The Go-Getter

Mercer steals a car to track down his loser half-brother only to forge an unrealistic "bond" with the car's owner. Along the way he finds his way through a number of "quirky" encounters that help him appreciate his life and grow.

There are some very neat camera tricks and shots, especially how they "show" the phone conversations between Mercer and the woman from whose car is now in his possession. However, much of the film is shot using a poor hand held technique that can dizzy up the audience, something fierce. I too saw this at AFF and walked out due to motion sickness and a general lack of caring about the characters and story.

I found this movie to be awfully trite and derivative of other indie dramedies. The script is dreadful as characters react to in random and pointless ways. It read more like a parody of "quirky indie dramadies" than it actually is one. People do not act and talk the way the characters do in this film, the script limps along from improbable scenario to another, helped by weak performances and characters who are never fully realized. Zooey Deschanel comes across as creepy in her initial conversations with Mercer.

If this is what makes an indie hit, the movement is clearly losing steam.

I attended the world premiere of "The Go-Getter" at the 2007 Sundance Film Festival. I'm not quite sure why, but this year's lineup seems to be heavy on heavy. I like a dark, moody melodrama as much as anybody, but whatever happened to the good old-fashioned road movie? I found the answer with "The Go-Getter." This film is all that and more. One part sweet love story, one part romantic comedy, and one part coming-of-age tale, "The Go-Getter" takes it all on the road and drives home a winning combination that will leave you smiling.

Lou Taylor Pucci (Mercer) is a good kid, but one day he decides to chuck his bike and steal a car. I don't like to post spoilers, so I won't divulge more details other than to say that the trip on which he embarks will take him on a journey that would make "Priscilla, Queen of the Desert" blush.

Like any good road movie, he encounters one motley crew after another, a cast of characters all of whom get him just one step closer to the goal he seeks. But like a treasure hunt whose map takes him to places enticing enough to have him abandon his quest, he needs to keep his wandering eye on the prize. And oh, the temptresses who cause that eye to wander.

Jena Malone is Joely, a sultry vixen (quite the change for Ms. Malone) who is determined to pop Mercer's cherry. What a breath of fresh air to see this versatile young actress take on such an empowering role. Women's Lib ain't over yet. Zooey Deschanel is Kate. It's her car he stole. And she is determined to get it back -- or is she? The "indie darling" gets her chance to shine here, and the tension that builds towards a possible reunion of car and owner holds this story together like a rope ties down a trunk when the lock is broken. We're never quite sure if it'll hold.

And Lou Taylor Pucci has never been better in his role as the determined yet naive youth whose trusting nature and sense of wonder left me wanting to roll back the years to a time when everything was fresh and new. Pucci's sense of comedic timing and natural delivery is second to none, and while some of his dialog was indeed improvised, I was shocked to learn that the scenes which felt the most unscripted were, in fact, from the pen of writer/director Martin Hynes.

In the Q&A after the screening here, I was fascinated to hear that a deliberate attempt was made to cast against type. As each of the three leads has a rabid following, Hynes' script was meant to give each actor's fan base something they had never seen before: Malone as Woman, Deschanel as glamour girl, and Pucci as, well, he got his hair cut, anyway. Hope and Crosby must be smiling at this winning team.

M. Ward wrote the score, with original songs that left me wanting more. Licensing source material is pricey for an indie, but who needs hit singles when you have someone as talented as this brilliant composer? What a coup to bring him into this project. Byron Shah shot two films here at Sundance, "An American Crime" (which I saw as well) and "The Go-Getter." That alone says a lot about his eye for capturing this kind of character-driven story so well. Between Shah's photography, David Birdsell's editing, and Hynes' talent for allowing his actors to tell the story, "The Go-Getter" never wanders into pretentious indie territory. It stays accessible, which is why audiences will embrace this film wholeheartedly.

"The Go-Getter" gets it right. It's warm and funny and sweet, and at this festival of doom and gloom, what a joy it was to travel down this road.

Greetings again from the darkness. Saw this one at the AFI Film Fest and fully expect it to be on my top ten list at year end. This is everything I love about going to the movies ... great script, stunning photography and realistic performances all wrapped up in a straight-from-the-soul package delivered by a passionate writer-director who refused to compromise on his vision.

Lou Taylor Pucci (so terrific in "Thumbsucker") stars as a 19 year old who schemes to "borrow" a car so he can track down his long-lost half brother to inform him that their mother has passed away. The road trip that follows is very funny, a little frightening and full of self-realization and oddball characters ... not the least of which is the owner of the car: a 24 year old Zooey Deschanel. The two create quite the bond during an ongoing cell phone conversation as Pucci drives her car from city to city in his brotherly search. Anyone still not fully aware of Ms. Deschanel's talents are truly deprived. She is ultra-talented and so very soulful and interesting.

On the trip, Pucci tracks down his old junior high school crush played by the always-willing-to-take-a-risk Jena Malone. Writer/Director Martin Hynes admitted the role was written with Ms. Malone in mind and she was quick to commit after reading the script. Her offbeat appeal makes it easy to see how Pucci would become enamored and fall blindly for this babe that anyone's mom would prohibit her son from seeing! Another great character whom Pucci stumbles across is played wonderfully by Maura Tierney. Regrettably this story line is fairly brief, but suffice to say, you have NEVER seen a band like the one Ms. Tierney invites Pucci to join. Speaking of music, the soundtrack is excellent and compliments every scene. Much of the music is that of M Ward, who is actually the guitar player who gives Pucci the shirt off his back in the film.

Supposedly the film will have wide release in August, and I will do whatever I can to ensure word-of-mouth gets this one seen by everyone I know who loves a great story and thought-provoking, funny film. On a side note, the producer of the film, Lucy Barzun, is someone I am definitely pulling for. She also produced an amazing "little" film called "Pieces of April" and has an obvious eye and love for these marvelous visions of up and coming filmmakers. We need more people like Lucy Barzun.

I rarely write reviews unless something really catches my attention, which this film absolutely did. I was hesitant at first to watch it, but I decided to anyway. I almost turned it off in the first few minutes, but I waited just a bit longer and was hooked.

I believe both Lou Taylor Pucci and Zooey Deschanel gave outstanding performances and made this movie entirely believable. They were easy to connect with and hard not to like. Zooey, although you do not see her most of the movie, really adds depth and mystery to the movie. She seems to have that quality about her.

The plot was addicting and perfectly executed. There were many quirky moments, some of them almost stupid, that really livened up the scene when needed. I don't feel I need to get into the plot in detail. All I have left to say is you won't be disappointed.

This is a fairly enjoyable road movie that mixes elements of romance, comedy and coming- of-age genres. We follow young Mercer's quest to find his half-brother after their mother's death. He steals a car travels many miles and meets many odd characters along the way.

Writer/director Martin Hynes probably tries too hard to concoct an odd story and as a result, the entire film feels a little too self-conscious at times. You can feel the writer's effort to make the various people odd, as opposed to organic and real.

Lou Taylor Pucci gives a solid performance as the protagonist, Mercer. Jena Malone is great as usual, although her part doesn't add much to the story except as a plot element. I'm a big fan of Zooey Deschanel and here she shines again as Kate, the stolen car's owner who connects by phone with Mercer and has conversations with him. This not only provides the most interesting story elements but also serves as an interesting device for the audience to know what Mercer (rather the quiet type) is thinking and feeling throughout his road trip.

Many other character appears, many of which are played by actors you will recognize and have enjoyed at one time or another. The one who stood out to me was Bill Duke, better known for his many roles in 80s action flicks.

The cinematography is adequate, although a little distracting at times. Any road movie benefits immensely from a good score/soundtrack and this is definitely the case here. The music that is featured in The Go-Getter enhances the movie experience greatly and, along with the solid acting, is probably what prevents us from completely losing interest.

Although I think Martin Hynes shows real talent, I think this is yet another case of an indie- movie that could have benefited from more people being involved in the formative stage. A second writer might have tightened things up considerably and led to a classic.

As it is, the movie is enjoyable but we are left on our appetite considering the amazing cast and music featured here.