The Mystery of the Blue Train

It's easy to tell this latter-day batch of Poirot adventures are not being made by the production company that turned out the hour-long episodes and the first group of feature-length TV movies with David Suchet. Not only are Hastings, Japp and Miss Lemon gone (along with the fine actors who played them), but so is Poirot's Arte Moderne apartment building--and any reasonable sense of time and place. These were virtues; they are sorely missed.

"Mystery of the Blue Train" has a pretty good Poirot plot with some colorful supporting players and a few effective performances, but it is so badly directed--no, ATROCIOUSLY directed--as to be a headache-inducing pain to watch. There are no establishing shots of buildings, no wide shots of ballrooms and the like, and there are dozens upon dozens of off-center closeups. Furthermore, many of the closeups are hand-held, an extremely poor choice of technique for a story set in the 1930s. The director also resorts to the very tired effects of an extraordinarily unimaginative mind: virtually every set, including some exteriors, is drenched in thick, almost impenetrable smoke. This is usually "explained" by having one or more of the characters puffing away on cigarettes--so obtrusively (including many crushed out under foot) that you begin to assume that cigarette smoking has something important to do with the plot. Especially early in the film, the director grotesquely overuses shots in or of mirrors--again so frequently that it seems that it must have an important plot explanation. In the last half, set on the Riviera, there are fewer mirror shots, but now she chooses to have blurry objects in the foreground in many, many shots. At other times, we glimpse characters in the middle distance, almost hidden by objects in the near foreground. Finally, most of this stuff--hard to see, hard to follow--is reduced further in simple watchability by being edited like a rock video. I wouldn't blame anyone who, first coming to a Suchet Poirot story with this one, swearing off ever watching another.

But ultimately, Poirot and Agatha Christie win out. Even though the gathering-of-the-suspects scene is again jaggedly edited, full of thick, opaque smoke and hampered by an overuse of extreme closeups, the story wins out over the director--who I hope never, EVER again is invited to direct an Hercule Poirot mystery.

Camera work here is so terribly distracting one must focus on the plot intensely to follow Poirot as he unravels this mystery. Casting the horrid likes of elliot gould make matters worse, as he hams it up unmercifully. Backlit scenes, blurry visuals, one wonders what in the Wide World of Mystery were they going for...

Of course, this isn't the first time Poirot is on a train where someone is murdered. "The Mystery of the Blue Train" is from season 10 and stars David Suchet as Poirot, Elliot Gould, Lindsay Duncan, Bronagh Gallagher, and James D'Arcy.

In this episode, Poirot works to solve the murder of Ruth Kettering, the daughter of a wealthy industrialist. She is beaten literally beyond recognition. Added to this, in order to be closer to her lover, she changed rooms with Katherine Grey, a new heiress whom Poirot has befriended. Ruth owned the brilliant Heart of Fire ruby, which is now missing - but the safe wasn't broken into. When Grey visits her relatives, she is attacked, raising the question - did the killer have the right woman? There's gambling, adultery, broke relatives and resentment as Poirot investigates the suspects further. Lindsay Duncan as Gray's suddenly attentive cousin (she's broke) is fantastic. I had the pleasure of seeing her in person in "Private Lives," and she is a wonderful actress. Suchet as usual is the perfect Poirot. I also had the privilege of seeing him in person in "Amadeus." He truly is a chameleon. Georgina Rylance is also excellent as Katherine Gray, an insecure young woman who's just inherited a fortune and now socializes with a different class of people.

The rest of the acting, frankly, wasn't fabulous - you could spot the fake American accents right away and the characters seemed put on rather than the real thing. It might have been the dialogue, it might have been the directing - I tend to think it was the latter.

I don't remember this book, so I didn't mind whatever changes there were. I enjoyed the story.

POIROT has been cherished by Agatha Christie fans for keeping close to the original novel 9 times out of 10. For some reason, 3 of the 4 episodes this season have changed the plot until it's unrecognizable. Will the faithful Poirot ever return? Not very likely-- unfortunately, the faithful Poirot seems to have ended when Agatha Christie's daughter died. Matthew Pritchard says his grandmother wouldn't have minded the changes-- he is 99% of the time wrong, but he may have been right this time. Agatha Christie said several times that THE MYSTERY OF THE BLUE TRAIN was her worst novel ever, and she hated it. I do not share her opinion. I liked the book how it was. No changes are required if it's an Agatha Christie-- her name on the book is a guarantee that it's perfect.

The changes made in the movie are innumerable. This is a complete rewrite of the book-- it's the NEMESIS of the Poirot season. Did the screenwriter read the book? However, if you put the changes behind you and try to sit back and enjoy the movie, you may end up liking it.

I am not a terribly big fan of Agatha Christie, but "Mystery of the Blue Train" is one of her novels that I did in fact like and was therefore thrilled to hear that they've made this TV adaptation as part of the "Poirot" series with David Suchet.

Unfortunately, it was not to be... it started on the wrong foot immediately with the way it was directed--was there no one around to rein the director in? Everything seems shot in darkness, through smoke, half-obscured, half-reflected in mirrors, etc. It's often difficult to even see the faces of actors because of this.

Of course, that would probably be bearable if the screenplay adaptation wasn't so bad. It takes amazing liberties with the novel (some of which have been already mentioned in other comments) that I couldn't believe. The storyline doesn't seem to make any sense any more, and the dynamic between some of the characters has been completely changed.

In conclusion, do not go anywhere near this movie if you've liked the novel at all.