Right at Your Door

In Los Angeles, Brad (Rory Cochrane) and his wife Lexi (Mary McCormack) live in the suburb and are in love for each other. Brad is an unemployed musician and Lexi is financially supporting the family. She wakes up in the morning and heads in her convertible to the highway to work downtown.

Brad listens to the news that dirty bombs have just blown up in Los Angeles in a terrorist attack and the authorities warning people seal off doors, windows and any opening and stay home. The desperate Brad does not respect the curfew and drives his car to downtown, but he does not succeed in crossing the police barriers. He returns home and the worker Alvaro (Tony Perez) of his next door neighbor requests protection to Brad. They seal themselves off in the house and listen to the radio about the danger of the unknown chemicals and the panic of the population with the hospitals overcrowded. Out of the blue, Lexi returns home covered of chemical ashes. Brad has to come up to a decision about the unexpected return: should he open or not their house?

"Right at Your Door" is a tense and scary low budget movie by Chris Gorak. The movie is like a theater play and is supported by the outstanding screenplay, magnificent direction and top-notch performances of Mary McCormack and Rory Cochrane. The twist in the end is absolutely unexpected and certainly makes the viewer think a lot about the attitude of Brad and how realistic this story is. My vote is seven.

Title (Brazil): "Toque de Recolher" ("Curfew")

Watching Right at Your Door, the same week that PG&E created the 3 Million Resident Power Black Out of 2019 in Northern California, while multiple massive wildfires ironically coincided in Southern California, Los Angeles, creates a perfect back drop to watch this movie.

Overall, this movie crawls along at a slow pace centralized to the confines of mostly one location. It sets you up all along to give you one final mind screw.

By the end of this movie, you'll realize that we have absolutely no power as citizens within California in particular, and all of us better pray this never happens in reality.

I had a chance to catch this at SUNDANCE.

It was probably the best movie I saw at the festival, though I only saw a handful of other films.

It's a solid debut by Chris Gorak and not a waste of 90 minutes. The setup is very good, as is the pacing and cinematography. They made the most out of what little money they had.

I have to say that at times it bordered on horrifying, and could've been classified as a horror film if some of those moments continued. Since I've lived in Los Angeles for about five years, I was particularly affected by the scenario. It's a very real possibility LA could be hit with a dirty bomb, and the repercussions would probably be similar to what's in the film.

It does suffer from some holes and stretches in logic and performance, but most thrillers do, so that's not necessarily a slam.

I can't say I liked the ending, but I was gripped by the story and the way it was shot.

A solid thriller.

RIGHT AT YOUR DOOR is the terrifying story of the detonation of a "dirty bomb" in a major city, in this case Los Angeles. It takes us into a suburban home, seals us in with the occupant, and allows us to experience the claustrophobia, paranoia, and tragedy for ourselves.

One of the most unsettling aspects is how Brad (Rory Cochrane) is unable to get accurate information about what has happened. He and a neighbor tape clear plastic over every door and window in hopes of keeping out whatever is in the toxic cloud outside.

When Brad's wife (Mary McCormack) shows up at the door, heart-shattering decisions must be made.

This is an effective, realistic bio-thriller with a wicked twist at the end. It'll have you stocking up on duct tape and 6-mil. Poly sheeting...

I was pleasantly surprised. This is not the same as other toxic explosion movies such as Threads (1984), The Day After (1983) and the less memorable Testament (1983). This movie is harder to relate to and did not scare me in the same way. It focuses much more on a close relationship between a couple caught up in a fictional terrorist attack. It is much less about total destructive paranoia and more intimate. The movie is very well made. It looks very believable. The way that the movie has been made feels honest. The relationship is gripping from start to finish.