9

I don't know how much of a market there is for animated films like this but as someone who appreciates good artwork and computer animation, I enjoyed it. Yeah, the story is only so-so but the characters keep your attention - both good and bad guys, and it is deceptively involving.

The "good guys" in here are burlap-looking sewn puppets. Why they are who they are is explained near the end of the movie. The "bad guys" are the machines. Yes, this is familiar "Terminator" country, theme-wise, but the machines in this movie are brutal and scary. This movie is definitely not for little kids!

If you keep your expectations in the "fair" range, and watch it on Blu-Ray, you should enjoy it. As mentioned, the story draws you in. On the other hand, if you are looking for something fantastic, you might be disappointed.

The first time I heard about 9 and found out that Tim Burton and Timur Bekmambetov were co-producing it, I was absolutely on board to see it. Anything that the guy who directed such quirky masterpieces as Beetlejuice, Batman, Mars Attacks!, Ed Wood, and Sleepy Hollow got behind had to be worthy of my time. And then you add the genius of Russian director Timur Bekmambetov to the mix and to me it was a no brainer. I was going to see this movie. Burton AND the guy that has brought us such visually complex and action-packed fare as Wanted, Night Watch, and Day Watch supporting a movie? It had to be good.

And it was. Director Shane Acker borrows maybe a little more than he should have visually from other such apocalyptic films like Terminator and even Wall-E, but it doesn't end up hurting the film by any means. The scenery and landscapes of the film are beautifully crafted and set everything up for a certain feeling of loneliness and hopelessness. It's more graphic and suspenseful than any children's or youth feature you would take your kids to, so definitely don't let the fact that this is animated fool you. This is not for the little ones.

The voice actors all put their best foot forward and deliver. You've got Elijah Wood as 9, once again convincingly leading a group of survivors in what seems to be an unwinnable war against a much larger foe than they could be expected to defeat. You've got Christopher Plummer playing 1 as an interesting paranoid "keeper of the secrets" which reminded me of the Dr. Zaius character in the original Planet of the Apes films, if you've seen any of those. Legendary actor Martin Landau plays 2, who is a scientist and fixes 9. Then there's Jennifer Connelly, who plays the strong-willed and rebellious 7 who has left the core group of "stitchpunks" to get away from under all of 1's rules. Last but not least, you've got Crispin Glover playing the slightly obsessed and seemingly crazy 6 who has been drawing strange symbols since the big war between the humans and machines.

The film had an interesting plot that got a bit more complex in the end. Part of the complexity had a spiritual vibe to it that I didn't necessarily care for. It just seemed almost out of place and like the director was stretching for something that would make the film more "sophisticated." I was not disappointed in the movie by any means. It was a visually striking piece of film. It was action-packed and fun without dumbing down the story or sacrificing it. If you're into sci-fi, apocalyptic thrillers, and animation I would highly recommend this.

As a long-time fan of animation, I like to believe (misguided or not) that I have high standards and am not easily impressed. But this creation blew me away, so much so that I felt compelled to write my first ever review on this site. Please forgive me for the abundance of clichés that may follow.

9 reminded me strongly of my favourite short-work, Joacquin Baldwin's award-winning Sebastian's Voodoo. The detail, backgrounds, colours, forms, the dark 'grubbiness' of the overall look, the minimal but meaningful character expressions and sublime use of light and shadow were pure heaven for the eyes.

Imagine, if you will, a strange but beautiful lovechild of The Borrowers, Voodoo, Alien, Corpse Bride and War of the Worlds; and you have 9.

The atmospheric score and use of imagery from various real political movements and historic events added to the post-apocalyptic, almost Gothic feel. To prevent it from becoming too heavy, it is interwoven with a deliciously subtle humour and creativity - such as the use of ordinary household objects as weapons and items of clothing. You can tell that Tim Burton had more than a sprinkling of input.

Yes, the storyline is simple (which is why I am puzzled that so many viewers found the ending difficult to grasp) and the characters could have done with more development. That said, I immediately fell in love with 2, 4 and 5 with no knowledge of their past - a difficult task to achieve. And it would be hard to create nine full-blooded personalities with back-history involved in a complex plot in only 80 minutes.

Which brings me to timing and the only reason I knocked a star off - I felt it ended too quickly and I just did not want it to.

It is a rare sort of exquisite film-making that makes you want to serve it on a plate and eat it raw, enjoying every last mouthful. Then savour it all over again because you know you've missed so much in all the glorious detail.

It is a film that stays with you long after it ends. I would urge anyone with a love of the unusual to experience it.

9 is a rag-doll who wakes up after a war between humans and machines that has devastated the world and wiped out humanity.He later meets a group of surviving rag-dolls and he tries to convince them to save 2.9 and 5 go to save 2, but they accidentally awaken a machine known as Brain.After they escape the dreaded machine, Brain hatches a scheme to build machines and hunt down the remaining rag-doll survivors.

"9" is like a combination of "The Terminator", "War Of The Worlds", and "Wall-e".With the war, machines, and apocalypse, there's no way you can disagree with that.The PG-13 rating is most certainly deserved.Afterall, the imagery is a bit frightening and will have young kids begging for their parents to take them to see "Wall-e" so they can get all of the disturbing images out of their minds once and for all.As for the movie, I can't say that I was disappointed.With it's spectacular visuals, great action sequences, and convincing characters, "9" is a must-see for those who want to take a visually thrilling roller-coaster.Clocking in at a brief 79 minutes( 72 minutes if you take out the end credits), "9" will take your imagination and put it into a world that will make you want for a sequel.We all know what the title would be, so I don't need to go any further."9" deserves a 9.

I was quite taken with '9', a movie I saw without reading the reviews here (which is not the usual sequence of things for me). I'm glad I didn't read the reviews this time, though, because too many of them seemed to me to be off point.

This is quite a didactic film with a decided moral and spiritual flavor from the opening scene to the beautifully crafted ending. It uses archetypes and plot lines that are more or less predictable and common. But it combines those elements with -- as most of the reviewers here have agreed -- wonderful visuals to create a sweeping story that is at least wonderful and borders on the magnificent. I was enchanted with the rag-doll characters from very early on and frankly don't get it when reviewers here say they couldn't identify with these touchingly and endearingly humanoid creatures. So much more empathetic than, say, Wall-E, of which it is only vaguely reminiscent.

The spiritual message in this movie is deeply interwoven and -- perhaps because it resonates with my own spiritual path -- I found it quite well done and sufficiently subtle that remarks to the contrary here seemed to me to derive more from disagreement with the spiritual philosophy than with its presence as a major component of the story.

I highly recommend this movie. It is entertaining and enlightening. The only thing that kept it from earning a very-hard-to-garner 10 from me was the overuse of violence in the late-middle portion when the denouement should be closer to the surface.