Invisible Waves
- 2006
- 1h 55m
IMDb RATING
6.5/10
1.7K
YOUR RATING
After inadvertently killing his girlfriend, a man (Asano) flees Macau for Thailand in an attempt to cope with his guilt, and avoid possible arrest. But the relocation doesn't prevent his pro... Read allAfter inadvertently killing his girlfriend, a man (Asano) flees Macau for Thailand in an attempt to cope with his guilt, and avoid possible arrest. But the relocation doesn't prevent his problems from following him, as his new friends could be potential enemies.After inadvertently killing his girlfriend, a man (Asano) flees Macau for Thailand in an attempt to cope with his guilt, and avoid possible arrest. But the relocation doesn't prevent his problems from following him, as his new friends could be potential enemies.
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- 4 nominations total
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Featured reviews
Last Life in the Universe is one of, if not the best movie I've ever seen (save for Trainspotting). Because of this, like many others, I tracked down Pen-Ek's other films and found this. I have to say that it was disappointing. Many here argue that those who did not like this film simple "didn't get it," because they don't have the mind or tastes for it. I'd have to disagree. If you appreciate Last Life then there's really no reason why you shouldn't be able to appreciate this, (had it good) as both films move at the same pace and have all the same people behind them. (I liked how they used the names Nid/Noi again, does he always do that?) Invisible waves looks the same, sounds the same, but for some reason just doesn't feel as good. Something is missing, something that could have been great was lost somewhere. Last Life didn't have much of a story but managed to be a masterpiece, and comparatively this film's story is much better but just doesn't work. One thing that really bugged me was the acting. All of it felt very fake; I was too often reminded that I was watching a film. The dialogue was poorly written, in my opinion, and probably contributed to that. Were Tadanobu Asano not in this I wouldn't even bother, even out of curiosity for Pen-Ek, as he is this films one and only saving grace. But even then he plays almost the exact same character as he did in Last Life, only a lot less interesting. All the ingredients for a movie like Last Life are here, but in the end it didn't just work.
I can't help but react to the only 2 reviews posted on this site.
Surprisingly, they are both from Singapore (like me) and both hate the film with a vengeance. To correct myself, Dick hates it, Peter dislikes it. What is most interesting is a display of how a film explode an audience.
Why is there so much frustration when one cannot comprehend a work of art? I'm not saying that the inability to understand is a reflection of one's level of intelligence. i'm simply asking the big EMOTIONALLY question. why do people get so frustrated over something they have problem comprehending? Have you ever dream a dream that you do not understand? Have you ever dream of signs, symbols, incidents, characters, animals, locations that doesn't make sense at all? how do you come to terms with those unfulfilling surrealist images?
Honestly, i may not get the film myself. It wasn't one of the most engaging film i have watched. it was certainly much weaker than Last Life of the Universe. But i see it as a surrealist film. The constant hollow sound through out the film may have dropped a hint. It is simply a dream about a man who is confronted by betrayal of people close to him and maybe even himself. The faint bizarre incidents creates many space for observations with the characters and the environment.
Todate, there are only postings from Singapore audience on IMDb. This shows that we are one of the earliest privilege film buffs in the world who get a chance to preview the film. It shows a great deal of confidence from the filmmaker in Singapore audience. I do not agree that it is a bad decision to bring in such art-house film. the idea about art-house often equivalent to no formula and therefore equivalent to no traditional benchmarks. there is always a different appetite needed by a different audience. i embrace picture house effort and i hope they continue to brave obscure titles with huge risk at box office for that is the spirit of art-house.
when i walk into a theatre to watch an art film, i'm expecting to be challenge as an audience.
My purpose of this writeup is merely to provide a different viewpoint. no offense.
I'm a mortal, i get angry with many things and people around me. For example, I always get angry with my dad cos i do not understand most of his behaviours and ideas. Therefore i can understand a frustrated audience as well.
Surprisingly, they are both from Singapore (like me) and both hate the film with a vengeance. To correct myself, Dick hates it, Peter dislikes it. What is most interesting is a display of how a film explode an audience.
Why is there so much frustration when one cannot comprehend a work of art? I'm not saying that the inability to understand is a reflection of one's level of intelligence. i'm simply asking the big EMOTIONALLY question. why do people get so frustrated over something they have problem comprehending? Have you ever dream a dream that you do not understand? Have you ever dream of signs, symbols, incidents, characters, animals, locations that doesn't make sense at all? how do you come to terms with those unfulfilling surrealist images?
Honestly, i may not get the film myself. It wasn't one of the most engaging film i have watched. it was certainly much weaker than Last Life of the Universe. But i see it as a surrealist film. The constant hollow sound through out the film may have dropped a hint. It is simply a dream about a man who is confronted by betrayal of people close to him and maybe even himself. The faint bizarre incidents creates many space for observations with the characters and the environment.
Todate, there are only postings from Singapore audience on IMDb. This shows that we are one of the earliest privilege film buffs in the world who get a chance to preview the film. It shows a great deal of confidence from the filmmaker in Singapore audience. I do not agree that it is a bad decision to bring in such art-house film. the idea about art-house often equivalent to no formula and therefore equivalent to no traditional benchmarks. there is always a different appetite needed by a different audience. i embrace picture house effort and i hope they continue to brave obscure titles with huge risk at box office for that is the spirit of art-house.
when i walk into a theatre to watch an art film, i'm expecting to be challenge as an audience.
My purpose of this writeup is merely to provide a different viewpoint. no offense.
I'm a mortal, i get angry with many things and people around me. For example, I always get angry with my dad cos i do not understand most of his behaviours and ideas. Therefore i can understand a frustrated audience as well.
i watched this movie before i read its script (which came out not so long after the movie released in the theater in Thailand ) and i can say that this movie is so great even though the story is not so catchy so people who cannot sit and stare at something not so fun may feel extremely bored. i think asano didn't understand the meaning of the character for this story. he seems to act too relax which is none sense if you were kyoji., you killed , cut a woman, you still can walk normally? no way. but even though his acting for this movie is not as good as last life in the universe but still we can aim the meaning of the story to a different direction not as prabda(the script writer)'s imagination.
who gonna love this movie or not is not important but what i think is they are so team. they should make more movies together and i hope later movies will be more surprisingly good!
who gonna love this movie or not is not important but what i think is they are so team. they should make more movies together and i hope later movies will be more surprisingly good!
Invisible Waves is a movie about gangsters, loyalty, murder and revenge. Gangster movies are typically action packed with chases, fights and confrontations. Invisible Waves is a courageous film in that it only uses these traditional action elements to punctuate its mesmerizing and hypnotic pace. Depending on your perspective, this is either brilliant or boring.
Kyoji is a talented chef in Hong Kong who makes two big mistakes. First he has an affair with his boss's wife and then he murders her. Though his boss is a likable gangster with a big heart, he is a dangerous man when he has been betrayed. So Kyoji is in big trouble. He is also "the stupidest smart guy" and so naively entrusts his escape from Hong Kong to Lizard, someone he has never met, and climbs aboard a clapped out old cruise ship heading for Phuket. Before the ship has left the dock, we (though not optimistic Kyoji) begin to suspect that he has been set up.
Though Kyoji does not inspire confidence, blundering his escape and dawdling into disaster, we did find Invisible Waves intriguing and atmospheric. Unfortunately there are just too many irrelevant scenes; long, low or off centre camera shots; and lengthy silent pauses to make this film riveting. It also suffers from multiple random characters who seem as if they could be significant, but never amount to anything and so must be purposely pointless.
This is definitely a film that will divide audiences. Between those people who appreciate that art requires risks that may not always be successful and can still enjoy the attempt and intention; and others who abhor pretentiousness and are fed up with having expert cinematography compensate for poor construction and storyline. So whichever group you identify with, please conclude our verdict for Invisible Waves accordingly.
Kyoji is a talented chef in Hong Kong who makes two big mistakes. First he has an affair with his boss's wife and then he murders her. Though his boss is a likable gangster with a big heart, he is a dangerous man when he has been betrayed. So Kyoji is in big trouble. He is also "the stupidest smart guy" and so naively entrusts his escape from Hong Kong to Lizard, someone he has never met, and climbs aboard a clapped out old cruise ship heading for Phuket. Before the ship has left the dock, we (though not optimistic Kyoji) begin to suspect that he has been set up.
Though Kyoji does not inspire confidence, blundering his escape and dawdling into disaster, we did find Invisible Waves intriguing and atmospheric. Unfortunately there are just too many irrelevant scenes; long, low or off centre camera shots; and lengthy silent pauses to make this film riveting. It also suffers from multiple random characters who seem as if they could be significant, but never amount to anything and so must be purposely pointless.
This is definitely a film that will divide audiences. Between those people who appreciate that art requires risks that may not always be successful and can still enjoy the attempt and intention; and others who abhor pretentiousness and are fed up with having expert cinematography compensate for poor construction and storyline. So whichever group you identify with, please conclude our verdict for Invisible Waves accordingly.
I just want to add the interesting parallels to Pan-Ek's film "Last Life in the Universe." Most of these are probably quite obvious, and I suspect there are more subtle comparisons.
1) The lead character is or was involved with a Yakuza gang. 2) The similarity of the lead character's name Kyoji to Kenji (Last Life). 3) The name Noi and Nid used in both films 4) The reference to Lizard. 5) The atmosphere and music very similar. 6) The theme of death.
This is the type of film that would require a deeper analysis to uncover its finer details and meanings. I would agree that overall, it's not as strong a film as Last Life in the Universe. However, the mood created on the ship to Phuket was in itself, masterful, surreal, other-worldly. In fact, at one point I had thought that Kyoji had already entered hell, and had departed this world.
1) The lead character is or was involved with a Yakuza gang. 2) The similarity of the lead character's name Kyoji to Kenji (Last Life). 3) The name Noi and Nid used in both films 4) The reference to Lizard. 5) The atmosphere and music very similar. 6) The theme of death.
This is the type of film that would require a deeper analysis to uncover its finer details and meanings. I would agree that overall, it's not as strong a film as Last Life in the Universe. However, the mood created on the ship to Phuket was in itself, masterful, surreal, other-worldly. In fact, at one point I had thought that Kyoji had already entered hell, and had departed this world.
Did you know
- TriviaOpening film for 2006 Bangkok International Film Festival.
- ConnectionsReferences The Shining (1980)
- How long is Invisible Waves?Powered by Alexa
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- Also known as
- Hayalet dalgalar
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Box office
- Gross worldwide
- $24,797
- Runtime
- 1h 55m(115 min)
- Color
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