Hollywood North

From start to finish, this little flick about big time film making in 1979 Toronto is a riot. The cast is simply perfect. The dialouge "tongue in cheek". The angst and humor on high. Anyone interested in the Hollywood "machine", whether it be in California or with our northern neighbor will get a kick out of this satirical look at what happens behind the scene's when making a movie.



Though I did look at it as more a satire on the "Good Ole' Boys" club that is ever present in Hollywood and beyond. 8 out of 10, easily. Lots of fun, lots of laughs and Jennifer Tilly/Alan Bates/Fab Filippo are a GREAT one-two-three punch!

It's 1979. Newbie Toronto movie producer Bobby Myers (Matthew Modine) options a Canadian book hoping to make a Canadian movie based in Toronto. He's told to get an American movie star lead and heads off to Hollywood. It's Hollyweird and he's forced to compromise at every turn.

This is a movie about 70's Hollywood and the inferior complex in Toronto. This is a moment in time as the film industry morphs into something different in the 80's. This is trying to be a satire. The problem is that it's not actually funny. It's a little tiresome. The mockumentary isn't actually interesting. Modine is a functional movie lead. In a way, he's the American lead in a movie about Canadian film industry. It's meta but it's not funny and therefore it's not compelling. For a comedy, there are few comedians here. At best, there are a couple of comedic actors. It's all rather flat.

Hollywood North's storyline was good (A producer buys the film rights of a

famous Canadian novel known as "Latern Moon" and plans the production, but

everything doesn't go according to plan when Hollywood gets involved and the

documentary filmmaker catches the whole debacle of film.) and the film had

much potential, but most of the acting lacked depth. Hence, the characters were not believable and flat. Unfortunately, they spent a lot of money making a film that did not make very much money in he end. The actor in it that did a great job was Kim Coates.

This movie captures the absurd essence of an overbearing American patriot actor -- one that believes his work (and politics) are as crucial to the American people as the opinions of the President himself. Alan Bates captures this mindset perfectly as Michael Baytes, and I will immortally remember Bates as this character. This is a movie for Canadians and Americans alike. It is a valuable piece of cinema, that which is able to take its audience through the magic of making a film and reveal just how easy it is for the producer and director to lose complete control to the will of the actors and innumerable outside forces. Wonderfully, "Hollywood North" does not suffer from the subject that it portrays: Peter O'Brian directs with precision and complete control, and commands both the serious 'behind-the-scenes' portion of the movie, and the movie-within-the-movie, "Flight to Bogota" with clarity and insight. If you are at all interested in the wit and strength of Canadian cinema, "Hollywood North" is a great place to start.

"Hollywood North" is an euphemism from the movie industry as they went to Canada to make movies because of tax breaks and cheaper costs in a civilized city like Toronto, in this case, later in Vancouver. Peter O'Brian, the director, probably saw a lot of the invaders from California that this movie seems to be the right way to deal with the arriving personalities trying to capitalize on the economics that Canada presented.

Needless to say, "Moon Lantern", the successful novel written by a Canadian author is turned into "Flight to Bogota", which has nothing to do with the original film. A great egotistical has-been, Michael Baytes, who is obsessed with what is happening in Iran, is offered the lead part, which turns to be a disaster.

The film seems to be saying that too many cooks have spoiled the broth, which seems to be the case with the ultimate product, which is saved by its producer, Bobby Myers. With the help of Sandy Ryan, who has been around making a documentary of the film being shot in Toronto, parts of the film are transformed into a cohesive movie at last.

The filming process is hilarious, and the acting, in general, is good.