Beneath

MTV films makes a really moody horror film. To be certain its the sort of thing thats been done before, but even then this has some genuine shivers and some creepy moments.

The basic plot has a young girl returning home when her old caretaker dies. The girl has a tragic past that includes the death of her sister after a fiery car crash. Plagued by visions and a sense that her sister was buried alive she begins to search for clues as to what happened seven years before.

This one came out of left field for me. I have vague notions about hearing about the film, but I never really remember seeing or hearing anything about it. I'm pretty sure that helped my enjoyment of the film since I had no preconceived notions for it.

Looking like TV movie with interiors that remind one more of a set than of a real place this film over comes its limitations (and occasional WTF moment) to play out almost as if its an extended Tales from the Darkside or other similar horror anthology show. Odd shifts in perspective, some genuine creepy, but not too in your face imagery and willingness to go sans blood and guts except as required make this pretty much a throw back to the old days of horror when less is more. Its not perfect but even with its flaws and the following of a well worn path at times this still manages to be a solid little thriller of the B variety.

Worth a rental with a bag of popcorn and a soda.(Though don't buy this just yet -its a bare bones release that they want almost 30 dollars list for- too much for too little)

I expected a bit much, since I made the mistake to read the "Diamond among pearls" comment. Back to reality: the acting is mediocre towards bad, the story is boring and the scary stuff is just a girl having weird visions. The fact that overall it makes sense is a plus, especially for the "psychically sensitive girl that no one believes" subtype of the horror genre.

Bottom line: this is more of a psychic thriller and not a horror movie. The last part, while it conveniently ties all the loose ends, is way too convenient, more of a moral compromise that breaks the slightly better feel of the story coming to a quasi-logical finale. I can easily imagine all the actors playing in a third rate soap opera, so don't expect a lot better acting that that.

when I saw the 'MTV Films' logo pop up at the beginning of the movie. This production company are well known for making teen-focused trash like the JACKASS movies, but BENEATH seems to be their sole foray (so far) into horror movie territory. Let's hope they don't make any more attempts in the future!

This is an utterly predictable, completely routine and altogether dull movie. It looks and feels familiar from the outset: a maladjusted but pretty young heroine, who often suffers nightmares and hallucinations, returning to her small town and discovering some dark secrets amongst the townsfolk. Such films have propped up the Hollywood film industry since the 1970s and BENEATH proves to be a familiar and depressingly poor addiction to that genre. Despite the prevalence of plot twists in the narrative, everything that happens is easily guessed and the wannabe-shock ending is worth nothing more than a yawn and raised eyebrow.

In some places the story seems to have been inspired by JANE EYRE but classy this isn't. Instead it's a film filled with clichés, from the good-looking deputy sheriff type character to the wide-eyed heroine stumbling around in the dark. Nora Zehetner (BRICK) makes a game effort as the heroine but she can't do much with the all-too-familiar material. The worst part of the film is the flashy direction, which is so clichéd as to be unbelievable: all sudden jump cuts during the so-called 'scare sequences', flashes of people writhing in beds and the like. The most unpalatable part of the film is the twist ending, which left me with a bad taste in the mouth. It just tops off an altogether uninteresting movie.

I have to say that I didn't expect much from this film when I rented it today, but I was really surprised by it.

Although the film's story is quite a cliché as is suggested by the back of the DVD case, in my opinion it's done surprisingly good. A pretty conclusive story, except perhaps for the start of it all, not too bad acting and a nice music score form into a decent mystery thriller. I liked how the heroine actually investigates quite a bit throughout the movie instead of just getting the conclusions laid out for her in front of her eyes. Additionally the film doesn't use too many flashy, cheap shock moments and successfully tries to depend more on the mystery itself. And, contrary to the cliché, the heroine doesn't behave exceptionally stupid all the time.

On the downside you won't have many surprises coming in the story if you've seen at least a few mystery thrillers. The ending actually managed to satisfy me, a feat rarely achieved by that genre of movies.

If you like mystery thrillers and always thought that those loud, noisy "in your face" shock moments are overused you should try this movie.

Christy (Nora Zehetner) is haunted by her sister Vanessa's death. On her 14th birthday, Vanessa allowed her to drive the convertible. They had an accident and Vanessa got trapped and burnt. During her funeral, Christy was convinced that Vanessa was alive trapped in the closed coffin. In the present day, Christy returns home to attend a funeral. Vanessa's husband John Locke, her niece Amy, and John's strict French mother are still living at home. Christy is having hallucinations and suspects John of malfeasance as Vanessa's doctor but no one believes her. Amy suspects a ghostly presence in the home.

This seems to be a couple of production companies trying their hands at horror. It struggles to be anything new or compelling. It should have been a simple haunted house movie. Christy could stay with the Lockes and forced to stay to save Amy. That's what I assumed it was going for when she has her hallucinations in the house. Then she gets friends, has cops, and flashbacks to the hospital. It's trying to be a shocking story and it does have a great twist. The big Vanessa twist is completely predictable and tiresome as the reveal gets stretched out. The Amy twist is the much better one. This is a weak attempt.