The Clearing

My wife and I saw this movie at the Sundance Film festival and were very entertained with it. A wealthy businessman played by Robert Redford is kidnapped by a loser played by Willem Defoe. This is a very low key movie that lets the suspense build slowly until the climax. The characters are realistic and the plot is believable. Screen play has some twists which were not overdone. Robert Redford and Willem Defoe were both at their best. Wife's part played by Helen Mirren was one of the most difficult emotionally and she showed an outstanding performance. Overall the cast's acting was very good. If you like sophisticated thrillers you shouldn't miss this one.

"The Clearing" is a taut, suspenseful kidnapping story.

But the tension is primarily ratcheted up not by action, but what we learn what stuff each of the characters is made of, particularly as to how superbly Helen Mirren and Willem Dafoe surround Robert Redford.

Ironically, Mirren's husband Taylor Hackford directed a more muddled take on a very similar story line in "Proof of Life," which couldn't decide if it was an action movie or a drama. Here first-time writer Justin Haythe and director Pieter Jan Brugge are more focused, even while playing a few tricks on the viewer with time-shifting "Rashomon" rewinds, though there are a couple of questionable holes in the story as it takes surprising directions.

It's a relief to finally see Redford in a role fitting his age, with an age-appropriate spouse and adult children, including Alessandro Nivola not playing his usual sensual snake. It's nice to see Mirren get to play an attractive, rich matron who can carry off nice clothes and hair styles as she usually hides herself in her roles.

Wayne (Robert Redford) and Eileen Hayes (Helen Mirren) live a comfortable upper class life in Pittsburgh high class suburb. They have two grown children (Alessandro Nivola, Melissa Sagemiller). Then Wayne disappears. He's been kidnapped by former employee Arnold Mack (Willem Dafoe). The FBI investigates which reveals Wayne's ongoing affair. Eventually Arnold demands a ransom.

The movie lacks the normal intensity. It's filled with a lot of the inbetween moments. It's a style that keeps the tension simmering at low. There are great actors here and it's fascinating to see them interact. There is also a timeline split going on. It's a great idea but it needs some more thought on its execution. This movie just needs greater intensity.

A low-key Suspenser emphasizing empathetic concerns at the expense of a more driving narrative. It is a talky affair with downbeat discussions and attention to melodramatic detail. The movie suffers and suffocates in its own self-consciousness and less than explanatory story.

It is a somewhat engaging affair of character flaws with a forever slow and steady pulse that builds some tension but never allows access to the deep demands of the style it presents.

The ending is better than the rest but is still quite unsatisfying and leaves the viewer unfulfilled with frustrations from the lackluster bemoaning's from listless and less than interesting people.

I'm 66 so more or less grew up watching the arc of Redford's career. Helen Mirren is a wonderful actress. Sometimes I pay attention to irrelevant things...like how well older actors and actresses keep their looks etc. Mirren to me looks beautiful....not like she did as a very young person....but I seethe young person inside the older person with all the knowledge and characters that inform her person now...which adds to her beauty. So I admire these two terrific actors for their work and also on a personal agenda level that I relate to my own experience getting old. In that way it encourages me....I could not act my way out of a paper bag so I do not envy them on a professional level....I think as we/they age, if their good, as these 2 obviously are, they learn how to deeply and more or less seamlessly incorporate things they have come to personally learn in their everyday lives into the roles they adopt, so, more and more, you see who they actually are, when they stylize personal realities into 'roles'. So, though here's a well crafted plot, it's more a character driven film...more about responses to a horrendous situation then the situation itself. For me, this is more interesting, the human angle, then bang-bang bs. which this could easily have been...as we see in several other high suspense, action driven kidnap scenarios....