If Footmen Tire You What Will Horses Do?

I agree with aagedeppa's review above. I was shown this film in the early 70's as a 8 or 9 year old at church along with my younger sister. I would like to think my parents wouldn't have let me watch if they'd been there but my house was "a kid rides the bus to church" kind. This film traumatized me beyond belief! I will NEVER get the image of the little boy having the stick pushed through his brain and vomiting. I just wonder WTH the adults (deacons, preacher, etc.) were thinking letting small children watch this? Please, no matter what your religious beliefs are DO NOT allow young children to view this film, unless you're willing to part with cash for therapy!!!

This movie was one that all our local churches gathered for a viewing when it first came out. IMDb has the release year to be 1971, but, we must have been seen it before it was officially released, because I was 5 years old when I saw it the spring or summer of 1969. I remember screaming and hiding my face in Daddy's shirt. It was the SINGLE most terrifying movie that I watched as a child. Horror movies, viewed as a teen, never left such impression on me as this movie did. It is not such a "scary" show NOW in this day and age, but, at the time, it was not a movie for a child to see. My parents have always apologized when this movie has been brought up in conversation. So, please, keep in mind that, while this movie is okay for older children and up, it is not appropriate for children who have not yet learned the difference between what's real and what's not real.

This 1971 feature from legendary exploitation and western writer/producer/director Ron Ormond, teamed with apocalyptic fundamentalist preacher Rev. Estus Pirkle (best known as the source for the Negativeland song "Christianity is Stupid," which is also heard in its original form in this film), is pure over-the-top exploitation film-making at its rawest. Ormond's "dramatization" provide a running commentary on Pirkle's sermon, and also we have the story of a young lady who was making out with her boyfriend, who drops her at church "to keep up appearances," and the lady is moved by the sermon and by guilt to ask for salvation in the climactic scene. It's all edited together in the best agit-prop manner for maximum dramatic effect. Ormond's footage (the majority of the film) about a communist takeover of the United States is so grim and violent in a matter-of-fact way that it still packs a punch today. The semi-amateur quality of the production only adds to its melodramatic effect, in my opinion. This "lecture and dramatization" format was not new to Ormond, as he used a similar technique in PLEASE DON'T TOUCH ME, although the theme there was PRO sex education, and the theme here is ANTI sex education. There's a lot of 60s drive-in-style gore here, with knifings, a vomiting child, upclose shootings, impaling by pitchfork, and a decapitated head seen rolling away bloody. Had Ormond edited out the preacher and his commentary, and beefed up the communist atrocity footage and added more of a "plot" to that footage, he could have released this as an anti-communist and gore exploitation film to drive-ins. This is a primitive yet powerful film. As fire-and-brimstone apocalyptic preachers go (and I used to listen to these characters on the radio back in the 70s), Pirkle is impressive, in terms of being melodramatic and pushing every possible emotional-manipulation button that exists. He and Ron Ormond make a perfect pair, and this film is a gem that documents the anti-communist, John Birch Society positions of the 60s and 70s very well, even better than ANARCHY USA, since these dramatizations pack an emotional punch that documentary and newsreel footage do not. Students of cold war history who want to explore the link between anti-communism and fundamentalist religion need not look any further. If you really want to see this, an internet search should turn up a copy for you. No Ron Ormond fan should miss this. Some images, such as the young boy having his eardrums pierced with a stick by a sneering communist flunky so the boy can never again listen to the Gospel (!!!), are not likely to be forgotten by the viewer. I'll try to review the another Ormond/Pirkle collaboration, THE BURNING HELL, in the near future...

Religious propaganda (exploitation) film that is so bad, I just could not stop watching. His sermon comes off as a poorly concocted conspiracy theory. I had heard this film was distributed to many churches around the country in the 70s. Oh, to be a fly on the wall at one of those showings back then.

All in all, it is a trainwreck of a movie that is not necessarily satisfying, but watching it gives you the satisfaction of knowing you watched something pretty bad, but has an appealing shock value.

Manson-era social anxieties and rabid pinko-phobia fuel this fire-and-brimstone propaganda film, which just happens to be made by a personnel of sexploitation cinema veterans. It sure as hell won't save your soul, but it might lead you to wonder if prankster hippies spiked the Ogallala aquifer with premium-grade LSD...

According to Southern Baptist preacher Estus Pirkle, if Americans don't begin living lives of Christian purity, then a communist takeover is inevitable...within the next several months(!). Television, alcohol, drugs, sex, and miniskirts are condemned in his thundering sermon, which is vividly illustrated in a number of extremely gory scenes(people senselessly gunned down, women raped, and children being beheaded and having their ears jammed full of shish-ke-bob skewers). And let's not forget the age-old sin of DANCING...we all know what THAT leads to, don't we, you shameless whore....

This is, without question, the most relentless assault on the senses I have ever experienced. No matter what your personal belief system may be, you *will* be nauseated, mortified, perplexed, and delighted watching this hopelessly dated cautionary paranoiac vision...a stultifying and richly rewarding viewing experience.

HALLELUJAH!! A perfect 10.