Juvenile delinquents are sent to a small British island after a fellow prisoner's death, where they have to fight for survival.Juvenile delinquents are sent to a small British island after a fellow prisoner's death, where they have to fight for survival.Juvenile delinquents are sent to a small British island after a fellow prisoner's death, where they have to fight for survival.
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Wilderness is an effective and brutal thriller/horror movie. The premise is straight forward- a group of juvenile offenders and their keeper out on a camping trip are picked off one by one by a mysterious and ruthless killer with a crossbow a pack of attack dogs and a skill for booby traps. It is brutal, violent, fast moving and visceral. It is quite well made- the tension and pace never drops, which is essential for this kind of movie and there is a gritty, unremitting feel to the movie which works in its favour. The deaths are unpleasant and violent and the characters aren't likable keeping it somewhat unpredictable as to what is going to happen, who is going to die and so on. Wilderness doesn't hold back in terms of the violence and nastiness but still keeps, for the most part a gritty realistic vibe and it works.
The movie shows you don't necessarily need likable characters but only believable ones to make a movie work. The more likable characters are only more likable by comparison i.e. they are only cowardly or selfish as opposed to being sadistic and cruel. The one character that seems like they may actually be competent and a decent human being is out of the picture comparatively early on. This comes across as lot more credible than those movies which contain groups of supposedly hardened criminals or delinquents who prove to be suitably heroic and noble and band together when it comes to the crunch. The characters here aren't over the top nasty either- they are full of petty meanness and posturing, selfishness and banality without being irredeemably evil as you would probably expect such kids to be in real life. The acting, mostly by fairly unknown young British actors is pretty good and low key- the Brits are generally better at this sort of thing. This gives the film its grittier edge and helps make it a little bit less predictable than it could be. Okay, the designated hero is obvious from the get-go and it isn't too unexpected when most of the unsavoury cast is wiped out but it isn't cloyingly obvious all the way through that things will happened the way you would predict in accordance with movie conventions.
The movie is not without flaws. The plot isn't always particularly believable or fresh. It seems strange that there is on one prison guard with this group of about ten juvenile offenders out on a supposedly deserted island and the killer seems almost too effective is dispatching his prey although to be fair it works for the movie in terms of the scariness of the villain and some explanation is provided for his skill in this regard. Toward the end when the hunter and his motivation is revealed he is far less effective a bad guy, his motivation and presence slightly contrived (Though still plausible) and he suddenly seems to become a lot less competent in order for him to be defeated. It might have been better if the makers had left the killer a mysterious motiveless figure. There are a few times when the movie does seem to go a bit too far with its nastiness, the flip side of the movie slack of restraint. The way in which some of the gorier death scenes, such as the first dog killing, are lingered on is a bit too much and toward the end some of the character's abhorrent behaviour comes across as a bit much also (Okay we already knew these guys were scum, can we get on with it).
On the whole a slick, well made and exciting movie which is both helped and hampered, but mostly helped, by it's willingness to be mean spirited and harsh.
The movie shows you don't necessarily need likable characters but only believable ones to make a movie work. The more likable characters are only more likable by comparison i.e. they are only cowardly or selfish as opposed to being sadistic and cruel. The one character that seems like they may actually be competent and a decent human being is out of the picture comparatively early on. This comes across as lot more credible than those movies which contain groups of supposedly hardened criminals or delinquents who prove to be suitably heroic and noble and band together when it comes to the crunch. The characters here aren't over the top nasty either- they are full of petty meanness and posturing, selfishness and banality without being irredeemably evil as you would probably expect such kids to be in real life. The acting, mostly by fairly unknown young British actors is pretty good and low key- the Brits are generally better at this sort of thing. This gives the film its grittier edge and helps make it a little bit less predictable than it could be. Okay, the designated hero is obvious from the get-go and it isn't too unexpected when most of the unsavoury cast is wiped out but it isn't cloyingly obvious all the way through that things will happened the way you would predict in accordance with movie conventions.
The movie is not without flaws. The plot isn't always particularly believable or fresh. It seems strange that there is on one prison guard with this group of about ten juvenile offenders out on a supposedly deserted island and the killer seems almost too effective is dispatching his prey although to be fair it works for the movie in terms of the scariness of the villain and some explanation is provided for his skill in this regard. Toward the end when the hunter and his motivation is revealed he is far less effective a bad guy, his motivation and presence slightly contrived (Though still plausible) and he suddenly seems to become a lot less competent in order for him to be defeated. It might have been better if the makers had left the killer a mysterious motiveless figure. There are a few times when the movie does seem to go a bit too far with its nastiness, the flip side of the movie slack of restraint. The way in which some of the gorier death scenes, such as the first dog killing, are lingered on is a bit too much and toward the end some of the character's abhorrent behaviour comes across as a bit much also (Okay we already knew these guys were scum, can we get on with it).
On the whole a slick, well made and exciting movie which is both helped and hampered, but mostly helped, by it's willingness to be mean spirited and harsh.
Call us uncivilized savages if you must, but who honestly doesn't enjoy raw and barbaric adventure-movies in which the blood and violence literally bursts from the screen? In case you were thrilled by movies like "Battle Royale", "Blood Camp Thatcher" or even the more classic milestone "The Most Dangerous Game", you simply have to see "Wilderness"; a brand new British survival-horror effort directed by Michael "Deathwatch" Basset. After the suicide of a fellow inmate, a troop of juvenile delinquents for whom all hope for rehabilitation was given up long time ago are sent to a prison island for a severe lesson in elementary life-values. On the island, however, a mad-raving psychopath lies in wait for them and even the innocent guards and some random girls become defenseless targets. Trained and equipped like an experienced hunter, the killer annihilates nearly the whole gang by using deadly booby-traps and ravenous dogs. As you can derive from this brief plot description, originality isn't "Wilderness" biggest trump and the script doesn't even bother to keep the killer's identity secret for a long time. But seriously, who cares about aspects like these when a film is so adrenalin rushing and blood-soaked? The "hunting humans"-premise is mixed with the textbook 80's slasher plot of a revenge-seeking killer, but you aren't given a chance to grumble about the banality, as there is gore and excitement everywhere! The island itself is a captivating location, resulting in masterfully choreographed sequences and some utterly imaginative booby-traps. Unlike in his previous film "Deathwatch", Michael J. Basset definitely doesn't cut back on the blood & gore here, and we're gladdened with close-up shotgun action, amputated body parts, chopped of heads and loads of aggressive dog-action! The character drawings are very well processed and Basset fully uses the nihilistic and totally lackadaisical nature of youthful criminals. These young social outcasts don't care about anyone but themselves and pretty soon there are sub plots involving betrayal, jealousy and cowardly behavior. The sound & visual effects are terrific and Peter Robertson clearly has a talented eye for versatile camera-work. Following films like "Dog Soldiers", "28 Days Later
" and "The Descent", this "Wilderness" is yet another piece of evidence that the British horror industry is working on a remarkable revival nowadays. Highly recommended!
I enjoyed this movie for the most part, but thought the writing/dialog was a little weak at points. I honestly think one of the cheesiest moments in movie history was in this particular movie when the guy offered up a hunk of fresh cooked dog meat to his girl.. and she hugged him gleefully...
But anyways, the idea of the movie was pretty cool and I enjoyed the beginning and how they ended up on the island. In the tradition of No Escape and Battle Royale, this is a great addition to the 'island survival' genre but is by no means a stand out.
Definitely give it a watch if the synopsis interests you!
But anyways, the idea of the movie was pretty cool and I enjoyed the beginning and how they ended up on the island. In the tradition of No Escape and Battle Royale, this is a great addition to the 'island survival' genre but is by no means a stand out.
Definitely give it a watch if the synopsis interests you!
Recipe: take one large dollop of Lord of the Flies, toss in a few heaping tablespoons of Southern Comfort, sprinkle with traces of Deliverance, and add The Most Dangerous Game to taste. Blend on high for 110 minutes and presto, you've got a tasty treat of Wilderness, the new survival thriller by Director Michael J. Bassett.
Set on a remote uninhabited island used by Britain's correctional services as a retreat for troubled youth, the movie tells the story of a group of juvenile criminals who get sent to the remote location only to find themselves being stalked by a trained killer bent on revenge.
Screened at the 2006 edition of Montreal's Fantasia Film Festival, the movie doesn't make much effort to conceal the identity of the stalker. In fact, most viewers can figure this out in the first 15 minutes. However keeping secrets isn't what this story is about. Rather, it's about the thrill of hunting humans, the most sophisticated predator on the planet, and the diverse and innovative tricks involved.
Featuring Sean Pertwee, who seems to own a clause in British movie contracts saying he will appear in every UK thriller/horror film under production, the film showcases the talents of a young cast of unknowns who, while not demanded of Shakespearean performances, nonetheless turn in flawless performances to round out the movie.
Bassett, whose previous directorial debut was 2002's intriguing but flawed Deathwatch, seems to have found his stride with this effort. Scenes appear carefully thought out and executed, with a nice attention to detail. He clearly understands how to pace a film of this nature, and what works and what doesn't in what clearly was a demanding shoot involving attack dogs, forest chases, fires and numerous stunts.
The movie has something for every fan of the genre; beheadings, vicious forest traps, maulings, being eaten alive, crossbows, knife fights, skinheads, near drownings, the list goes on.
Viewers can add this to the ever growing list of British horror films such as The Descent, Dog Soldiers, and 28 Days Later (to name only a few) that are currently setting the world standard for delivering quality cinematic chills and thrills.
Set on a remote uninhabited island used by Britain's correctional services as a retreat for troubled youth, the movie tells the story of a group of juvenile criminals who get sent to the remote location only to find themselves being stalked by a trained killer bent on revenge.
Screened at the 2006 edition of Montreal's Fantasia Film Festival, the movie doesn't make much effort to conceal the identity of the stalker. In fact, most viewers can figure this out in the first 15 minutes. However keeping secrets isn't what this story is about. Rather, it's about the thrill of hunting humans, the most sophisticated predator on the planet, and the diverse and innovative tricks involved.
Featuring Sean Pertwee, who seems to own a clause in British movie contracts saying he will appear in every UK thriller/horror film under production, the film showcases the talents of a young cast of unknowns who, while not demanded of Shakespearean performances, nonetheless turn in flawless performances to round out the movie.
Bassett, whose previous directorial debut was 2002's intriguing but flawed Deathwatch, seems to have found his stride with this effort. Scenes appear carefully thought out and executed, with a nice attention to detail. He clearly understands how to pace a film of this nature, and what works and what doesn't in what clearly was a demanding shoot involving attack dogs, forest chases, fires and numerous stunts.
The movie has something for every fan of the genre; beheadings, vicious forest traps, maulings, being eaten alive, crossbows, knife fights, skinheads, near drownings, the list goes on.
Viewers can add this to the ever growing list of British horror films such as The Descent, Dog Soldiers, and 28 Days Later (to name only a few) that are currently setting the world standard for delivering quality cinematic chills and thrills.
Wilderness isn't a great modern horror film, but it does a good job of taking old ideas and rehashing them into a fresh and exciting plot line. The influences to the film are clear, with the much-copied classic 'The Most Dangerous Game' being fused with more modern films such as 'Battle Royale'. The basic plot line isn't too far removed from your common slasher film, but director Michael J. Bassett gives him film an extra edge by putting the focus on the struggle as the protagonists battle with the wilderness (naturally), the main threat and even each other. The plot focuses on a group of juvenile delinquents who are sent to an uninhabited island when a young lad staying in their home is found to have committed suicide. However, the island doesn't turn out to be uninhabited at all, as aside from a local hermit; there's also a group of girls there with the same idea - and some mad psycho with a crossbow and a group of bloodthirsty German Shepherds, who is seemingly hell bent on not letting any of them off the island alive!
The director seems more bothered about atmosphere and tension than characters; as while some of the people inhabiting the film are well defined, their actions are often questionable and none of them are particularly interesting. But even so, this isn't a problem; as the film is constantly suspenseful and the fact that there is an unseen psycho in the woods bodes well with the atmosphere on display. Michael J. Bassett seems keen to go against the clichés of the horror genre, as there is no mystery to the killer's identity after the first half of the film and the crossbow weapon works well. There's a fair amount of gore on display, although the film never matches the initial death sequence in the wilderness in terms of gore. The acting isn't terrible, but the 'thick' British accents sound really phoney to an actual Brit like me. Sean Pertwee is the only recognised name on the cast list, but the rest of the cast; which is made up of mostly British television stars, provide adequate performances. Overall, Wilderness is certainly a good horror film and comes recommended.
The director seems more bothered about atmosphere and tension than characters; as while some of the people inhabiting the film are well defined, their actions are often questionable and none of them are particularly interesting. But even so, this isn't a problem; as the film is constantly suspenseful and the fact that there is an unseen psycho in the woods bodes well with the atmosphere on display. Michael J. Bassett seems keen to go against the clichés of the horror genre, as there is no mystery to the killer's identity after the first half of the film and the crossbow weapon works well. There's a fair amount of gore on display, although the film never matches the initial death sequence in the wilderness in terms of gore. The acting isn't terrible, but the 'thick' British accents sound really phoney to an actual Brit like me. Sean Pertwee is the only recognised name on the cast list, but the rest of the cast; which is made up of mostly British television stars, provide adequate performances. Overall, Wilderness is certainly a good horror film and comes recommended.
Did you know
- GoofsWhen Callum is chasing Davie's Dad with the Crossbow. As he slides down the cliffs while following him the Crossbow goes from being cocked, to de-cocked, and back to cocked again.
- Alternate versionsThe distributor had requested the film be considered for a '15' when it was seen by the BBFC in the UK, but the language in the film was considered too strong for '15'. The distributor chose to reduce the very strong language in the film's final edit, leaving a single use of 'c**t' where there had originally been four uses.
- ConnectionsReferences Battle Royale (2000)
- How long is Wilderness?Powered by Alexa
Details
Box office
- Budget
- £3,000,000 (estimated)
- Gross worldwide
- $566,098
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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