Closure

Saw a preview of this last night. Still not completely sure what I made of it to be honest. It's a very short film at only 1 hour and twenty minutes and despite this it still feels a little padded as though there wasn't enough story to make it long enough to be a feature film. The key scenes are graphic and harrowing enough and I definitely left with a bad taste in my mouth. Gillian Anderson was probably the best thing about the film but I don't really buy Danny Dyer playing opposite her and there were certain scenes that were unintentionally humorous because of this. Dyer has definitely been a little miscast here and it does make you wonder whether it could have been better with a different leading man. The other problem I have with a film of this type is that in order for you to care about the plight of characters I believe you need at least a little insight into their lives prior to what we are seeing on screen, we need to know about who they are in order to root for them and I never really felt this film gave us the big picture in this regard. Despite it's flaws it's still a watchable drama/thriller but with a few more original ideas and a little added characterisation it could have been a whole lot better.

A wealthy businesswoman (Gillian Anderson) and her newly acquired working class lover (Danny Dyer) are viciously attacked while on a drive the woods. Afterwards, the only thing the woman can think of is revenge, and she calculates a plan to fulfill that. This is an intriguing modern-day "rape/revenge" thriller that focuses more on psychology and gender (as well as other social constructs) instead of the violence and action sequences that typically go hand-in-hand with the subgenre. That said, rape/revenge fans most likely won't be disappointed with this one, as it's fairly brutal and shocking. It's a little short, clocking in just over 70 minutes, so by the end I thought to myself, "is that all there is?" Yet the film did have something of an impact on me, because I found myself thinking about it all the next day and recommending it to friends. Gillian Anderson is excellent and does things you would never in a million years think you'd see Gillian Anderson do on-screen. I'll leave it at that. Danny Dyer also gives a fantastic dramatic performance. I'm not sure why he gets such a bad rap in the UK. He isn't quite famous in the States yet, but he's great in the few films I've seen him in. Thumbs up on this thought-provoking thriller, though I can't help feeling there's a chunk of the film missing.

Quite a short feature film, although you do not actually notice this when watching. Great to see Gillian Anderson on screen again, and to be honest i would not have predicted this role for her however she was well cast.

Personally i quite enjoyed the slightly comedic satire that ran through some of the scenes, and i think Danny Dyer helped with this. It is hard to tell if the film would have maybe been stronger with a different leading male, but then Dyer plays the 'male struggling with his emasculation.

Definitely lacking depth, i left wishing i had known exactly what happens with Anderson's character and her father, along with simply wishing i knew Dyer's character better.

Some uncomfortable scenes which i felt were not always necessary, although they do help to give the film an edginess that i liked. Basically it was brutally real and honest, very un-Hollywood. I would maybe say rent instead of watching at the cinema.

I'd been following this films progress for quite some time so perhaps expected a little too much. I consider both Gillian Anderson and Danny Dyer to be good at what they do and was interested to see what Dan Reed could come up with but unfortunately it just didn't work for me.

The problem lies in the fact that the film doesn't really seem to understand which genre it's falling into and as such it fails to impress on drama, horror and thriller elements because rather than focusing on one of them and doing it well it's a bit of a jack of all trades and master of none.

The premise (as with most revenge films) is simple, couple meet and go out, something bad happens and they get their revenge it's a simple formula and one that many directors have handled expertly over the years. Unfotunately in this case it's as if Dan Reed thought, "It'd be great to do one of those revenge films that goes a little deeper by showing a more human side to all the characters and delving into their mental state in more detail...." Wrong! There are also a few key elements missing, in this type of movie there's generally some kind of warning. A don't do this or this might happen element which adds to the tension but there's nothing of the sort here. It just simply happens, then nothing happens for an hour, then something interesting happens and then it ends.

There's a lot of really stiff competition in this genre and hats of to Dan Reed for trying, I have no issue with his directing abilities but in term of writing... I'd say next time he should stick to the formula for the type of film he's making instead of trying to be too clever and he'll have a quality movie on his hands.

Straightheads wants to be a modern version of Straw Dogs but just ends up being low wattage, low grade muddled revenge tale.

Alice (Gillian Anderson) is a high powered businesswoman who enters into a relationship with young Adam (Danny Dyer) who only came round to install a security system in her flat.

Alice probably wants a bit of rough and asks Adam to attend a party in the countryside. On their way home, Adam is attacked by three men, Alice is raped.

A month later, still traumatised after the attack, Alice wants revenge and track the men down.

Even with its short running time, this is a slow tedious film and badly shot. I never bought the relationship between the two people. We initially see Adam spying on her in his monitor as Alice comes home from work. After the attack he feels impotent, smokes dope and watches porn.