Max Payne

When I first heard about this film i was excited, I was excited because I have always been a huge fan of the games but this just didn't do it for me, some games are best kept as games. Although if the director or producer actually played the games they would probably be able to craft something a little more entertaining next time. Mark Wahlberg is usually a personal favourite of mine but I feel he was let down by a terrible script.

The games are amazing, I've always been a die hard fan of them, the way the story comes together i compelling and the way this story comes together is just draining and I dont recommend it to anyone, its enough to put you off the Max Payne series even though its incredible. I do have to note that there were a few intriguing fight scenes but that's as good as it got for me.

I was just as let down as Wahlberg was when I watched this, utterly disappointed and its such a shame, they had potential but it failed as some do.

Max Payne was a game that was born of Film Noir and John Woo. This movie? Voice overs = 1 or two. (There was hope in the opening but then nothing) Action scenes = minimal. (Not too bad other than being sparse) Acting = very good for what little the script offers. (The actors do not deserve the blame for this atrocity unless it is for choosing to do this script.) Scenery/Cinematography = Brilliant but wasted on scenes like 8 minutes picking up a folder with no conflict in the scene. (The scenery was impressively accurate to the game. I kept feeling like it was going to get better because of it. Then nothing would happen.)

I wanted this to be good. I kept lying to myself and saying it would get better any minute.

People who say I am disappointed because it isn't the video game need to understand I didn't want the video game I wanted an action film that captured the essence of the game.

We are left with no reason to care for Max Payne. If I was the writer I would have been ashamed to have my name attached.

Max Payne got the Indy treatment.

I really want my money back on this one. I felt insulted that they thought this script was a passable story.

Luckily for me, I'm not a gamer and therefor not familiar with the game series the movie is based on, so I'm unable to compare.

Max Payne's wife and kid were brutally murdered, and the killer was never found. Max (Mark Wahlberg) is unable to let go and is still in search of the killer. Shortly after meeting Natasha at a party, Max becomes a suspect in her murder. Together with her sister, Mona (Mila Kunis) they start to unravel the mystery.

Max's wife worked for a company, Aesir, who developed a drug to make soldiers feel invincible. The first test subject was Jack Lupino (Amaury Nolasco), but the drug soon showed side effects and the project was terminated. Now the drugs are being used as a hallucinate, and addicts see winged creatures. These hallucinations are visually fantastic, and also rather creepy. The shadow effects are brilliantly done.

Speaking of visuals, 'Max Payne' is visually stunning. This film LOOKS amazing on screen. It is also beautifully shot; crisp and clear (best appreciated on Blu Ray). The sound effects are also excellent. The action sequences are fantastic with awesome photography. Wow, this was actually really exciting. A film that looks and sounds amazing, and an interesting story. I loved every minute!

Poor Mark Wahlberg. Ever since he obtained a fully deserved Oscar nomination for The Departed, he has struggled to hit it as big again: Shooter was enjoyable but unmistakably shallow, We Own the Night received very mixed reactions, and The Happening was one of the most unjustly panned movies of 2008 (well, minus the plastic plant scene). None of those, however, is as bad as Max Payne, which just about tails The Truth About Charlie for the title of Wahlberg's career low.

But hey, few people expected Payne to be any good in the first place. For starters, it's based on a video game, and those never turn out well on film. Secondly, it's directed by John Moore, whose body of work is all but encouraging (he remade The Omen, for crying out loud). Plus, it comes off as a mix of fantasy, action and revenge thriller - in short, a mess.

For those not familiar with the game, the story centers on the titular cop (Wahlberg), a brilliant homicide detective who's been reassigned after the brutal murder of his wife and kid. When a Ukrainian girl (Olga Kurylenko) is found dead with his wallet in her pocket, he's immediately charged with the murder, and the only way to clear himself is to find a thug named Lupino (Amaury Nolasco), who might even have something to do with Mrs. Payne's death (go figure..).

With some minor adjustments, this could easily be the latest installment of Death Wish. If only things were that simple: the plot is twisted even more with a subplot concerning a mind-altering drug called Valkyr, which makes everything look like Hell on screen and destroys Norse mythology's credibility off screen. Then again, decent scripts are rare when it comes to this sort of flick, so Moore is supposed to redeem himself with visuals and action scenes: in the first case, he delivers more than enough; in the second, he disappoints, and big time - not counting the first ten minutes and the last twenty, there's a serious lack of pace and ass-kicking.

Last but not least, the acting. Wahlberg does pretty much the same he did in Shooter: gritty and watchable, but never exploits his huge potential. Mila Kunis, who plays the "Payne girl" (sorry, couldn't resist), is totally miscast, being too young and with the wrong background (That '70s Show), except for the fact that she is of Ukrainian descent like her on-screen sister Kurylenko. Beau Bridges, generally a fine presence, manages the unenviable task of becoming worse as the picture progresses, and Nolasco's villain is as lifeless as they come (and let's not even get started on Ludicrous' "acting").

Long story short: if this were a game, it would reach the "Game over" stage after twenty minutes. Compared to this, even Tomb Raider looks decent enough.

We know that Mark Wahlberg refused to play Rockstar's "Max Payne" game before performing in this film, but, in addition, I must assume that neither the director nor the screenwriter ever played this game before, either. If there weren't so many shots of the background scenery that tied in with the game (although they were never fully or, in some cases, partially explored), I would assume that no one involved in the movie had even seen cut scenes from the game. I would have assumed that they got a one paragraph synopsis on the game, with character names, and just made up their own story that barely connected to the game storyline.

When this movie was made for a "PG-13" rating instead of an "R" rating, most of the fans were nervous. And, after seeing the train wreck this film became, it's clear to see that our worst fears were realized. Worse even than whether this works as a movie adaptation of a video game is whether this film would works as a movie if you have no knowledge of the video game. Unfortunately, if you went to see this film looking for an action flick, you would say that this was one of the most boring, yawn-inducing films you'd seen in the action genre.

The lack of narration throughout this film, the lack of a solid action director like John Woo (who knows how to do slow-mo), and the lack of anyone from the Rockstar team helping with screen writing added up to what can only be described as a hollow, dull film that has virtually no tie to the amazing game that spawned it. The studio system strikes again.