Undead

It seems to be the latest fad - movies directed by duos (brothers usually). You've got the Pang Brothers who brought us the magnificent The Eye, the Wachowski's for the Matrix trilogy, and the Coen Brothers to mention the biggies. Now add to that list the Spierig Brothers - these guys are going to be big, believe me. And if their film, Undead is any indication, they won't be unknown for too long.

I was fortunate enough to see a copy of this film on the weekend, and I must admit, I went into it not being a huge fan of the zombie genre, but I have come out a total fan!!!

The thing that stood out the most to me about this film, was the CG effects. They are simply flawless!! I cannot compliment the team behind them enough. You would be hard up to find effects of this ilk in any film produced outside of Hollywood. I think the effects alone raise the film above schlock and unbearable to watch to something that screams mass-release!!! There is definitely a market out there for this film, and I am so glad that it is being released to major markets shortly.

The comedy in the film was timely, the horror and effects were appropriate, and the acting was, was... Australian!!!! My only criticism was some of the music score - it went a bit over the top with the comical undertones in places where I thought it could have been stronger with its intensity. It's really a small criticism in the scheme of things as I thought the movie as whole was an impressive addition to the Speirig Brothers CV's.

Something is seriously wrong in the quiet Queensland hamlet of Berkeley: rocks are falling from the sky, carrying a virus that turns local residents into flesh-crazed fiends. And that's just the start of the powerhouse slam-bang debut from Brisbane twin filmmakers Peter and Michael Spierig, an audacious triumph of invention and imagination over budget and genre constraints. Even more remarkable is the fact that two local Brisbane boys have achieved the impossible and created an original Aussie zombie epic that is set to lay waste to the international horror community.

Ever the post-80s horror boom cultural vultures, Spierigs plunder shamelessly from the expected sources - the grey apocalypticism of George A Romero's Dead trilogy, the outrageous gore setpieces of Peter Jackson's blood-soaked Bad Taste and Braindead, the camera histronics of early Sam Raimi and Coen Brothers efforts - while breathing new life into the long-exhausted zombie cycle and making a film that is entirely their own. Undead marries a wholly unpredictable narrative, jawdropping effects (graphic enough for the most jaded of gorehounds) and a frighteningly assured grasp of cinematic language. As expected there's buckets of gallows humour, but the film never trades cheap laughs for its primary purpose: delivering good old-fashioned blood-curdling shocks.

If Aussie horror is a dead duck, Undead blows it out of the water.

Both 'Bad Taste' and 'Braindead' (both horror comedies) have obviously inspired the Spierig brothers, Michael and Peter, but comparisons are not necessary. 'Undead' is its own movie: a blood spattering, one-liner comedy gore fest, with blood and laughs both frequent.

It is hilarious opening: the fact that this movie is horror is obvious, but the set up and background movie are like that of a happy rural sitcom. But first glances may well be deceptive. Meteores strike rapidly, causing chaos, as well as blowing up an old lady.

Miss 'Catch of the day' is on her way out of the little Australian fishing village, but her trip comes to a halt when a meteorite stops the trip and no later and zombie kills her driver. But then local weirdo farmer Marion (in an obvious Clint Eastwood spoof) pulls out a three shotgun, er, shotgun and blows the zombie body apart in hilariously gory detail, leaving an even funnier sequence- a walking spine, resembling that of a tall headless chicken.

They are forced to hide out in his heavily protected farmhouse as well as others (including a foul mouthed cop) who seems to swear unnecessarily, but has some brilliant lines: "I'll f*ckin finish you off faster than a f*ckin birthday cake at a fat chicks f*ckin party!" or "in our day, we respected our parents: we didn't f*ckin eat em!"

In short, Undead is an enjoyable horror comedy with occasional flashes of sly genius to keep everyone happy.

*** out of **** (3 out of 4)

I caught Undead's second and final Festival screening last night, and it is just fantastic. I cannot understand how a film so cheap (cost about two million Australian, as I recall) could look so incredibly good. Most of the visual effects were done on a laptop, and they are just stunning. According to one of the Spierig brothers (the identical twins who wrote, directed, and produced the film, as well as managing the effects) the film contains 305 special effects, and maybe ten of those effects shots don't quite work.

Technicalities aside, it is also damned funny, extremely gory, and a whole lot of fun. The humour is not just slapstick gore, either - there are some priceless moments of character humour and a handful of absolutely classic lines, arguably the best of which can be heard at the end of the trailer. Surprisingly, the plot is quite strong, too, with a ripper of an ending that left me deeply impressed.

It isn't without its flaws - a few gags fall flat, the dialogue can be a bit hard to hear at times, the pacing is a tad shaky, and the final reel or two could do with a little bit of fat trimmed, plus the hero of the piece is just a bit annoying, with a whole lot of dialogue that is meant to be cheesy, but gets a bit TOO cheesy more than once - but for a first film made on a shoestring, it is just incredible. We are talking about the Bad Taste of the digital age.

I know it is getting a small mainstream cinema release here in Oz in early September, and I have heard it is getting a little release in the US and UK as well. Fans of early Peter Jackson, Sam Raimi, and George Romero owe it to themselves to go along and laugh themselves sick.

Rene (Felicity Mason), the town beauty queen of Berkley, Austrailia, wants desperately to get out. But as her and her boyfriend are driving out of town, meteorites fall from the sky turning various town-folk into rampaging zombies. When Rene's boyfriend gets changed, she watches as a mysterious stranger (whom we later learn is the town 'crazy') dispatches the now zombiefied BF. She decides to hole up in the isolated farmhouse of said 'kook'. It's soon up to her, the guy, a husband, his pregnant wife, and two cops to survive long enough to figure what the hell is going on.

This Aussie film, while hopelessly derivative and ripping-off a great many great genre movies, is still a lot of fun. It looks far better than it's budget would imply and gore-hounds will be satisfied. That being said, the acting isn't the greatest and the movie pretty much loses steam towards the end when it veers decidedly off-course. But it's still very enjoyable for fans of the genre.

My Grade: B-