Marigold

I was somewhat impressed with Marigold, it did not follow a silly formula that directors use when making Indian related films. We got a glimpse of Indian culture and saw how a stuck up American actress was humbled and overwhelmed by the rich Indian culture. She also finds love along the way. The story is entirely believable unlike the joke that was Slumdog Millionaire because foreign actresses can be expected to travel to India for filming commercials or short films. Salman Khan was excellent and showed why he has great talent by effortlessly playing the simple yet wealthy person.

Some parts are annoying as it seems they can't make a Indian associated film without unnecessary dance scenes and outdated stereotypes like arranged marriages. This acted to diminish the film. Overall still good.

wow...I just watched this movie...American people have this stereotypical view towards Hindi films such as, ALL Indian films have dances, songs and a love story....Its pathetic how far away from the truth that is. This film simply exposes the stereotypical western view of Hindi films. Horrible acting, horrible direction, horrible cinematography. And all this by a Hollywood director. Most Indian films today are much more content driven, realistic, touching and meaningful than this piece of crap. Indian cinema (not just Hindi) also cover a variety of different subjects. Just like most other Hollywood films these days, this shows a very stereotypical view of of another country, where truth is thrown out the window. This is a highly NOT recommended movie. Instead watch good Hindi films like black Friday, eklavya, omkara, khakee, awarapan, gangster, don, zakhm, dor, sholay, mother India, lagaan...Those films are what real Indian cinema are all about.

This movie exceeded my expectations.

For the first ten minutes i was not sure I'd even finish watching. Ali Larter's character was thoroughly unpleasant and it looked like the whole movie would be filled with characters of pure plastic.

Instead, I was drawn into a surprisingly sophisticated blending of two cultures' film-making styles, with a modern romance melding almost seamlessly with the Hindi dance scenes being filmed for a movie-within-the-movie whose story line, as with many Bollywood films, was a myth-based love story well-spiced with humour.

Although the title character sped from ultra-entitled bitch to sweet, yearning young woman in love (about as fast as her learning to dance stunningly in a mix of Hindi style and American freestyle), the rest of the story flowed well enough to temporarily smother my natural incredulity about ancient family traditions being set aside for pretty blonds.

This is a fairy tale, after all, a nice blending of movie-making and mythos in both Hollywood and Bollywood, that should not be taken for a realistic portrayal of either culture, but for a charming story of love that will make you laugh as often as cry.

I saw Marigold at a preview showing a few days ago, and found it to be a thoroughly engrossing and enjoyable film. The film is about a not-so-successful American actress who goes to India to act in a low budget film, only to find herself stranded there when she finds on arrival that the film's financing has vanished, along with the producers and investors. A chance encounter with an Indian film shooting nearby leads her to be hired for a small dancer role in that. Since Indian films incorporate a significant amount of singing and dancing, this is a problem for Marigold, who has two left feet, not to mention a personality so tightly wound-up and thorny that she can hardly hear the music, let alone feel it, as Prem, the choreographer of the film, advices her to do.

But "prem" -- the word, not the person -- means "love", and Prem -- the person, not the word -- seems to embody that emotion in the way he deals with all around him, whether it be his production assistant friends who introduced Marigold to the shoot, the narcissistic and arrogant leads of the film, or the bitchy and uptight Marigold herself. Soon, under his expert tutelage and endearing treatment, Marigold finds her feet -- literally and figuratively.

I must say a word for those not familiar with the use of song and dance in Indian films. Unlike American musicals, the story progresses through these dance numbers, as plot developments unfold, and character transformations occur in parallel with the dancing. It should also be pointed out that Indian dance is about a lot more than mere movement. An essential part of it is the enactment of the dancer's feelings and emotions while telling the story of the dance. This is the main purpose of the dance and the dancer.

That Marigold reaches this stage of accomplishment is demonstrated in a stunning dance number about midway through, when Marigold, while performing the dance she is required to do for the film-within-the-film, also expresses her love for Prem. It is an amazing performance by Ali Larter, especially when one considers that she is not used to dancing in her films, or emoting her character's feelings via dance. It shows her skill as an actress, as well as how much hard work she has put into the role.

Of course no romantic film can work without a credible Prince Charming. Salman Khan, who plays the role of Prem, fits the role to a T. Even when it turns out that he is a Prince not so charming, he does not lose the audience's sympathy. Salman has been ruling Hindi cinema (sometimes called Bollywood) for many years now, and it is worth remembering that his first leading role was also as Prem. He is completely charming, sweet, adorable, sexy, and vulnerable. For those who have never encountered him on screen before, be prepared to be hit with mega doses of sheer magnetism! He and Ali Larter make a lovely pair, and are as well matched in their acting as in their appearance.

Will they manage to work out their problems? It doesn't seem possible as we hear the last song of the film, a lovely blending of fact and fantasy, reality and metaphor. The ending certainly took some of the audience I saw it with by surprise, but they were left satisfied. The songs are used very cleverly. They are in Hindi, unsubtitled, for the film-within-the-film sequences, and in English for other occasions. But their meaning is always clear from the context and choreography.

Marigold is a very satisfying romantic comedy -- yes, there is quite a bit of humor as well in it. The Indian locations and costumes give it a fairy tale quality, befitting a story which can be likened to a modern fairy tale.

If you are or have been curious about Indian cinema, but were hesitant to try it, this is an excellent introduction. It captures the color and vibrancy of Indian films, not only in the costumes and jewelry (which are quite impressive), but also in the lively dances and world sound music.

If you are a fan of Ali Larter, you should watch it for her excellent acting in portraying a selfish, demanding, "high-maintanance" woman who nevertheless has an inner attraction that inspires the love of two men. If you are a girl, you will enjoy admiring Ali's lovely costumes and ogling her hunk of a leading man. If you are a guy, you can not only admire Ali in her sexy costumes, but learn from Salman Khan what it takes to bring out the loving heart even from someone as edgy as Marigold.

OK, its basically our very own commonplace script of videshi girl falling for prince charming Indian boy, and predictable outcomes.

More was expected keeping in mind that the production is a foreign outlook to Bollywood but the end product is very insipid, boring and common. Nothing to look forward to and even Salman looks very lost at times.

Thank goodness it comes with a runtime of under 2 hours cause it makes the viewer feel minute tick.

Come on, most of our scripts of late have shown that they can be innovative and a bit bold, but Marigold is simply like the biscuit which gets soggy in your cup of chai rather than 'THE FLOWER'