During a bus journey, a devout Hindu Brahmin woman protects a Muslim man when communal rioting breaks out.During a bus journey, a devout Hindu Brahmin woman protects a Muslim man when communal rioting breaks out.During a bus journey, a devout Hindu Brahmin woman protects a Muslim man when communal rioting breaks out.
- Awards
- 9 wins & 2 nominations total
Konkona Sen Sharma
- Meenakshi Iyer
- (as Konkona Sensharma)
Bhisham Sahni
- Iqbal Ahmed Khan
- (as Bhisham Sahani)
Mona Shetty
- Voice overs
- (as Mona Ghosh Shetty)
Featured reviews
Mr. and Mrs. Iyer deals with many prevalent issues existing with in India today. It is a social commentary on the class system, religious warfare and gender inequalities. The film is shot beautifully, juxtapopposing the beauty of nature against the 'uncivilised' capacity that us humans have to bestow on one another. The script is written thoughtfully setting up charged dynamics between the main characters Raja and Meenakshi.
Konkona Sen Sharma's performance is delightful with her authentic accent and mannerism of a South Indian. Rahul Bhose performance is sensual and heartfelt, portraying depth and breadth.
The wonderful thing about this film is that although it focuses on a particular situation, it illustrates issues that exist worldwide, in all walks of life, simply manifesting themselves in different situations. Meenakshi faces constrictions throughout life due to her gender, she is constricted and faces the 'glass ceiling'. She longs to be free and to live life freely as Raj does. Raj is free is every sense of the word, physically he is free to roam the world. He is also free from the psychological limitations from which Meenakshi suffers, that of class and caste bound prejudice. The religious warfare shown is a very current issue, with fundamentalism at its most notorious in years.
Definitely worth seeing. 8/10.
Konkona Sen Sharma's performance is delightful with her authentic accent and mannerism of a South Indian. Rahul Bhose performance is sensual and heartfelt, portraying depth and breadth.
The wonderful thing about this film is that although it focuses on a particular situation, it illustrates issues that exist worldwide, in all walks of life, simply manifesting themselves in different situations. Meenakshi faces constrictions throughout life due to her gender, she is constricted and faces the 'glass ceiling'. She longs to be free and to live life freely as Raj does. Raj is free is every sense of the word, physically he is free to roam the world. He is also free from the psychological limitations from which Meenakshi suffers, that of class and caste bound prejudice. The religious warfare shown is a very current issue, with fundamentalism at its most notorious in years.
Definitely worth seeing. 8/10.
Aparna Sen has done a wonderful job writing and directing this film. The characters are delightfully underplayed (a nice change from the common melodrama of Hindi films), and Konkona Sen-Sharma and Rahul Bose were wonderfully believable.
But best of all was the photography... a tragedy depicted by a nuance... I was touched, and cried my eyes out.
The religion and caste issues are depicted beautiful. Even the educated are often senselessly prejudiced, and likewise grace often appears in unexpected forms. A beautiful movie which I would recommend to all.
But best of all was the photography... a tragedy depicted by a nuance... I was touched, and cried my eyes out.
The religion and caste issues are depicted beautiful. Even the educated are often senselessly prejudiced, and likewise grace often appears in unexpected forms. A beautiful movie which I would recommend to all.
Hindu - Muslim riots in the movie is merely the backdrop. People who have commented here just see it as a yet another attempt to take advantage of western perception of India. Sorry, it seems you have completely missed the point. The point tries to make a case between love and honor. And this is India, married women do not indulge (more often that not) in to extra marital affairs. So there is dilemma in the Minds of Raj and Meenaxi. Meenaxi who reluctantly fall in for Raj and Raj who understands it but is bound by his honor. Their relation is platonic and full marks to Aparna for keeping it so because by making it controversial she could have reaped more benefits at the box office.
Well certain someone said that the act by the leads had not been put up properly. Konkana Sen Sharma got national award for her debut. People need to realize that she is a bong. Unlike west we don't not only have different dialects but entirely different languages. And the dialect is also extremely different. Which is why the performance is really really mind blowing, especially from the leads. Rahul Bose give a completely restrained performance. Aparna keeps is subtle. She is the greatest women director or may be probably the only who can carry of the subject like this. Kudos!
Well certain someone said that the act by the leads had not been put up properly. Konkana Sen Sharma got national award for her debut. People need to realize that she is a bong. Unlike west we don't not only have different dialects but entirely different languages. And the dialect is also extremely different. Which is why the performance is really really mind blowing, especially from the leads. Rahul Bose give a completely restrained performance. Aparna keeps is subtle. She is the greatest women director or may be probably the only who can carry of the subject like this. Kudos!
An exceptional movie. Aparna Sen's choice of majority Hindu population as perpetrators of communal violence was daring, and probably killed the film's prospects at the box office,but significant. There have been innumerable instances of communal violence in India against Muslims, lower class Hindus and Sikhs, for which not a single person has spent a day behind bars. True to life, Aparna Sen's film isn't focused on the violence or the people behind those crimes. That happens. The terror is in the background, only it's effect on the protagonists is visible on screen. The main story is about the change of heart of an orthodox, highly educated, prejudiced and ignorant woman. Some of the subtle nuances would probably escape non-Indian viewers, but there are plenty of things to appreciate for all. The ending ("Goodbye Mr Iyer") would easily be among the best 10 endings I have ever seen in any movies among them Mouchette and Dead Poet's Society. In the acting department,all the cast have acted well, but special mention must be made of Konkana Sensharma for her outstanding performance. Aparna Sen's direction is outstanding, and outclasses any of Mani Ratnam's films who makes similar kind of political-personal dramas. A must see movie for all.
Indian movie seems to continue to come of age. Mr. & Mrs. Iyer is a refreshing departure from the plethora of Indian movies based on the identity crisis facing the Indian diaspora (please God, no more movies on ABCDs).
The background of the movie sees India at conflict with itself; this Hindu-Muslim divide providing a tense background to in effect a beautiful "love" story between two strangers. This is the movie's strenght - the politics remain in the backseat while the focus is solely on the interaction of the lead characters. Modern India of the conservative Hindu and the liberal Muslim is played out in subtle nuance filled scenes (ex, drinking from the water bottle) etc. Over the course of the movie, the characters learn to trust from each other and understand that they do need each other. The evolution of their relationship makes this movie a must-see. Aparna Sen's gentleness is very evident throughout the movie.
As an Indian, this movie can be hard to watch. I agree with some of the other posters, it celebrates violence and plays into a western cliche of religious relations in India. It fails to address the tremendous harmony thats present in a country of 1 billion people. Yet, its also a call for Indians to understand that the euphoria in a country can mask concerns of religious intolerance which Indians must face together. Perhaps a wakeup call that our democracy wich has worked so well is in danger due to vested political interests.
The background of the movie sees India at conflict with itself; this Hindu-Muslim divide providing a tense background to in effect a beautiful "love" story between two strangers. This is the movie's strenght - the politics remain in the backseat while the focus is solely on the interaction of the lead characters. Modern India of the conservative Hindu and the liberal Muslim is played out in subtle nuance filled scenes (ex, drinking from the water bottle) etc. Over the course of the movie, the characters learn to trust from each other and understand that they do need each other. The evolution of their relationship makes this movie a must-see. Aparna Sen's gentleness is very evident throughout the movie.
As an Indian, this movie can be hard to watch. I agree with some of the other posters, it celebrates violence and plays into a western cliche of religious relations in India. It fails to address the tremendous harmony thats present in a country of 1 billion people. Yet, its also a call for Indians to understand that the euphoria in a country can mask concerns of religious intolerance which Indians must face together. Perhaps a wakeup call that our democracy wich has worked so well is in danger due to vested political interests.
Did you know
- TriviaUday Bhawalkar provided the vocals for the theme track of this movie. The theme is based on an ancient form of Indian classical music called "Dhrupad", rarely heard in movies.
- ConnectionsReferences Days and Nights in the Forest (1970)
- How long is Mr. and Mrs. Iyer?Powered by Alexa
Details
- Runtime
- 2h(120 min)
- Color
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