the New York political stage. This movie trivializes its subject matter, focussing on a two-dimensional cutout rather than a three-dimensional character within a complex context.
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
It would have to have been Ray Liotta in the title role.He's probably the only other actor who could stand a chance of matching the nigh on terrifying manic intensity with which he plays Giuliani.This aside,this biopic,charting Giuliani's rise and fall to triumphant rise again as mayor of New York,from his initiation in 1994 to his prostate cancer scare in 2000,to his leadership during the dark days of and the aftermath of the notorious twin towers attack in 2001,is dogged by other problems.It's TV movie all the way,with see through production values and what's almost certainly borrowed real life footage,and it's ultimately told in too much of a downbeat and depressing way to be truly endearing.But it's not completely unwatchable.**
It would have to have been Ray Liotta in the title role.He's probably the only other actor who could stand a chance of matching the nigh on terrifying manic intensity with which he plays Giuliani.This aside,this biopic,charting Giuliani's rise and fall to triumphant rise again as mayor of New York,from his initiation in 1994 to his prostate cancer scare in 2000,to his leadership during the dark days of and the aftermath of the notorious twin towers attack in 2001,is dogged by other problems.It's TV movie all the way,with see through production values and what's almost certainly borrowed real life footage,and it's ultimately told in too much of a downbeat and depressing way to be truly endearing.But it's not completely unwatchable.**
Taking the events of September 11th as it's foundation, the film tells the tale of Rudy Giuliani's rise up the political ladder, his hard-line stance as Attorney and Mayor of New York. It also shows his affairs and the breakdown of his marriage despite the strength of the man in times of testing.
As will now be an annual event, the television companies all rolled out films and documentaries on the 2nd anniversary of 9/11. The main commercial station's choice was this sort of bio-pic of Rudy Giuliani with the focus on September 11th widening to take in the 15 or so years prior to that moment. The manner of structuring the film in this way means that it could have been a flag waving salute to a man who become world famous (or more famous!) on that day. However, despite cutting back and forth, the majority of the film occurs before the attack. I found the attack scenes hard to watch as I was watching a film for entertainment I suppose this was unavoidable, but I don't like seeing the pictures too often in case they stop shocking me and I get used to them.
The back story to Giuliani is interesting as I admired his stance on crime when he was Mayor. I didn't know a lot of detail of his career as I'm not in the US but the film delivered a simplified version to good effect. Surprisingly the film didn't gloss it's subject too often and wasn't afraid to show his affairs, his tempers of his right wing views. This made it feel more worthwhile although the TV production values do make it feel a little tacky at times.
Woods does pretty well to hold the screen for the whole film and not spin Rudy o be too sleazy or too heroic. I felt that he was a little animated for Rudy at times, as I always had the impression of him publicly as more controlled. The support cast (including Penelope Ann Miller) are all pretty good but do tend to seem more at home in TV land than Woods does.
Overall this was an interesting film, even if it is very much a snapshot and is driven by Woods rather than the wider story. The framing of the story by 9/11 works well to set up the story, despite the strange feeling of seeing the real footage inserted into a movie in this way.
As will now be an annual event, the television companies all rolled out films and documentaries on the 2nd anniversary of 9/11. The main commercial station's choice was this sort of bio-pic of Rudy Giuliani with the focus on September 11th widening to take in the 15 or so years prior to that moment. The manner of structuring the film in this way means that it could have been a flag waving salute to a man who become world famous (or more famous!) on that day. However, despite cutting back and forth, the majority of the film occurs before the attack. I found the attack scenes hard to watch as I was watching a film for entertainment I suppose this was unavoidable, but I don't like seeing the pictures too often in case they stop shocking me and I get used to them.
The back story to Giuliani is interesting as I admired his stance on crime when he was Mayor. I didn't know a lot of detail of his career as I'm not in the US but the film delivered a simplified version to good effect. Surprisingly the film didn't gloss it's subject too often and wasn't afraid to show his affairs, his tempers of his right wing views. This made it feel more worthwhile although the TV production values do make it feel a little tacky at times.
Woods does pretty well to hold the screen for the whole film and not spin Rudy o be too sleazy or too heroic. I felt that he was a little animated for Rudy at times, as I always had the impression of him publicly as more controlled. The support cast (including Penelope Ann Miller) are all pretty good but do tend to seem more at home in TV land than Woods does.
Overall this was an interesting film, even if it is very much a snapshot and is driven by Woods rather than the wider story. The framing of the story by 9/11 works well to set up the story, despite the strange feeling of seeing the real footage inserted into a movie in this way.
My main question regards the motivation behind this story. Firstly, does it aim to provide an informative account of Rudy or simply cash in on September 11? Moreover, if his biography is intended to be paramount , I am not sure whether it glorifies or condemn his character.
On the whole, i thought this movie was poor. The production values were terrible, to say the very least. As was the handling of the events of September 11. To include such emotive footage of that day is dangerous, especially when Rudy exclaims "what have these bastards done to my city?". From an objective standpoint this line was simply ectopic in the context of the movie, almost adding light to the situation. The following "women and children first" dialogue seems misplaced in the terror and hysteria of the situation.
On the whole, i thought this movie was poor. The production values were terrible, to say the very least. As was the handling of the events of September 11. To include such emotive footage of that day is dangerous, especially when Rudy exclaims "what have these bastards done to my city?". From an objective standpoint this line was simply ectopic in the context of the movie, almost adding light to the situation. The following "women and children first" dialogue seems misplaced in the terror and hysteria of the situation.
Did you know
- TriviaDespite being credited, Stanley Weiser claims that his entire script was thrown out at the request of James Woods and replaced by one written by an uncredited Lionel Chetwynd, a well-known politically conservative screenwriter, to make it more pro-Giuliani.
- GoofsIn the scene where Giuliani is telling his wife about going after the crime bosses, as she approaches, he lifts up the cigar in his left hand, but in the next shot, the hand with the cigar is back on the table and never lifts it up.
- Quotes
Rudolph 'Rudy' Giuliani: You spend your whole life seeing and hearing about people dying. You just never think it will happen to you.
- ConnectionsFeatured in The 55th Annual Primetime Emmy Awards (2003)
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