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Watch Director Park Chan-wook on Weaving Violent and Erotic Themes into 'Oldboy'
After being wrongfully imprisoned for thirteen years and having her child taken away from her, a woman seeks revenge through increasingly brutal means.After being wrongfully imprisoned for thirteen years and having her child taken away from her, a woman seeks revenge through increasingly brutal means.After being wrongfully imprisoned for thirteen years and having her child taken away from her, a woman seeks revenge through increasingly brutal means.
- Awards
- 13 wins & 19 nominations total
Young-ju Seo
- Yang-hee Kim
- (as Yeong-ju Seo)
Kumsoon Kim
- Prisoner 1
- (as Geum-Seon Kim)
Kim Jeong-nam
- Won-mo's Relative
- (as Jeong-nam Kim)
Featured reviews
10ad_ept
Chan-Wook Park was already the Master of Dysfunction after Old Boy, now he can add the title of King of Pain (thanks Sting) to his CV.
The depth of feeling in the second half of this film is staggering, and comes in stark contrast to the startling apathy of the first half. The masterful cinematography is something we have come to expect but the director's ability to compose the most evocative of tableaux never ceases to amaze- the final shot of the movie being a case in point.
As the above reviewer says, one must be cryptic in commenting on this film but it must be said that its final act really transforms it from a beautifully crafted work into a masterpiece.
This is a film which shocks without ever descending into gratuity, while frequently forcing a guilty laugh with its darker-than-black's-shadow humour.
The depth of feeling in the second half of this film is staggering, and comes in stark contrast to the startling apathy of the first half. The masterful cinematography is something we have come to expect but the director's ability to compose the most evocative of tableaux never ceases to amaze- the final shot of the movie being a case in point.
As the above reviewer says, one must be cryptic in commenting on this film but it must be said that its final act really transforms it from a beautifully crafted work into a masterpiece.
This is a film which shocks without ever descending into gratuity, while frequently forcing a guilty laugh with its darker-than-black's-shadow humour.
Just got the Korean 2 DVD set and watched the B/W version first. All I can say is that, this film is a masterpiece! I was very moved and if you do one more thing in your life before you die, see this film!
Of course, I use the term "masterpiece" in its true sense, as the work which reveals an artist's achievement of "mastery" over his or her craft. Don't be confused with the latter conotation that a masterpiece is a "perfect" work. Could there ever be such a thing? Truly, this film shows the original sense of the word, such that I would be nervous seeing any subsequent films from him.
There are two versions of the film. I checked the colour version, and besides the opening credits being slightly different, and the much talked about retaining of colour throughout, it appears to be exactly the same.
I am sure your are all familiar with the premise, but I think that the less you know, the better. At it's basic level, this film follows in the classic "quest for revenge" schema. A beautiful woman is condemned to 13 and a half years of incarceration for the kidnapping and murder of a young boy. By this theme, the film connects to the previous entries in the now Vengeance "Trilogy", but it is in no way a rerun.
Just like the other two films, (Sympathy for) Lady Vengeance is gorgeous. The design in the film is extraordinary, and there are so many frames that are simply beautiful. The use of colour and light is inspirational in some parts, and I really can't think of watching any version but the "fading" one. Maybe it's because I saw that version first, but I didn't find the colour version as deeply affecting.
I think that which is better will be a personal decision for all who see this film. There are a some points where the fading version is very effective with what becomes subdued spots of colour. Yet, the characters in the film are also colourful, and fleshed out enough so that the viewer gets to know them, but not enough that they know them completely.
The past is something hidden for these characters, in many ways that is a thematic point of the film. The film is truly about redemption, and as we follow the moving drama within we may even come to understand something within ourselves. It is truly a fitting end to this three film exploration into hate remorse and revenge.
Of course, I use the term "masterpiece" in its true sense, as the work which reveals an artist's achievement of "mastery" over his or her craft. Don't be confused with the latter conotation that a masterpiece is a "perfect" work. Could there ever be such a thing? Truly, this film shows the original sense of the word, such that I would be nervous seeing any subsequent films from him.
There are two versions of the film. I checked the colour version, and besides the opening credits being slightly different, and the much talked about retaining of colour throughout, it appears to be exactly the same.
I am sure your are all familiar with the premise, but I think that the less you know, the better. At it's basic level, this film follows in the classic "quest for revenge" schema. A beautiful woman is condemned to 13 and a half years of incarceration for the kidnapping and murder of a young boy. By this theme, the film connects to the previous entries in the now Vengeance "Trilogy", but it is in no way a rerun.
Just like the other two films, (Sympathy for) Lady Vengeance is gorgeous. The design in the film is extraordinary, and there are so many frames that are simply beautiful. The use of colour and light is inspirational in some parts, and I really can't think of watching any version but the "fading" one. Maybe it's because I saw that version first, but I didn't find the colour version as deeply affecting.
I think that which is better will be a personal decision for all who see this film. There are a some points where the fading version is very effective with what becomes subdued spots of colour. Yet, the characters in the film are also colourful, and fleshed out enough so that the viewer gets to know them, but not enough that they know them completely.
The past is something hidden for these characters, in many ways that is a thematic point of the film. The film is truly about redemption, and as we follow the moving drama within we may even come to understand something within ourselves. It is truly a fitting end to this three film exploration into hate remorse and revenge.
I had the luxury of watching this last night and was awed by it's sheer brilliance. I don't want to delve into the story, as you must see it for yourself to savor the fantastic story like a glass of red wine.
The story revolves around a young woman sentence to jail due to murdering a young boy. Upon release she then embarks on a journey of redemption for the crime committed.
The cast's acting is impeccable on all sides. with sumptuous photography and a moving musical score consisting of such great composers as Vivaldi.
If you are a lover of foreign cinema this is a definite DO NOT MISS movie!
The story revolves around a young woman sentence to jail due to murdering a young boy. Upon release she then embarks on a journey of redemption for the crime committed.
The cast's acting is impeccable on all sides. with sumptuous photography and a moving musical score consisting of such great composers as Vivaldi.
If you are a lover of foreign cinema this is a definite DO NOT MISS movie!
The final instalment of Park's Revenge Trilogy concluded well. In fact, I personally feel that it is the best out of the three film, excellent cinematography and beautiful classic music that blended perfectly well into the story. Lee Youngae gives fantastic performance in her role, a complete impression from her previous kind-hearted and sweet looking role in "Jewel in the Palace". Cold and filled with vengeance , yet she exudes fine elegance with her subtle body language and facial expression. The soundtrack works well at suitable moments, infusing classic into this art-house film. It was a pity the film didn't win any grand awards in the Venice Film Festival, Park definitely deserves recognition for his excellent works.
10emmily87
i usually don't enjoy movies that contain gore, suspense, and violence. still, sympathy for lady vengeance was undoubtedly, a movie worth watching. even for those who actively dislike movies in this certain genre, sympathy for lady vengeance is an absolute must. out of the trilogy, this one was the one i enjoyed most. there was nothing overly-excessive and/or gratuitous (which i honestly found oldboy and sympathy for mr vengeance had a bit of), and it definitely cannot be considered a brain-candy film. with an extremely intelligent and interesting plot, and visually stunning cinematography, it was a spectacular piece of art, from the start to the finish, and had me thinking about it and talking about it for days afterward.
Did you know
- TriviaThe snow during the closing scene is not real. They brought two trucks of salt and scattered it all over the street; the falling snow is CGI.
- GoofsAll entries contain spoilers
- Quotes
Geum-ja Lee: Listen carefully. Everyone make mistakes. But if you committed a sin, you have to make an atonement for that sin. Atonement, do you know what that means? Big Atonement for big sins. Small Atonement for small sins.
- Alternate versionsThere are two different versions of the film. One is full color. The other, called "Fade to Black Version", shifts from color to B&W over the course of the movie. Like Sin City, there are color highlighted, even in the B&W scenes. The second version is what the director intended, but he was not able to complete it properly until the Korean DVD (which includes both versions).
- ConnectionsFeatured in MsMojo: Top 10 Best Female Revenge Movies of All Time (2022)
- SoundtracksMareta no'm faces plorar
Composed by Jordi Savall
Vocal by Montserrat Figuera, Arianna Savall
Baroque Guitar by Xavier Diaz-Latotte
Baroque Flutes Traversieres by Mare Hantai
Bass Viola da gamba by Jordi Savall
Courtesy by Alia Vox
- How long is Lady Vengeance?Powered by Alexa
Details
Box office
- Budget
- ₩4,200,000,000 (estimated)
- Gross US & Canada
- $211,667
- Opening weekend US & Canada
- $9,850
- Apr 30, 2006
- Gross worldwide
- $23,835,242
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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