Waitress

I thought this was a wonderful feel good movie. It developed the characters well, especially Keri Russell's (Jenna). Thanks for making a fun movie that's not afraid to show real 'flawed' people in real situations!! I would recommend this movie to anyone who is sick of phony perfect main stream characters that really don't have any problems. The late Adrienne Shelly did a great job directing and acting in a supporting role. Cheryl Hines adds her great comedic flare! She's also good in Scrubs. I'm glad to see Keri acting in a main role again. She's such a naturally lovable personality on screen as she was in the TV show Felicity. This movie's perfectly fitting since she is currently pregnant! GO SEE THIS MOVIE!!

Waitress could have turned into a middling mess, or something with characters that are hard to like (or, I should really note, sociopathic) if done in a more hard-lined Hollywood 'rom-com' assembly-line output (in 2007 those were still done). But Adrienne Shelley was more, for lack of a less precise word-choice, sweet-hearted about her characters. Even the villain of the story, and he is a villain who stands firmly in the way of our hero Keri Russell, her character's husband played by Jeremy Sisto, takes a break (if only in the tiniest moments) to not be a scumbag and show how he too can be vulnerable and afraid.

He surely shows his humanity the least - Sisto is scarily adept at making his Earl into a presence that's felt off camera too, if not more so - but Shelley had with Waitress a real chance to make a commercial picture and she took it. Prior to this she directed a couple of low budget independent films, and with this may have seemed to go 'mainstream'. The casting choices though are what count here especially; Russell carries so much screen presence that it's a wonder the lens doesn't make out with her before Nathan Fillion's Doctor does. And in small parts she gets things right too with Cheryl Hines as another waitress at the diner where Jenna serves and (especially, well, uniquely) makes pies, and Andy Griffith is the nice-but-demeaning water (he better get his two waters AND have time to read the horoscope!)

There are times when the movie goes into perhaps being too 'cute' or 'quirky'; this is from the same studio, Fox Searchlight, that would a few months later put out another story of an uncertain-in-her-life young woman, Juno, and there's points this dips into being a story that is so light it might float away (or another way to put it on the other extreme is that it's a more grounded version of Pushing Daisies). And oddly enough if there's one part of the movie that doesn't work for me it's ironically Shelley's own sub-plot, where she's another waitress courted by a stone-cold Nebbish with a capital N, and who have an argument in the diner which kind of grinds the movie to a halt.

But I can forgive (most of) that for how pure the relationship is between Russell and Fillion on screen; I wish I saw more of Nathan FIllion in movies, or at least in leads like this where he gets to develop a character and he shows us just enough to get to understand why he's doing the things he is. Or, on the reverse, not entirely know why, again this is from Jenna's point of view and that's crucial - we're seeing it through HER eyes, through the downtrodden hero we want to see get out of her loveless marriage. Though some parts are funny (scattered really), it's actually more of a drama with a light touch, and it feels harrowing at times in the scope of a low-middle class, blue collar existence: what does one do with the options presented, i.e. bad marriage, a baby on the way that may/may not be loved, and an affair that is hot but untenable?

Russell guides all of these conflicts of the character beautifully, leading up to a conclusion that is genuine and moving. To a further point, knowing about the horrible circumstances outside of the production - Shelley was murdered just before the film was released, though it was finished at the time - makes the very ending a real lump-in-the-throat moment (or just cry your eyes out, go for it). Waitress wears its emotions on its sleeve, but it carries its sincerity along both in the writing and performances, so it's a tough film to ever put down all that much.

Greetings again from the darkness. Very personal and intimate story from the very talented Adrienne Shelly. Ms. Shelly was tragically murdered before the film was released, but what a legacy and gift she left for her husband, daughter and film lovers.

Keri Russell ("Felicity") stars as Jenna, a fabulous pie maker who is a lost soul married to the world's worst husband - played brilliantly by Jeremy Sisto. She works at a diner with her two friends played wonderfully by the bubbly Cheryl Hines and the film's writer and director, Adrienne Shelly. The relationship between these three is very realistic, touching and entertaining. They love and cherish each other.

Outstanding support from Eddie Jemison ("Ocean's Eleven, Twelve and Thirteen"), Nathan Fillian ("Serenity") and the great Andy Griffith, who has some great lines and definitely should work more often!! Jemison's spontaneous poetry capture the heart of Ms. Shelly's character and Fillian's Dr. Pomatter shows Russell what it is like to be adored, rather than abused.

This is not slick Hollywood film-making. It is quirky ... just like real life. These are characters, who for the most part, make the best of their situations. Every now and then, if we are lucky, we capture a moment of pure bliss ... whether it is in the selfless hug from another, or the miracle of childbirth. The script analyzes loneliness and bad relationships with a twist of humor and much insight.

While it is heart-breaking that Ms. Shelly did not live to see the final product, we see her heart and soul on screen. And don't miss her real daughter (Sophie Ostrey) as Ms. Russell's 3 year old LuLu. This is a wonderful little film with some terrific moments and a nice message to enjoy your life.

Waitress is a great, funny movie starring Keri Russell as a small-town waitress who discovers that she's pregnant just as she's planning to leave her jealous, controlling husband. The typical Hollywood approach for a movie like this would be to film it in ultra-serious "movie of the week" mode, but writer/director/actor Adrienne Shelly chose to tell her story in an extremely stylized, almost fairy-tale style. The stylized dialogue, super-sharp photography and primary-color palette even reminded me of the movies of Joel & Ethan Coen at times, but in the end, this movie packs an emotional punch that the Coen brothers have rarely achieved. It also features a brilliant (and brilliantly human) performance by Andy Griffith as the horny old geezer who owns the diner where Russell works.

This movie has a good chance at achieving a Little Miss Sunshine-style breakout this year. It's funny, quirky and honestly touching. Waitress stands as a fine legacy for Adrienne Shelly, but if things had been different, it could have been the movie that launched her into the mainstream instead of her swan song.

It is awfully difficult to write about the new pie-filled romantic comedy Waitress without indiscreetly mentioning the tragic death of its writer, director, and co-star Adrienne Shelly. Whenever a wonderfully unique moment occurred in the film, there was a realization that Shelly will sadly never reach her true potential made evident in the film. A major hit at the 2007 Sundance Film Festival, one would think Waitress would be a strange, oddly funny gem of a film, due to the festival's independent sensibilities. Yet what starts as that refreshing, different type of a film, turns into another familiar, mainstream romantic comedy.

The film starts with Jenna, perfectly played by Keri Russell, a waitress at a southern diner, who soon discovers that she is pregnant. Jenna's greatest gift is her apparent extraordinary ability to create amazingly delicious pies. Making her own original pies with inventive names seems to help her escape from life with her angry, insecure, narcissistic husband (Jeremy Sisto). Giving Jenna more of a reason to simply run away from her marriage is her new gynecologist, Dr. Potmatter (Nathan Fillion), whom she soon has an affair with. The film is loaded with other memorable roles including her fellow waitresses Becky (Cheryl Hines), and Dawn (Shelly), Dawn's eccentric poetry shouting stalker/boyfriend Ogie (Eddie Jemison), and Old Joe, the diner's owner, and the man whom only Jenna can tolerate, unforgettably brought to life by Andy Griffith.

Waitress is one of the better romantic comedies a wife would drag her husband to, with supremely enjoyable moments, hilarious bits of dialogue, and a first-rate performance by Russell. Her performance is key to the film, as she is basically the only fully developed character. Yet, by the end of the day, the Waitress is still a very light, undoubtedly sentimental, but genuinely pleasant offering by a filmmaker who should have had a great future as an auteur.