Pathfinder

What a waste.

The only redeeming feature of this movie were the well made action scenes (not all were good, but overall there were more enjoyable fight sequences than boring ones).

The story is clichéd and predictable. The acting is terrible (the main role is so horribly sketched out that you can barely blame the actor, the supporting roles all make a mark for their blandness). The main couple have no chemistry, the dialog is UN-enjoyably bad and the editing looks like it was done by a blind man. Scenes start and end with absolutely no flow. One scene was particularly bad (I wont spoil it for you, suffice to say its the one where the Indians charge into battle against the hero's wishes). That is the only scene when I laughed in the movie, and its supposed to be a sad/rousing scene.

The trailer of this film looked really pretty, but then again the consisted of mostly the fight scenes so I'm not surprised at all. The director seems to have had a good eye for visuals, but his effort has ended there.

Pathfinder = 5/10 Five for the fight scenes.

I was trying to find a path out of the theater at many times during the movie.

If you went to see the movie expecting something like Mel Gibson's Apocalypto, you will be disappointed obviously. But why would you expect it to be Apocalypto if you've seen the trailer? It tells a mythical tale of a legendary Norseman who was raised by native Americans. They called him ghost. And it's this ghost who ended up protecting the tribes from the destruction of the Viking Clang who shared the same lineage with him. The plot line is just that simple. What kept me entertained was the action sequence, absolutely stunning cinematography and the overall presentation and atmosphere. The overall tune of the movie is dark, mythical and menacing, fit perfectly well for the theme. Vikings are presented more like beast than man, with giant statue and equally ghastly giant armors and weapons.

Some may argue that the vikings in this movie kill senselessly without any purpose. Does having a purpose makes evil more sensible? I have good news for people who are looking for reasons behind evil: they all have purposes and reasons, so don't waste time seeking one for them. Bad news for you: it absolutely makes no difference! Throughout human history, all aggressors had plenty of reasons to invade, ravish and destroy other culture and lives, the list goes from Vikings to Hitler... and it will probably go on forever. But does having reasons and purposes to kill make the killing more sensible? Absolutely not.

In this movie, Vikings are symbolic evil. Giving it a reason to kill doesn't make any differences as I stated above: they all have reasons, pick one and get over with it. On the other hand, the movie was trying to suggest that not only there's this battle of good and evil going on in the physical world, there's also a battle of hate and love in one's heart. When asked: who would won, Ghost was given the answer: the one you feed the most. It's a very interesting theme that I wish the director would explore a little bit deeper. But in the end, violence prevailed the screen time. The thought of inner struggle and loftier redemption was lost in the midst of killing and vengeance. No sin was forgiven and no bad deeds went unpunished. Though it's a more satisfying end, but a shallow one.

Overall, I enjoyed the movie for what it is. I'm not looking for complicated plot nor deeper character development. For an action movie, its visually stunning, fast paced and immersing. It kept me interested throughout the 90 minutes and left me pondering about some unfulfilled premises. It's not as bad as some have painted it to be.

This is pretty good B-movie. If you want subtle plot and dialog then you should have figured out from the trailer and the poster that this show is not for you.

Yes, it appears to be inspired by a Frazetta painting (see Death Dealer) and is surely derivative of Conan and Tarzan. But how long has it been since a good Conan or Tarzan movie.

Lots of gore, lots of decapitations (but as Joe Bob would say, all necessary for the plot) lots of low key lighting to make the special effects easier to pull off but then again, it's not a chick flick.

If only we still had drive in movies.

A little boy is left in a strange land and he's adopted by an Indian family. But a merciless, ambitious and cruel barbarians(Clancy Brown, Ralf Moeller, among them) suddenly appear and they are cruelly murdered . The starring(Karl Urban) observes the massacre from a distance and he manages to flee these murderers and reaches a village with other Natives whose inhabitants are worried if he has been able to hide his leads. Afraid of the violent savage warriors ,they decide to flee. Meanwhile the protagonist falls in love with a charming Native(Bloodgood). The young stays alone to revenge his families killers but he gets captured by the Vikings. Unfortunately , they get him before he can do anything and force him to lead them to the other Indians. He guides them and agrees to lead to the hiding place of his fellow villagers but he has a scheme to destroy the cutthroats barbarians before reach the camp.

It's the second version based on ancient folk-tale from Lapland, the first and classic version was directed by Nils Gaup in 1988, winning several prizes. This new adaptation is an exciting picture plenty of action, thrills, chills, roller-coaster ride, violence and breathtaking fights. The brutal Vikings with horned helmets deliver the goods, their appearance is spectacular and creepy, including the majestic horses doing pirouettes. Furthermore the astonishing killings are gruesome executed and grisly graphic. Special mention to Russell Means , he was born Lakota Sioux, a good actor Native American, he along with Graham Greene, Rodney A Grant, Tantoo cardinal, Eric Schweitz and Wes Studi appear in all movies about Indian themes. The evil Vikings are characterized in similar style to the classic 'Conan' by John Milius, as when at the beginning appeared James Earl Jones in an unforgettable scenes . The sombre photography by Daniel Pearl with a sort of never-ending dawn and dusk time is truly awesome. It's a kind of light mingled in a moody and foggy atmosphere. Many frames including the combats and cliffs scenes are made in a ¨300¨ style adding computer generator backgrounds. Stirring and evocative musical score by Jonathan Elias. Stunning and gripping realization by Marcus Nispel. He's a video hits director and expert on terror genre such as he proved ¨ Friday the 13th, Frankestein, Texas chainsaw massacre¨ but none of his movies have been based on original plot.

This movie was gorgeous and everything I ever wanted in a "Viking" lands on North America film. I thought this film was very underrated and with the Judd Apatow dreck that gets called film-making these days this really stands up in beauty and depth of story. The cinematography of the Northwest coast was amazing and incorporating the dense forests and lush environments into the shooting process was simply amazing.

The acting was perfect and at times understated in wonderfully blocked scenes between the characters. I thought the action is unmatched by many films pretending to be the action blockbusters they are often sold as. I often marveled at the length in which the filmmakers brought the setting to us no matter how difficult the set-ups seemed.

I hope he keeps making films for years to come! Beautiful!