I Am David

Greetings again from the darkness. A very touching, heartfelt film without the Hollywood gloss, "I Am David" takes us on a journey of hope and discovery. We get to experience the world through the eyes of a first timer. Ben Tibber (a child actor well-schooled at the Tiny Tim role) follows the advice he is given prior to his escape from concentration camp as his journey takes him throughout Europe. While in the camp, David befriends Jim Caviezel ("The Passion of the Christ" and the upcoming Bobby Jones biopic). Caviezil's courageous death sets in motion the plan to allow for David's escape. Tibber's expressive eyes and the breathtaking countryside scenery carry the film until Joan Plowright explodes on the screen. The movie really gains spirit at this point, but regrettably, this is also where it appears the producers ran out of money. The last 10 minutes of the film are harried and rushed with little dialogue. The result is a wonderful ending spoiled. Still, the film is a delight to watch and will tug at your heartstrings as you admire and pull for David to complete his journey. Couldn't help but notice that at the concentration camp, The Man is played by Bulgarian actor Hristo Shopov, who also played (to a chilling effect) Pontius Pilate is "The Passion of the Christ".

Europe is one of the most complicated places on Earth. There are good countries and there are some bad ones. Set in one notorious police state, is Anne Holm's touching story called " I am David. " He is a Dutch boy (Ben Tibbler) who's parents were arrested and imprisoned when he was too young to remember why. At the age of twelve he is befriended by Johannes (James Caviezel) a fellow prisoner who mentors' the boy in the enduring nature of man as he is growing up amid the cruel, barbarous, atmosphere of a harsh Bulgarian Prison camp. Thereafter he is instructed by 'the man' (Hristo Shopov) who is a sympathetic officer risking all to help the boy. With a knapsack containing a few essentials, the boy narrowly escapes and begins a harrowing thousand mile trek towards his homeland in Denmark. During the arduous journey, the boy reflects on the horrendous treatment he and the other prisoners suffered at the hands of guards. Then too, he slowly realizes the open kindness of others as he makes his way across Europe. Eventually, he meets Sophie (Joan Plowright) a lonely swiss woman who discovers who the boy really is and helps to send him home, but not before allowing her to find a bit of solace in his eyes. The film is a wonderful college of dark images, illuminated by the bright rays of hope and panoramic scenery. Easilly recommended as a movie dedicated to the spiritual humanity of all good people. ****

This movie speaks to the purest parts of the soul, beckoning the viewer to take not just a journey with David, but to the innermost parts of themselves.

If you know someone who is crying out to be heard and understood, someone desperately seeking a safe person to reach out to but doesn't know how to take that first step.....encourage them to go on a journey with this young boy through a harrowing physical and emotional journey of his life.

This movie touched me in a way that very few have. In fact, it moved me so much I had to tell many friends and family members and they too agreed...it is a beautiful story to watch and celebrate. Some have emailed me the day after and said...."We were up late at night with our son...clapping and crying during the final scenes." To the cast and crew of this film....thanks for using your talents to warm our hearts and help us believe again in the good hearts of those around us.

This is the sort of film that claims merit in allowing you to see a bad situation work out in tear-induced happiness. Its a sort of enigma why there is a market for these; I suppose we all carry unresolved injustices in our hearts and like to see the promise of them resolved. In getting this, we gloss over the mechanics. For instance this has gotten an award from some morality institute though you'd be hard pressed to find anything or character in it that is actually an exemplar.

There's determination, and there's resolution, and somehow we superimpose admiration on the participants.

The really fascinating thing about this is that it really is two films: a long first part, followed by a quite different second part.

The first part follows a boy's escape. There actually is little to say other than this small bit, he escapes, and continues escaping.

The second part finds him with Joan Plowright and takes us to the resolution.

These two parts are from completely different cinematic worlds. It is true that many movies are remembered only for their ending and viewers will forgive all sorts of clunks in the journey if they recall the end fondly. But this first part clunks like old ball bearings in soup. There's one unnecessarily improbable escape after another. Each one adds nothing, except to underscore the difficulty of what our hero is doing. But that difficulty gets undermined at every turn. He never seems hungry, in pain, in the least uncomfortable. He always "gets away." None of the characters or places touch him in any way.

It seems as if the writer is putting us through this long process for only one reason, so that we can get a large number of flashbacks, each one revealing a little more of what becomes the real story. I'm prepared for indirect narrative; its an amazingly effective tool that I study. Here, we sort out the sense of the thing as he does.

But the container of this first part is so sickly sweet almost every viewer will give up, unless you live in a world of Sunday School cartoons.

The second part is as competent as the first is incompetent. Here, we harvest all the information we have been given in the flashbacks. Plus we have a real actor involved instead of folks who believe beatified shining is acting.

Here;s where we get three twists in the narrative, one large. And there's the hint that our boy is an illicit child, and the complications that brings. Its almost enough to make this watchable. But that first part puts us in a prison we cannot escape.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

I have read Anne Holm's I am David dozens of times since I first stumbled upon it as a 12 year old. It has been one of those novels that have remained with me, not just the pages, not just the story, but the way it has moved me and guided many of my decisions in life. I personally empathised with David, having been an abused child and when at 13 I became a state ward, the impossibility of trusting others to care for me were mirrored in David's own situation. This just to demonstrate how significant this work has been in my own development and connected I am with David's story.

When I heard there was a film made of this story, I was suspicious that it could not hope to reach the depths of the novel, particularly as one of the fundamental points of the novel had been changed and primarily because much of the 'action' in the novel occurs inside David's mind.

The film is significantly different to the novel in a few key details and yet it has managed to capture the essential soul of the novel, something I applaud and profoundly appreciate. Whilst the means of achieving the result is different, I was still left, as I always am when I read the story, with a deep sense of truth and love winning out over darkness and hatred. I was moved to tears once again and for all the same reasons and for that I would just like to say thank you to those involved.

I could not recommend this novel or film more deeply, particularly to those who's lives have been controlled by others who don't have their best interests at heart and who feel unable to regain control themselves. This above all things is a tribute to the ability of one who has no control and no idea how to gain control of their own lives succeeding in just that, without use of force, without manipulation or dishonesty, but simply with conviction that the goal must be achieved for whatever reason, because to not achieve it is to invite death and darkness upon yourself and upon all you touch in your life.