IMDb RATING
5.3/10
4.4K
YOUR RATING
August centers on two brothers fighting to keep their start-up company afloat on Wall Street during August 2001, a month before the 9/11 terrorist attacks.August centers on two brothers fighting to keep their start-up company afloat on Wall Street during August 2001, a month before the 9/11 terrorist attacks.August centers on two brothers fighting to keep their start-up company afloat on Wall Street during August 2001, a month before the 9/11 terrorist attacks.
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This is the surprise of the year so far for me.
This excellent little film tells a story of two brothers and their struggling company in a timeline that just precedes 9/11. Several people on IMDb have commented that they don't see why the movie needed to be "cheapened with a 9/11 theme" or some such nonsense. Let's be clear: this movie is not about 9/11 but this was historically a crucial point for the dot-com bubble.
The movie does actually a wonderful job highlighting these events, without spelling them out in some awkward exposition. The story focuses mostly on one of the brothers: The Charismatic Tom (played by Josh Hartnett), who mostly handles the business aspects. Director Austin Chick does a good job immersing us in his life, his lifestyle, his struggles and his ambiguities. His uneasy rapports with his brother Joshua, co-founder of the company "Landshark", who is the quiet "tech guy" behind the operation. With his parents. His former girlfriend. Various other persons in his life and business dealing. It's an absolutely fascinating portrait. What really helps is Hartnett's performance. Now, I'm sorry to say I never was a fan of this fairly popular actor and he had failed to impress me until now... but this has changed. Hartnett is in fact the main strength of this movie, makes the story come alive and shines among a very, very solid cast around him. Tom's role as a confident, brash young guy who must keep appearance and keep his company afloat while he knows it's going down (along with his personal life) required a good acting palette.
It is a strength of the movie that it manages to push both the story of Tom and present an interesting portrait of this time period where economically, things were crashing. What we have here is a movie that could very well have been boring to death due to its topic (finances are a fairly abstract thing, and usually not terribly interesting unless they're your own) but instead becomes fascinating. In many ways, it is reminiscent of Wall Street. Various speeches that Tom delivers and his bout of negotiations lead to several strong moments.
This is a great movie. Where pretty much every scene is worthwhile and supports the overall themes that are pushed. Director Chick seems to have a purpose with every element presented and even the elements not present. Consider: we never get to know what Landshark does. At all. Which might seem weird yet is terribly fitting since along with other shooting star companies of the time, it was all a smoke screen anyway.
Great movie, probably a must buy for those who have an interest in the dot-com bubble.
This excellent little film tells a story of two brothers and their struggling company in a timeline that just precedes 9/11. Several people on IMDb have commented that they don't see why the movie needed to be "cheapened with a 9/11 theme" or some such nonsense. Let's be clear: this movie is not about 9/11 but this was historically a crucial point for the dot-com bubble.
The movie does actually a wonderful job highlighting these events, without spelling them out in some awkward exposition. The story focuses mostly on one of the brothers: The Charismatic Tom (played by Josh Hartnett), who mostly handles the business aspects. Director Austin Chick does a good job immersing us in his life, his lifestyle, his struggles and his ambiguities. His uneasy rapports with his brother Joshua, co-founder of the company "Landshark", who is the quiet "tech guy" behind the operation. With his parents. His former girlfriend. Various other persons in his life and business dealing. It's an absolutely fascinating portrait. What really helps is Hartnett's performance. Now, I'm sorry to say I never was a fan of this fairly popular actor and he had failed to impress me until now... but this has changed. Hartnett is in fact the main strength of this movie, makes the story come alive and shines among a very, very solid cast around him. Tom's role as a confident, brash young guy who must keep appearance and keep his company afloat while he knows it's going down (along with his personal life) required a good acting palette.
It is a strength of the movie that it manages to push both the story of Tom and present an interesting portrait of this time period where economically, things were crashing. What we have here is a movie that could very well have been boring to death due to its topic (finances are a fairly abstract thing, and usually not terribly interesting unless they're your own) but instead becomes fascinating. In many ways, it is reminiscent of Wall Street. Various speeches that Tom delivers and his bout of negotiations lead to several strong moments.
This is a great movie. Where pretty much every scene is worthwhile and supports the overall themes that are pushed. Director Chick seems to have a purpose with every element presented and even the elements not present. Consider: we never get to know what Landshark does. At all. Which might seem weird yet is terribly fitting since along with other shooting star companies of the time, it was all a smoke screen anyway.
Great movie, probably a must buy for those who have an interest in the dot-com bubble.
I like this film, takes the viewer into a strange world that had really existed Perhaps I'm too much of an insider to judge this film from a purely objective orientation, but as a quasi refugee of sorts from the dot com frenzy days, "August" does connect on multiple levels.
Sadly, I've met more than my share of "Tom" characters in real life, and for the most part, that entire world has faded away into obscurity. It was a strange time, when the real world seemed evermore like an episode of the Twilight Zone.
Though there might have been some minor glitches in the film, I think overall it captured the essence of that period and its odd collection of characters surprisingly well.
If there is any one film that is a portal into that culture and time, and does so in an entertaining but reasonably accurate way, this would be that film. It certainly deserves notice and the time it takes to watch, which is a lot more than can be said for some other attempts at this genre'.
Sadly, I've met more than my share of "Tom" characters in real life, and for the most part, that entire world has faded away into obscurity. It was a strange time, when the real world seemed evermore like an episode of the Twilight Zone.
Though there might have been some minor glitches in the film, I think overall it captured the essence of that period and its odd collection of characters surprisingly well.
If there is any one film that is a portal into that culture and time, and does so in an entertaining but reasonably accurate way, this would be that film. It certainly deserves notice and the time it takes to watch, which is a lot more than can be said for some other attempts at this genre'.
This movie has some problems but overall captures the moment better than any other movie i've seen...better than the over-rated Wall Street or Boiler Room and ten times better than margin call.
The sub-story w the family didn't work at all and shd have been cut. the whole brother thing was stupid.
The final scene (set in the real-life Pussy Cat Lounge. 96 Greenwich St., New York, NY, 10011) is a work of genius...as the movie closes the news coverage of the plane crash of the almost-star Aaliyah comes on the bar's TV, and this sets the time, the few days before the Sept 11, 2001 terrorist attack on the WTC and Pentagon.
The movie doesn't even mention the terrorist attacks, so the audience has to remember themselves the time for this to be effective...but if they remember it just kills.
btw, my old girlfriend workd on Aliyah's make-up the month before her death and dremt about her returning to her for make-up after her crash...this was spooky as hell.
The sub-story w the family didn't work at all and shd have been cut. the whole brother thing was stupid.
The final scene (set in the real-life Pussy Cat Lounge. 96 Greenwich St., New York, NY, 10011) is a work of genius...as the movie closes the news coverage of the plane crash of the almost-star Aaliyah comes on the bar's TV, and this sets the time, the few days before the Sept 11, 2001 terrorist attack on the WTC and Pentagon.
The movie doesn't even mention the terrorist attacks, so the audience has to remember themselves the time for this to be effective...but if they remember it just kills.
btw, my old girlfriend workd on Aliyah's make-up the month before her death and dremt about her returning to her for make-up after her crash...this was spooky as hell.
Screened this at the Sundance 2008 Festival. This movie actually caught me by surprise, it was very hip and surprisingly Josh Hartnett really brought it. The movie has a modern "Wall Street" type vibe, the story follows Tom (Hartnett) who is a super confident .com entrepreneur who is in crisis mode during the downward spiral of the .com stock bust just before September 2001. Hartnet nails this role with high energy output and makes this a very watchable flick. Austin Chick the director is obviously very talented and throws just the right amount of style and cool music into the film to keep it slick and contemporary which should broaden its appeal past just the Gen-X group. The one downside is that the film gives the other characters so little room to make their presence felt, especially David Bowies character who gets only a few minutes of face time. Other then that the movie really has a nice pace and the ending worked very well when you consider all the superficial things that Americans thought they cared about until Sept 2001, and then realized there are somethings much more important then money and stature.
Film should get some nice play on the indie circuit, though indie folks probably will be hard swayed to pay over for a Hartnett movie. I would reckon that Josh Hartnett will win over some who doubted him with this performance and maybe even get a little award type talk. I know its hard for me to believe either :)
Film should get some nice play on the indie circuit, though indie folks probably will be hard swayed to pay over for a Hartnett movie. I would reckon that Josh Hartnett will win over some who doubted him with this performance and maybe even get a little award type talk. I know its hard for me to believe either :)
the detractors of this movie kept looking for a beginning - middle - and end to this story (in my opinion). that's not what it's about! the story continues today.
after watching this story i was most taken by the mystery of it all. it starts then ends and the in-between comes across as vacuous and self indulgent - and isn't that what the dot com bubble was all about? no where in the entire film is "Landshark" actually explained as to what it does. the developers do not really explain it and above all the employees seem lost as to exactly what their duties are!! and in that is the clue to this movie.
it's about the grasp for fortune & fame built on a foundation that no one really understood - the internet! a quick road to cash as long as you presented yourself as if you knew what you are talking about easy cash came your way. even the elderly David bowie character fell for it but didn't care for the hartnett characters lifestyle. appearance is everything substance doesn't count.
i liked this flick and will watch it again! beautifully photographed and acted - it's a thinking persons movie so don't expect the story to be handed to you.
after watching this story i was most taken by the mystery of it all. it starts then ends and the in-between comes across as vacuous and self indulgent - and isn't that what the dot com bubble was all about? no where in the entire film is "Landshark" actually explained as to what it does. the developers do not really explain it and above all the employees seem lost as to exactly what their duties are!! and in that is the clue to this movie.
it's about the grasp for fortune & fame built on a foundation that no one really understood - the internet! a quick road to cash as long as you presented yourself as if you knew what you are talking about easy cash came your way. even the elderly David bowie character fell for it but didn't care for the hartnett characters lifestyle. appearance is everything substance doesn't count.
i liked this flick and will watch it again! beautifully photographed and acted - it's a thinking persons movie so don't expect the story to be handed to you.
Did you know
- TriviaThe film takes place in August 2001.
- ConnectionsFeatures Un chien andalou (1929)
- SoundtracksSweetness
Written by Warren Fischer, Casey Spooner
Performed by Fischerspooner (as Fisherspooner)
Courtesy of Fischerspooner
Under exclusive license to Capitol Records
Under license from EMI Film & Television Music
- How long is August?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Ağustos
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,400,000 (estimated)
- Gross US & Canada
- $12,636
- Opening weekend US & Canada
- $8,092
- Jul 13, 2008
- Gross worldwide
- $12,636
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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