A rag doll that awakens in a postapocalyptic future holds the key to humanity's salvation.A rag doll that awakens in a postapocalyptic future holds the key to humanity's salvation.A rag doll that awakens in a postapocalyptic future holds the key to humanity's salvation.
- Director
- Writers
- Stars
- Awards
- 9 nominations total
Elijah Wood
- #9
- (voice)
Jennifer Connelly
- #7
- (voice)
Crispin Glover
- #6
- (voice)
Christopher Plummer
- #1
- (voice)
Martin Landau
- #2
- (voice)
John C. Reilly
- #5
- (voice)
Fred Tatasciore
- #8
- (voice)
- …
Alan Oppenheimer
- Scientist
- (voice)
Helen Wilson
- News Caster
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I don't know how much of a market there is for animated films like this but as someone who appreciates good artwork and computer animation, I enjoyed it. Yeah, the story is only so-so but the characters keep your attention - both good and bad guys, and it is deceptively involving.
The "good guys" in here are burlap-looking sewn puppets. Why they are who they are is explained near the end of the movie. The "bad guys" are the machines. Yes, this is familiar "Terminator" country, theme-wise, but the machines in this movie are brutal and scary. This movie is definitely not for little kids!
If you keep your expectations in the "fair" range, and watch it on Blu-Ray, you should enjoy it. As mentioned, the story draws you in. On the other hand, if you are looking for something fantastic, you might be disappointed.
The "good guys" in here are burlap-looking sewn puppets. Why they are who they are is explained near the end of the movie. The "bad guys" are the machines. Yes, this is familiar "Terminator" country, theme-wise, but the machines in this movie are brutal and scary. This movie is definitely not for little kids!
If you keep your expectations in the "fair" range, and watch it on Blu-Ray, you should enjoy it. As mentioned, the story draws you in. On the other hand, if you are looking for something fantastic, you might be disappointed.
Much like Shane Acker's short (of the same name), this movie almost REQUIRES multiple viewings for the viewer to really soak everything in.
The first time I watched the film, my initial criticisms were "That was too short" and "There wasn't not enough emphasis on characters/story". However, after watching the movie a second time, I realized that I had missed a TON of information on my first round. Upon asking other friends what they thought about the movie the second time around, I discovered that they felt the same way.
The first time I watched the film, I felt like everything flew by. It was visual overload, and it just had bad pacing overall. However, on my second viewing of the movie, I noticed that things seemed to go by much, much slower. The pacing seemed better. I noticed character and plot subtleties that I simply did not catch the first time I watched it. I connected more with the stitchpunks, and I understood the story better. The visuals weren't just "Ohhh, pretty!" anymore, they had greater symbolism, and depth.
The movie is, indeed, about 20 minutes too short. Certain characters needed more screen time, and certain points in the plot needed more emphasis. HOWEVER, I found that I enjoyed the movie drastically more when I saw it a second time. I plan on seeing it a third time later this week.
This movie reveals new surprises every time you watch it. If you have seen it once already, and didn't think it was that great, I strongly suggest dropping the $8 and giving this movie a second chance. You may be surprised how much your opinion changes.
The first time I watched the film, my initial criticisms were "That was too short" and "There wasn't not enough emphasis on characters/story". However, after watching the movie a second time, I realized that I had missed a TON of information on my first round. Upon asking other friends what they thought about the movie the second time around, I discovered that they felt the same way.
The first time I watched the film, I felt like everything flew by. It was visual overload, and it just had bad pacing overall. However, on my second viewing of the movie, I noticed that things seemed to go by much, much slower. The pacing seemed better. I noticed character and plot subtleties that I simply did not catch the first time I watched it. I connected more with the stitchpunks, and I understood the story better. The visuals weren't just "Ohhh, pretty!" anymore, they had greater symbolism, and depth.
The movie is, indeed, about 20 minutes too short. Certain characters needed more screen time, and certain points in the plot needed more emphasis. HOWEVER, I found that I enjoyed the movie drastically more when I saw it a second time. I plan on seeing it a third time later this week.
This movie reveals new surprises every time you watch it. If you have seen it once already, and didn't think it was that great, I strongly suggest dropping the $8 and giving this movie a second chance. You may be surprised how much your opinion changes.
This film at it's core explores the idea of humanity and what it means to be human. It does this by exploring themes such as friendship, curiosity and discovery, family and the fundamental question we all ask "why am I here and what is my purpose?" What makes the film so unique is that it projects these onto the main characters which are small ragdoll like automatons who have been set with the task of undoing the wrongdoings of their creator. This film has heart and on a first viewing the core themes and story may be lost by the stunning visuals of the characters and the environment they interact within. So I recommend at least watching this film twice to really appreciate all it has to offer. This film is set In a post apocalyptic setting yet it still manages to feel so unique. The closest I can think as far as cinematography is The Book of Eli, yet this is much more menacing and darker. Although wrapped up like a children's film with the animation, it definitely is for a more mature audience.
I was quite taken with '9', a movie I saw without reading the reviews here (which is not the usual sequence of things for me). I'm glad I didn't read the reviews this time, though, because too many of them seemed to me to be off point.
This is quite a didactic film with a decided moral and spiritual flavor from the opening scene to the beautifully crafted ending. It uses archetypes and plot lines that are more or less predictable and common. But it combines those elements with -- as most of the reviewers here have agreed -- wonderful visuals to create a sweeping story that is at least wonderful and borders on the magnificent. I was enchanted with the rag-doll characters from very early on and frankly don't get it when reviewers here say they couldn't identify with these touchingly and endearingly humanoid creatures. So much more empathetic than, say, Wall-E, of which it is only vaguely reminiscent.
The spiritual message in this movie is deeply interwoven and -- perhaps because it resonates with my own spiritual path -- I found it quite well done and sufficiently subtle that remarks to the contrary here seemed to me to derive more from disagreement with the spiritual philosophy than with its presence as a major component of the story.
I highly recommend this movie. It is entertaining and enlightening. The only thing that kept it from earning a very-hard-to-garner 10 from me was the overuse of violence in the late-middle portion when the denouement should be closer to the surface.
This is quite a didactic film with a decided moral and spiritual flavor from the opening scene to the beautifully crafted ending. It uses archetypes and plot lines that are more or less predictable and common. But it combines those elements with -- as most of the reviewers here have agreed -- wonderful visuals to create a sweeping story that is at least wonderful and borders on the magnificent. I was enchanted with the rag-doll characters from very early on and frankly don't get it when reviewers here say they couldn't identify with these touchingly and endearingly humanoid creatures. So much more empathetic than, say, Wall-E, of which it is only vaguely reminiscent.
The spiritual message in this movie is deeply interwoven and -- perhaps because it resonates with my own spiritual path -- I found it quite well done and sufficiently subtle that remarks to the contrary here seemed to me to derive more from disagreement with the spiritual philosophy than with its presence as a major component of the story.
I highly recommend this movie. It is entertaining and enlightening. The only thing that kept it from earning a very-hard-to-garner 10 from me was the overuse of violence in the late-middle portion when the denouement should be closer to the surface.
9 is better than average... but only barely.
The movie is carried by a unique visual style and a great sense of "place." The sack-men (and woman) are refreshingly odd and fun to watch. The post-apocalyptic city is consistently beautiful and dangerous. Desolate without feeling dull.
Unfortunately, the story and characters ARE dull. Not crushingly so... but enough to frustrate. Frequent, obvious plot holes and violations of established world-rules pulled me out of the movie over and over again. Tired clichés abound. I wasn't able to shake the feeling that I'd seen and heard this all before.
And that's a shame because there's a lot of potential here. If only the writer had taken more chances. Why not challenge the audience and defy expectations? Why make a movie that's too scary for kids but too simplistic for adults? Who is expected to enjoy it?
I would watch another Shane Acker movie if one is made (hopefully after he's picked a target audience). But 9 is not a classic.
... that said, it's probably worth watching on the big screen just for the sights and sounds.
The movie is carried by a unique visual style and a great sense of "place." The sack-men (and woman) are refreshingly odd and fun to watch. The post-apocalyptic city is consistently beautiful and dangerous. Desolate without feeling dull.
Unfortunately, the story and characters ARE dull. Not crushingly so... but enough to frustrate. Frequent, obvious plot holes and violations of established world-rules pulled me out of the movie over and over again. Tired clichés abound. I wasn't able to shake the feeling that I'd seen and heard this all before.
And that's a shame because there's a lot of potential here. If only the writer had taken more chances. Why not challenge the audience and defy expectations? Why make a movie that's too scary for kids but too simplistic for adults? Who is expected to enjoy it?
I would watch another Shane Acker movie if one is made (hopefully after he's picked a target audience). But 9 is not a classic.
... that said, it's probably worth watching on the big screen just for the sights and sounds.
Did you know
- TriviaShane Acker first made 9 (2009) as a ten minute short film while he was still at UCLA. It was nominated for Best Animated Short at the Oscars, and although it didn't win, Acker was offered the chance to expand it into a feature film. It follows the same basic plot, but more characters have been added, they have the ability to talk now, and the reason for the world's destruction is explained in more detail.
- GoofsOnce 2 places the voice box into 9, the zipper remains open. However, in the next shot, 9's zipper is closed. The following shot has the zipper open again. 9 is later shown zipping his zipper closed.
- Crazy creditsSome of the end credits emerge from 9's talisman.
- Alternate versionsIn the Russian dubbed version, the dolls represent the people in the Scientist's life instead of the American version where they represent his personality. 1 being the dictator, 2 being his lab assistant, 3 and 4 being the Scientist's twin children, 5 being the field doctor who saved the Scientist's life during the rise of the robots, 6 being the engineer who activated the robot, 7 being the Scientist's wife, 8 being the Chancellor's bodyguard, and 9 representing the Scientist himself.
- SoundtracksOver the Rainbow
Written by Harold Arlen and E.Y. Harburg
Performed by Judy Garland
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Details
- Release date
- Countries of origin
- Language
- Also known as
- Nueve
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $31,749,894
- Opening weekend US & Canada
- $10,740,446
- Sep 13, 2009
- Gross worldwide
- $48,428,063
- Runtime
- 1h 19m(79 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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