Christy (Zehetner) returns to her hometown years after a car accident that disfigured her older sister. Haunted by the accident in which she was the driver, she learns that her worst nightma... Read allChristy (Zehetner) returns to her hometown years after a car accident that disfigured her older sister. Haunted by the accident in which she was the driver, she learns that her worst nightmares have either come true - or are about to.Christy (Zehetner) returns to her hometown years after a car accident that disfigured her older sister. Haunted by the accident in which she was the driver, she learns that her worst nightmares have either come true - or are about to.
- Dr. Cestia
- (as Julian D. Christopher)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I should have guessed this was going to be bad...
This is an utterly predictable, completely routine and altogether dull movie. It looks and feels familiar from the outset: a maladjusted but pretty young heroine, who often suffers nightmares and hallucinations, returning to her small town and discovering some dark secrets amongst the townsfolk. Such films have propped up the Hollywood film industry since the 1970s and BENEATH proves to be a familiar and depressingly poor addiction to that genre. Despite the prevalence of plot twists in the narrative, everything that happens is easily guessed and the wannabe-shock ending is worth nothing more than a yawn and raised eyebrow.
In some places the story seems to have been inspired by JANE EYRE but classy this isn't. Instead it's a film filled with clichés, from the good-looking deputy sheriff type character to the wide-eyed heroine stumbling around in the dark. Nora Zehetner (BRICK) makes a game effort as the heroine but she can't do much with the all-too-familiar material. The worst part of the film is the flashy direction, which is so clichéd as to be unbelievable: all sudden jump cuts during the so-called 'scare sequences', flashes of people writhing in beds and the like. The most unpalatable part of the film is the twist ending, which left me with a bad taste in the mouth. It just tops off an altogether uninteresting movie.
Likable mystery thriller
Although the film's story is quite a cliché as is suggested by the back of the DVD case, in my opinion it's done surprisingly good. A pretty conclusive story, except perhaps for the start of it all, not too bad acting and a nice music score form into a decent mystery thriller. I liked how the heroine actually investigates quite a bit throughout the movie instead of just getting the conclusions laid out for her in front of her eyes. Additionally the film doesn't use too many flashy, cheap shock moments and successfully tries to depend more on the mystery itself. And, contrary to the cliché, the heroine doesn't behave exceptionally stupid all the time.
On the downside you won't have many surprises coming in the story if you've seen at least a few mystery thrillers. The ending actually managed to satisfy me, a feat rarely achieved by that genre of movies.
If you like mystery thrillers and always thought that those loud, noisy "in your face" shock moments are overused you should try this movie.
Wow, This movie is surprisingly good!
Pros: Nora Zehetner, "Eden" from "Heroes" really shines in this movie. The rest of the cast is fine, particularly Jessica Amlee as "Amy" and Gabrielle Rose as the mean "Mrs. Locke". This movie has a mystery - not a body count. The score is haunting. The make-up effects are incredible.
Cons: The movie could have benefited from better cinematography. You rarely see horror movies shot so brightly nowadays. The camera captures everything you need to see, but it is done in an almost matter-of-fact manner with no flair.
Beneath Pine Bluff.
The set up is pretty good, it's a classic spooky house scenario with secret passages and rooms you wouldn't want to be alone in. The inhabitants of the house feature a suspicious but angelic little girl, and a Mrs. Danvers scary woman type. Director Dagen Merrill does his best to bring the frights, but he's heavy handed in execution, while the cheapness of the production unfortunately stands out a mile. That said, there's enough here to warrant interest if stuck for a spooky thriller to watch on a cold night in by the fire. Certainly the finale is worth time spent with the weak middle section. 6/10
A moderately pleasant surprise
Did you know
- GoofsWhen Christy Wescot (Nora Zehetner) goes to Amy Locke (Jessica Amlee)'s room for the first night, a camera takes her picture, it's clearly a compact digital camera on a tripod, but it sounds like an SLR camera. Then Amy tells Christy that she has set the camera to take picture every half an hour to picture the dark thing. Later Amy is showing Christy photos taken with the camera from two nights ago, and although earlier we saw the camera was on a tripod, but the frame in the photos change in each picture.
- Quotes
[first lines]
Christy - 14 years: Why do we celebrate them dying?
Vanessa: We're not celebrating. We're honoring them. It's our responsibility.
- Crazy creditsThe end credits go down rather than up (as is usual).
- ConnectionsReferences Kiss Me Deadly (1955)
- How long is Beneath?Powered by Alexa
Details
- Runtime
- 1h 22m(82 min)
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1




