Jumping Off Bridges

This movie is a stirring and heart rending portrayal of a teenager struggling to understand why a parent he loved would betray him and his family by committing suicide. all of us wonder why? Is it some sort of neural abnormality that people cannot handle their day to day challenges or is it something deeper, a lack of training and parental encouragement from birth on....that life happens and you have to discipline yourself to push on. How can a teen know....when a parent or other loved one, opts out of the struggle? None of us knows the mind of another, but the fragile and insightful look at this one teen, tells us that the human being is very complex and hard to reach. The relationships shown help us to realize that no matter what....all we have in the end is each other. Staying in touch is the most basic human instinct we have and the most precious. love is the thread for us all.

I got to watch this at SXSW (3-11-06), and it was certainly a breath of fresh air. Most mainstream movies are glazed over with frosting. A lot of indie movies seem to stress unnecessarily long scenes with witty sarcasm. Jumping Off Bridges seemed to contain neither of those elements, because life isn't the way it is in movies.

The technical aspects of the movie are easy to handle. The costumes certainly looked real. When I saw the dad in his classroom, I giggled because everyone one of my math teachers dressed just the same. No one in the movie had hip, trendy clothes, and none of them looked alike. The neighborhood that everyone lived in was very much a normal neighborhood. Most movies seem to want to have everyone live in $200,000 homes where everyone has expensive cars and an endless supply of money. The students weren't driving Hummers, Lexus', or Range Rovers. The camera-work was pretty decent, coming from a photographer who pays extra attention to cropping, angles, lighting situations, depth of field, etc. The sound was also very good, especially the original music -- I love piano. The editing was also very good, coming from an editor who also pays close attention to editing in movies.

If you want movies like The Notebook, Forest Gump, Dumb and Dumber, crouching Tiger Hidden Dragon, then you won't like this movie.

If you want movies like Pieces of April, Broken Flowers, I Am Sam (Sean Pess should have won the Oscar that year), then you will probably like this movie.

...it's about suicide. So I'll call it compelling and deeply affecting instead.

I caught this a month or two back on our local PBS station's Saturday night indie movie slot, and was glad I stuck with it. Michael Emerson's presence was a pure gift, and it was so nice to see him as someone other than crazy Ben Linus, King of the "Lost" Island. He was excellent as the well-meaning but essentially clueless widower father, and the young actors were good as well.

The only character who grated on me was the young girl, Grove. She just didn't seem real or even particularly interesting, and at times I found her deeply irritating. The character, not the actress, who did a good job.

But the music. When Sufjan Stevens's "For the Widows in Paradise, For the Fatherless in Ypsilanti" played all the way through over what was all but a real-time progress from home to school, I cried like a little girl. A gorgeous, moving song, used brilliantly.

I'll be buying this on DVD.

I first thought it was a Canadian film. I had no idea until I read the credits that it was filmed entirely on location in Austin, Texas. This film is quite a gem and treasure about the relationships between a father and son, Frank and Zak Nelson, after the suicide death of the family matriarch. Zak blames himself as does Frank for her death. The father and son moments in the film are alone worth watching. There is no glamor with this largely unknown cast. They do a brilliant job worthy of awards. Zak becomes withdrawn from his girlfriend and his friends as well as his father. He paints his room black to symbolize his mourning. It isn't until a life-changing experience that determines how to live after a family tragedy.

Few films handle the difficulties and complexities of teenager-dom as well as this one. Canlder has a unique ability to imbue her characters with depth and sensitivity without being overly sentimental or cliché. Great soundtrack. These characters are real. Lacking the false glamour and pretentious irony-filled self awareness of many teens in recent American films, Canlder's cast instantly brings you back to what it was to be in high school--the good and the not so good. The plot is wonderfully spare in its exposition, and the focus is on letting the characters stand on their own, complete with their imperfections and secrets. An excellent dialog starter for topics that many people simply don't want to go near or don't know how to begin.